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How are gender roles explored in the awakening
Critical analysis of the awakening by kate chopin
Literary view of the awakening kate chopin
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Throughout the centuries, women have been relegated to roles as mothers and housewives. Any women who do not conform to society’s chauvinistic and harsh rules suffer alienation and are considered to be sluts or unlovable independents. These unfair tenets imposed by society do not allow women to be free in how they live. After experiencing an “awakening”, Edna Pontellier struggles to find her place in a society that does not allow for women to be anything other than compliant wives. She cannot see herself as another submissive woman in her Creole society; rather, she would like to choose her own path. Kate Chopin, in The Awakening, illustrates that women are unable to live their lives as they see fit through Edna’s struggle to cope with those choices that her oppressive society has presented to her.
Despite the rigid traditions of her society, Edna Pontellier attempts break free from her role as a wife and mother in search for autonomy, but, as a result, she is rejected by society and left unsatisfied. While she would like to be more independent, Creole society dictates that women should be mothers who devote their lives completely to family and duty. First, Chopin shows that there is an “absolutely inescapable link—basic, natural, and powerful—between the female identity and motherhood” to illustrate how women are bound to society’s belief that women must be mothers; Chopin does so by explaining that Madame Ratignolle, a friend of Mrs. Pontellier who she met during the summer, is always pregnant and therefore always connected to her children (Skaggs 90). Later she imparts that the typical women that summer in New Orleans “were women who idolized their children, worshipped their husbands” (Chopin 10). Her purpose in conveying thi...
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... because of the strict rules placed upon them, women are unable to live as they would like to live.
Works Cited
Bogard, Carely Rees. “‘The Awakening’: A Refusal to Compromise.” The University of Michigan Papers in Women’s Studies. 1977. Gale. Online. 28 January 2010.
Chopin, Kate. The Awakening. New York: Bantam Classic, 1981.
Elfenbein, Anna Shannon. “Kate Chopin’s The Awakening: An Assault on American Racial and Sexual Mythology.” Twentieth-Century Literary Criticism. (2003). Gale. Online. January 30 2010.
Malzahn, Manfred. “The Strange Demise of Edna Pontellier.” Twentieth-Century Literary Criticism. 2002. Gale. Online. 28 January 2010.
Muirhead, Marion. “Articulation and Artistry: A Conversational Analysis to The Awakening.” Southern Literary Journal. 2000. Proquest. Online. 29 January 2010.
Skaggs, Peggy. Kate Chopin. New York: Twayne Publishers, 1985.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
New Essays on The Awakening. Ed. Wendy Martin. Cambridge: Cambridge UP, 1988.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.
Sullivan, Barbara. "Introduction to The Awakening." In The Awakening, ed. Barbara Sullivan. New York: Signet, 1976.
Pontellier does not doubt nor desire for something beyond society’s standard for women. Leonce Pontellier, Edna’s husband, is about fifteen years older than Edna; this age divide causes a drift in what principles Leonce feels that Edna must adhere to. He maintains his belief that Edna should follow a pattern of behavior that is in conformity with what society expects of a mother-woman. A mother-woman, was defined to be one “who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals…” (Chopin 16). This principle definition of a ‘mother-woman’ was expected to be followed by the women of the late 18th century; and was viewed as an ‘unwritten law’, or simply a regulation known to obey but not question. At first, Edna does not object to this expected behavior as Leonce’s wife. She fulfills her domestic duties without complaining and she stays loyal to her husband. Mrs. Pontellier never protests or confronts any inward doubt or apprehensions she may have imagined. Instead, Edna conforms by being quiet, reserved and calm; she suppresses her own feelings to try and please society and its strict standards. Yet, all this external conformity and compliance forces Edna to question her role in the society. Is this all she can expect in
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Bogarad, Carley Rees. " The Awakening': A Refusal to Compromise." DISCOVERING the Authors. Detroit: Gale, 2003.
In “Tradition and the Female Talent: The Awakening as a Solitary Book,” Elaine Showalter makes a compelling argument that “Edna Pontellier’s ‘unfocused yearning’ for an autonomous life is akin to Kate Chopin’s yearning to write works that go beyond female plots and feminine endings” (204). Urging her reader to read The Awakening “in the context of literary tradition,” Showalter demonstrates the ways in which Chopin’s novel both builds upon and departs from the tradition of American women’s writing up to that point. Showalter begins with the antebellum novelists’ themes of women’s roles as mothers—especially the importance of the mother-daughter relationship—and women’s attachments with one another and then moves to the local colorists of the post-Civil War who claimed male and female models but who wrote that motherhood was not a suitable partner for the true artist. According to these women writers, a woman had to choose to be either an artist or a wife and mother; one negatively affected the other. The literary history then delves...
Sullivan, Barbara. "Introduction to The Awakening." In The Awakening, ed. Barbara Sullivan. New York: Signet, 1976.
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym. New York: W.W. Norton, 2007. 535-625. Print.
Bogard, Carley Rees. “The Awakening: A Refusal to Compromise.” University of Michigan Papers in Women’s Studies 2.3 (1977): 15-31. Gale Literature Resource Center. Web. 30 January 2014.
Bloodchild by Octavia Butler is seen as a story about the relationship between alien oppressors and a group oppressed humans. It has also been described as a love story between the human narrator and the chief alien. In her afterword, she describes “Bloodchild” as “a love story between two very different beings,” “a coming of age story” and a “pregnant man story.”(Hardy) However, when one comparing Butler’s “Bloodchild” to Simone De Beauvoir’s essay “The second sex”, similarities surrounding the social issues of gender inequality arise. The circumstances of the narrator mirror social issues affecting modern women. Bloodchild by Octavia Butler examines the dynamics of power between the sexes; by switching the gender roles in the story, she show how women are marginalized in society.
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)