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society's expectations of gender roles
society's expectations of gender roles
studying gender roles in literature
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The world is filled with strong, independent women who struggle everyday for equality. Unfortunately, even today, many countries still view women as second class citizens.
Women, and their lives, play a major part in Henrik Ibsen’s A Doll’s House where men dominate in society. Nora and Mrs. Linde are two women who struggle in their lives as they sacrifice themselves for the pleasure of others.
In the beginning of the play, Henrik Ibsen presents to us a view of women in the 19th century. Long before women had a right to vote, or even own property, they were subservient to their husbands or fathers. For example, Nora., always wanting to please her husband, accepts him comparing her with a little animal and even seems to identify with this image. Nora appears completely submitted to her husband, ready to accept whatever he would say or do.
There are many hints to Nora’s awareness to a women’s struggle and recognition for their strength, and intelligence. Nora speaks of the unnoticed sacrifices thousands of women make on a daily basis for others. As it is for most women who are starting over Nora, has no carefully thought out life direction. Nora is acting out of respect for herself. She realizes the only way she will ever be happy is by finding out who she really is. She wants to experience a life outside of a doll house.
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Nora's passionate sense of herself, her absolute refusal to live a life where she is not in control of her actions. There is about her actions something grand, defiant, and totally free, values all the more precious given...
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...ll, hockey, and basketball games, even though she was exhausted from working all night. Thanks to my mother, I have faced many hardships with dignity, and the strength to pick myself up and move forward.
I believe her sacrifice and sense of responsibility had a huge influence in my own life. Behind every strong woman there is another strong woman who had an enormous influence in their lives. I also believe behind every strong woman there is a weak overbearing man who forced them to become that way. Thankfully, these women did not wait for the male dominated society to give them their equality and independence.
After she reveals the "dastardly deed" to her husband, he becomes understandably agitated; in his frustration he shares the outside world with her, the ignorance of the serious business world, and destroys her innocence and self-esteem. This disillusion marks the final destructive blow to her doll's house. Their ideal home including their marriage and parenting has been a fabrication for the sake of society. Nora's decision to leave this false life behind and discover for herself what is real is directly symbolic of woman's ultimate realization. Although she becomes aware of her supposed subordinateness, it is not because of this that she has the desire to take action. Nora is utterly confused, as suggested by Harold Clurman, "She is groping sadly in a maze of confused feeling toward a way of life and a destiny of which she is most uncertain (256)." The one thing she is aware of is her ignorance, and her desire to go out into the world is not to "prove herself" but
Passion: Nora’s passion is to be a real human and not be unreal towards herself, her family, or her husband. She wants to be accepted and human like the rest of the world, and she tries to figure a way to make this possible. “When (Nora) lived with Papa, he used to tell me everything, so that I never had any opinions but his. And if I did have any of my own, I kept them quiet, because he wouldn’t have like them.” Since childhood Nora has not been able to express her own feelings. She has bottled everything up inside, and she has a passion to open up and show her true self.
...ome from different worlds, yet they still share the same type of sadness and pain in their everyday lives. What Nora does is considered courageous in that time in history, where women were not treated as equals and were always looked down on and ignored. Women speaking out and taking matters into their own hands was unheard of and often risky. They want to be independent so they do what they believe is necessary to accomplish and reach their goals, so that they can once again be happy for eternity.
The nineteenth century brought about the results in cultural, political, and socio-economic transformations which distinctly affected the underlying changes in the roles of women, especially in Great Britain. Throughout the era, the private sphere was reacted positively and negatively, gender roles were developed dynamically, and general expectations shaped the way of living. As a result of Industrial revolution, Britain was successfully approved to be the world's most greatest economic power and had changed society and social life. Particularly, Moreover, the separate spheres shaped by 'inherited' characteristics of gender purposely characterized the condition of women's living that were totally different from men's. The images of victorian
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
Furthermore, if we go to see a production of this play (at least among English-speaking theatre companies), the chances are we will see something based more or less on this interpretative line: heroic Nora fighting for her freedom against oppressive males and winning out in the end by her courageous final departure. The sympathies will almost certainly be distributed so that our hearts are with Nora, however much we might carry some reservations about her leaving her children.
...The play demonstrates this in the following lines: Helmer: Before anything else, you’re a wife and mother. Nora: I don’t believe that any more. I believe that before anything else, I’m a human being, just as much a one as you are … or at least I’m going to turn myself into one … I want to think everything out for myself and make my own decisions. Nora must be true to herself in order to participate in society in a meaningful manner. Her relationship with her children has been marred by her relationships with her father and husband; she treats her children as dolls, and they are apt to grow up in the same manner, with the same inability to be true to themselves. By the end of the play, Nora realizes that she cannot properly fulfill her duties as a mother until she learns how to become a person first. In this sense, her abandonment of her children is an act of mercy.
Reading Henrik Ibsen’s “ A doll’s house” it proves that the writer puts importance on the characters and the roles they play in the stories. The main characters in this story pretend more to be someone else than who reader would prefer them instead of being their true selves. The one person whose character highly stood out throughout the whole story and who’s role couldn’t do more justice than said in the story to point where to seems like she leads two different lives is none other than Nora.
Nora 's character is a little bit complicated. she is a representative of women in her time and shows how women were thought to be a content with the luxuries of modern society without worrying about men 's outside world. However, Nora proves that this idea is entirely wrong. Nora is not a spendthrift as all people think specially her husband. on the contrary, she has a business awareness and she is mature
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Furthermore, if we go to see a production of this play (at least among English-speaking theatre companies), the chances are we will see something based more or less on this interpretative line: heroic Nora fighting for her freedom against oppressive males and winning out in the end by her courageous final departure. The sympathies will almost certainly be distributed so that our hearts are with Nora, however much we might carry some reservations about her leaving her children.
A Doll House showed how women were treated unfairly and unequally. Nora, Anne Marie, and Ms. Linde were examples of women in the world during that time period. Nora was an example of what became the start of the women’s liberation period. Henrik Ibsen showed a lot of modern realism by bringing out the struggles of women using these three characters. Life in the Victorian Era was very difficult for women.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
In A Doll's House, Ibsen paints a bare picture of the sacrificial role held by women of different economic and financial standards in his society. The play's female characters demonstrate Nora's assertion that men refuse to sacrifice their integrity. In order to support her mother and two brothers, Mrs. Linde found it necessary to leave Krogstad. She left her true love, Krogstad, to marry a richer man. These are some of the sacrifices that women have to make to provide for there family. The nanny had to abandon her own child to support herself by working as Nora's children sitter. As she often told Nora, the nanny considers herself very fortunate to receive the job as the sitter, since she was a poor girl who was left astray. Isben concerns about women in society are brought up throughout the play. He believed that women had the right to develop their own individuality, but only if they made a sacrifice. Wo...
On the other hand, towards the end of the story, Nora exhibits the independence and