In Candide Voltaire discusses the exploitation of the female race in the eighteenth century through the women in the novel. Cunegonde, Paquette, and the Old Woman suffer through rape and sexual exploitation regardless of wealth or political connections. These characters possess very little complexity or importance in Candide. With his characterization of Cunegonde, Paquette, and the Old Woman Voltaire satirizes gender roles and highlights the impotence of women in the 1800s. Cunegonde is the daughter of a wealthy German lord. She is described as “extremely beautiful” (Voltaire. 5) and is repeatedly referred to as “the fair Cunegonde.” (39). She is the typical damsel-in-distress: a woman who is completely reliant on male protection and often fainting at the sight of anything the least bit distressing. She is a vapid beauty and completely obsequious to whomever she happens to belong to at the time. However, Voltaire does not blame her foolish naiveté on her femininity. Candide himself is terribly innocent and is unable to make decisions without the advice of a third party. In a way, Cunegonde accepts her situation in life better than Candide does. She knows that as a woman in the eighteenth century she has few options if she wishes to survive and she is not above using her beauty to her advantage. She never questions or philosophizes like many of the male characters. Her acceptance of the sexual slavery she finds herself in belies an understanding of the limited options women had at the time. Women in the 1800s had very few choices for advancement in life. They could either marry well or they could become the mistress of a powerful man or both. Cunegonde becomes the mistress of the Grand Inquisitor, a Bulgar captain, and the... ... middle of paper ... ...ir first encounter and believes that she had no choice but to accept the governor’s offer. She states, “An honorable woman may be raped once, but it only makes her virtue stronger.” (24) For her part she does love Candide but it is a shallow love, more akin to lust. She wants to be faithful to Candide, but only if it will support the lifestyle that she is accustomed to. The women of Voltaire’s Candide emphasize the exploitation of females in the 1800s. Cunegonde, Paquette, and the Old Woman are raped, forced into prostitution, and sexually exploited. Women are valued for their beauty and can only succeed if they have pretty face to recommend them. Women in the nineteenth century exist for the pleasure of men and are subjugated to these men. Works Cited Voltaire. Candide Or, Optimism. Trans. Peter Constantine. Modern Library ed. New York: Random House, 2005
Cunegonde was painted as a woman who was not so strong. In chapter 7 after meeting candide, cunegonde collapsed on the sofa (Voltaire pg. 365). This is a way of saying that she as a woman was not strong which is what made her faint in a moment of sorrow, pain and anxiety. No man was ever said to faint in the book when they got anxious or pain because they never really had to go through those emotions it was only attributed to women as we saw through cunegonde.
The author, Voltaire, wrote in the Enlightenment period, a literary movement characterized by the rising concern of philosophy, science, and politics. Voltaire’s writing was influenced by the Enlightenment movement to create awareness of global issues. This is evident in the repeated tragedies Candide stumbles upon. Social issues, corrupt authority figures, and war are real world topics that Voltaire chooses to address in Candide. The satirical nature of Candide allows for an in-depth discussion between the characters regarding the problems they face and the problems of the people they meet, creating a perspective that the audience is forced to look through. It is also a coming of age story, not just for Candide, but for the rising awareness in global issues. Voltaire’s inclusion of the issues of his time reflect the severity of those issues. Satire is used as a reaction to a society’s hypocrisy. Candide as a satirical piece reflects what people have neglected to pay attention to. Coming into a new era of awareness and responsibility leads Candide to reflect on the live he lived in Westphalia and the people he encountered across
The experiences that we face in life vary from person to person and one of the greatest differences occur between men and women. In Voltaire 's novel Candide a great deal of the experiences that each of the characters face is unique to them, but the experiences of the women differ greatly to those of the men. The way the two sexes handled those experiences also varied and reflected a satirical view of the times in which Voltaire lived. The differences in events between the men and women can be seen in a few key points that are seen throughout the Novel.
Thus, according to Frankenstein and Candide, we can see how feminism represents the oppression of women in both the culture and time period in which the novels were written. In Frankenstein, the role of the women characters was insignificant, thus having a minimal influence on the plot. After they fulfilled their duties in their domestic sphere, they were discarded. Likewise, in Candide, Voltaire expressed the obstacles women faced and demonstrated the conditions of 18th century Europe and the dangers it was to be a woman at that time. As a result, according to both accounts of women in the two novels, we can see how the time period and culture reflects the inferiority and passivity of the roles of women in both England and Europe during the 18th and 19th centuries.
One of the main female characters of this story is Cunégonde, the love interest of Candide, whose life did a complete 180 turn around. When we first find Cunégonde we see that she lives a lavish life with her family. We see her life turn around when her house is burned down, and her family murdered. Cunégonde herself is raped and sold to a man known as Don Issachar. She is then forced to be shared with another man known as The Grand Inquisitor. Although Cunégonde is a victim in the beginning, she retains her strong character, and after Candide slays the two men, she quickly seizes the opportunity to leaves with Candide and the old woman. If she were a victim,she would quickly falter, unsure of how to act or move because of
Voltaire creates the character of the Baron in “Candide” to symbolize his attack on class or more specifically; the structure of social hierarchy. As a character, he is the sibling of Cunégonde, the woman that Candide is in love with but they are both from a different class. Ultimately, he completely stands by strictly following class structure and he disagrees against straying from the idea. He finds the love that Candide has for Cunégonde is unacceptable and forbidden because of Cunégonde is higher on the “social ladder” than Candide. Initially, he celebrates seeing Candide once more until he finds out
Voltaire's Candide is a philosophical tale of one man's search for true happiness and his ultimate acceptance of life's disappointments. Candide grows up in the Castle of Westfalia and is taught by the learned philosopher Dr. Pangloss. Candide is abruptly exiled from the castle when found kissing the Baron's daughter, Cunegonde. Devastated by the separation from Cunegonde, his true love, Candide sets out to different places in the hope of finding her and achieving total happiness. The message of Candide is that one must strive to overcome adversity and not passively accept problems in the belief that all is for the best.
