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Literary analysis everyday use
Explore how Stoker presents gender in dracula
Gender role in dracula
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All through the Victorian era, one of the main concerns was the position and the roles that women played in society. Stoker’s novel and as well as the movie, Dracula, of the Victorian times symbolize different types of women like Mina and Lucy , as well as the Weird Sister’s portrayed them as more masculine than feminine. Through these different characters Stoker was able to conquer monstrosity by the seduction of sexuality and influence that the women had over the men. However, it questions the ultimate perspective of the Victorian culture. To understand the female roles in Dracula, first you have to be aware of the Victorian perspectives of women. (Student Pulse) Stoker portrays some women as obvious seductive individuals and other women …show more content…
In the movie, Mina was a faithful and smart woman. She is the perfect example of what the Victorians seen as an ideal wife. Even though Jonathan was missing almost half the movie, Mina still remained faithful and was concern in her heart towards Jonathan. Like at the beginning of the movie, Mina is typing about how she have not heard from Jonathan and it is making her feel “uneasy about him”. (Columbia Tristar Home Video) Mina typing about her concerns about Jonathan does not only proves that she cares about his well-being but it demonstrates her commitment towards him. When she could have just moved on like anyone else would do if they were to wait on someone for a long time. Then like towards the end of the story, both Jonathan and Mina eventually became married. The role that Mina plays not only portrays set worth of the Victorian woman because of the previous points, but Mina demonstrates the perfect role of Victorian woman because she is not seductive in her sexuality. By Stoker reserving Mina’s sexuality, he is able to keep Mina’s innocence that is approved by the Victorians …show more content…
The question is where Lucy falls into place, which the answer is in between. The reason is because at the beginning of the movie, Lucy shares the same qualities as Mina. She also have the same morality as Mina.at the beginning of the movie, three men are interested in Lucy but she turns two of them down and goes for the men that she loves. By Mina being her friend also speaks volume about Lucy’s character. As stated before, Mina has all the qualities that a Victorian men believed that a women should be like. By Mina taking account of Lucy as a friend with the same values as her, this demonstrates the way Lucy character is portrayed as an example of a Victorian
Victorian Women were highly held back in their full potential. Their main role in the household was to “be happy - a sunbeam in the house, making others happy” (Hardy, E.J. 1887). On top of this, Women in the Victorian era were not allowed to display their sexuality or “tempt” men in public; they were meant to be submissive and meek (Causey S., 2008). The Victorian era lasted from 1837 til 1901, with women being punished everyday for crimes that are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time.
In Dracula, Bram Stoker explores the fantastic image of a sexually dominant woman within a patriarchal society. The battle between good and evil within the novel very much hinges upon feminine sexuality: Lucy and Nina are embodiments of the Victorian virtues, which Dracula threatens to corrupt,
“My revenge has just begun! I spread it over centuries and time is on my side”(Stoker 366). Nearly 200 years later, 18th-century gothic novels still influence modern-day Gothic literature. Bram Stoker's novel, Dracula is highly influential in regards to modern-day Gothic literature and films. The Twilight Saga, written by Stephanie Meyers and directed by Catherine Hardwicke, is a romance series about a human girl that falls in love with a vampire named Edward. Eventually, the human love interest, Bella, becomes a vampire and the two live on together forever. The Vampire Diaries television series, written by Julie Plec and Kevin Williamson, is about a town overrun by people with secret immortal lives, such as being a werewolf or vampire. There are
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
First, readers can tell that Lucy Westenra’s position as a feminine character in this novel is there to support the masculine society. This can be seen through the text and Lucy’s thoughts and by her descriptions of the other characters who are also in the novel. While Lucy is writing letters back and forth with Mina, Lucy starts to represent her womanhood by writing to Mina, “You and I, Mina dear, who are engaged and going to settle down soon soberly into old married women, can despise vanity” (Stoker 78). The expectations of a woman during this time would be for them to settle down, start a family, and to take care of the family and their house. Next, Lucy is very willing and goes out of her way in order to please her husband, Arthur Holmwood. Lucy wrote “I do not know myself if I shall ever speak slang; I do not know if Arthur likes it; as I have never heard him use any as yet” (Stoker 78). In this quote, Lucy is saying that if her husband does not like it that she wil...
she was to be a wife and produce an heir. If she was neither these,
... Dracula were used to show that Mina and Dracula are aware of each other’s presence. In the scene, Lucy, who is a pure and virtuous woman, is willingly having sex with a werewolf and enjoying it. A taboo of bestiality is openly and provocatively shown here. Lucy having sex outside of marriage is a transcension of the social norms of 1897, when Bram Stoker’s Dracula was written. Lucy’s destruction in Bram Stoker’s novel and any Dracula movie shows a “deliberate attempt […] made to make sexuality seem unthinkable in ‘normal relations’ between the sexes” (Senf, 39). During and after Lucy’s transformation, she becomes very sexual and makes several sexual advances. By killing Lucy in the novel, Stoker shows society’s fear of female sexual assertiveness and the belief that sexually assertive women are evil and un-Christian and unable to be in a ‘normal’ relationship.
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
In DRACULA, the general content is about the fighting between Dracula and humans, since Dracula tries to transform all the female characters into vampires. The language of the book is not very sexual, but the word “Voluptuousness” did shows up a lot in the book. The female characters, Mina, Lucy and the three sisters, they have different personalities, different attitude to love, and different virginity. When Dracula tried to transform them into vampires, they experience different processes and have different endings.
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
Mina Murray was engaged to Jonathan Harker and when Dracula kept him prisoner, the Count wrote letters to Harker’s boss and pretended to be Jonathan and to inform his boss and his fiancé that things were going good with his business trip. The Count was giving Mina and Jonathan’s boss false hope and keeping Harker prisoner at his castle. Dracula would even dress up in Harker’s clothes and mail the letters so it would not arise any suspicion. The Count seemed to only focus on turning women into vampires and he used the men to lure the women into his trap. Therefore, that is why he was keeping Jonathan alive. Everything Dracula did was made with lots of forethought. Such as when Lucy a young woman who also was a friend of Mina was mysteriously getting ill and sleep-walking during the night no one knew what was happening to Lucy because she would get sicker after they discovered she was sleepwalking. Lucy was sleep walking because she had gotten bite by Dracula and every night he called to her so he could feed off her again. He also made sure she was alone and waited a few days before attempting to suck her blood again. Although, Dracula was a smart man in his cunning actions he could not hide the fact that something evil was
They had the roles of wives and mothers (Abrams 6). Motherhood was an affirmation of a woman's femininity (Abrams 6). She may have been a wife before but her duty as a woman was only fulfilled when she had a child to care for (Abrams 6). Women who were not able to conceive were pitied and seen as a failure (Abrams 6). Childless women were often urged into the role of governess or nursery maid to make up for their loss (Abrams 6). Motherhood as seen as an innate urge of women is also remarked upon by Mina Harker in Dracula when she comforts Arthur Holmwood after his fiancée, Lucy Westenra, dies: "We women have something of the mother in us that makes us rise above smaller matters when the mother-spirit is invoked; I felt this big, sorrowing man's head resting on me, as though it were that of the baby that some day may lie on my bosom, and I stroked his hair as though he were my own child" (Stoker
...battle to life. In the novel, on the other hand, Stoker makes sure that his female character triumphs (by surviving) and that she returns home to “become a dutiful wife and caring mother”. This is where we could argue that “Stoker is much ahead of his times in portraying a ‘New Woman surpassing even the best male ‘professionals’ in terms of intellectual labor, a ‘gallant’ woman wit a remarkable ‘man-brain’ who helps save the empire, even though her power abruptly dimishes toward the end of the novel, and she is finally summoned home to become a traditional mother figure” (Kwan-Wai Yu 158). Although Stoker was very accurate in the new scientific and technological advances that he incorporated into Dracula, he was also very accurate in portraying a strong willful woman who is able to complete a job that was unwittingly given to her in the most extraordinarily manner.
There are a few characters in Dracula that embody society’s views of the time towards the uprising of women for better rights. On the other hand there are also characters that portray the Victorian ideals that men are stronger than women and how it should stay that way. As author Bram Dijkstra mentions in his response essay, “Stokers work demonstrates how thoroughly the war waged by the nineteenth century male culture against the dignity and self -respect of women had been fought”.(Dijkstra , p.460).