Voltaire. Candide. In Candide, Zadig and Selected Stories.Trans. Donald Frame, New York: Penguin Group, 1961.
Voltaire creates a chasm between humanity and the world of Candide. The reader laughs not only at the situation or environment, for the characters are just as ludicrous as the world in which they live. It is possible that Voltaire wants his audience to assume a position of moral superiority when reading the tale. The reader cannot take characte...
The women in Candide are seen to men as property. Men look upon their women as gold prizes that can be thrown out whenever they are finished with them or when they don’t pertain the same value as they once did. The women of this novel have no say in what their futures have in store for them. “A Bulgarian captain came in, saw me all bleeding, and the soldier not in the least disconcerted. The captain flew into a passion of disrespectful behavior of the brute, and slew him on my body. He ordered my wounds to be dressed, and took me to his quarters as a prisoner of war. I washed the few shirts he has, I did his cooking; he thought me very pretty…In three months’ time, having lost all his money, and being grown tired of my company, he sold me to a Jew, named Don Issachar, who traded to Holland and Portugal, and had a strong passion for women” (Voltaire 17). This exert
Before getting into the comparison and contrasting here is a little background information on Candide. Candide is a very interesting character throughout the story and Voltaire uses him to represent his own ideas. In the beginning of the story Candide is a good-hearted boy but he is very naïve. Candide believes in the philosophy of his teacher Pangloss, that all is for the best in this "best of all possible worlds". (Voltaire, pg. 4) Candide bases his whole life off of this philosophy and even thought his life has been nothing but struggles, Candide never strays from this idea. Every time Candide is going through hard times and something good would happened he would refer back to this philosophy and believe it more and more every time something good happened. Candide is also very attracted to Cunegonde. Cunegonde is the Baron’s daughter and is very beautiful. Candide has always wanted to marry her but it has not happened because he is way below her rank. Candide eventually gets thrown out of his town for sneaking around with Cunegonde. This doesn’...
Voltaire is beginning to conclude the story and informs the audience that 'It would be altogether natural to suppose that Candide, after so many disasters, would henceforth...he took things as they came.'. The small passage switches from a positive assumption of how the story is going to end to a pessimistic and sarcastic prediction, portraying a possible sense of reality becoming apparent to the characters. Pangloss in this extract appears to come across as a little more pessimistic and eccentric, as opposed to his character in the very beginning of the novel appearing to be highly respected, strong and wise. The plot begins to change direction and the optimistic view of the world that has been so prevalent throughout the novel is coming to a halt. Voltaire has brought the characters together and changed everything that the audience and characters assumed they would become. Candide yearning for Cunegonde quickly becomes redundant with the character simply not wanting to be romantically involved anymore due to her once stunning beauty now turning to ugliness. Pangloss was first described as 'the greatest philosopher in the province', however now appears to act foolish. Martin the pessimist was taken on board to be persuaded to become more philosophical and optimistic about the world, however he ended up staying 'firmly persuaded that people are equally miserable wherever they are; he took things as they came'. The way Voltaire pushes the humour and sarcasm along with the dramatic imagery allows Candide to be ironic and full of wit making the story appear more relatable for the audience when the characters quickly change their opinions and mature. Voltaire does not make any of the characters in Candide very complex, only Candide himself. Only in Chapter 30 does a drastic change happen to the characters. The sudden comparison of a happy ending being followed by a much more realistic and darker
Voltaire’s Candide is a satirical novel that addresses common issues in society through a series of outrageous events. Voltaire, the author, wrote about Candide who is extremely naïve and views the world from an optimistic point of view despite the constant troubles him and the people around him encounter. Voltaire points out specific struggles of society including views on philosophy, religion, social power, love, etc. He uses the outrageous events to awaken laughter in the audience but also spark thought on the issues we face in life every day. For example, Candide is stuck on the philosophical standpoint that everything in life happens for a reason and for the overall good. In chapter 16 of the novel, Candide assumes two naked women were being attacked by monkeys, so he proceeds to kill them in hope of saving the women. However, Candide was not aware that the monkeys were actually the girls’ lovers. “Master,” replied the knowing valet, “you have
For instance, in Candide it states, “A lady of honor may be raped once, but it strengthens her virtue”(32). Cunegonde has been raped and sold multiple times, but it seems like she’s still positive in her life. Women in our time period would have panicked and would have felt ashamed that they were raped, but Cunegonde wasn’t. Cunegonde describes her struggle as if it was a dramatic struggle in trying to resist the Bulgar soldiers, but she doesn’t think of it as an unusual thing to happen. Voltaire tries to tell us that women at that time period were vulnerable. Because of that, Cunegonde is blinded by the real situation of women. In Cunegonde's life she has only experienced rape and being sold so, it’s highly unlikely that her perspective of women being raped will change. Women probably felt offended because Cunegonde is basically saying how it’s better to be raped more than once in order for you to be virtuous. Besides women, some men probably felt responsible for how women were treated and all of this happened was due to men feeling superior to women. Voltaire uses the idea of rape being virtuous, so more people are aware of how serious rape is. Women being raped multiple times makes you think that women are blinded by how they are treated instead of actually realizing what the real problem is. Without a
Shanley, Mary L., and Peter G. Stillman. "The Eldorado Episode in Voltaire's Candide." Eighteenth Century Life 6.2-3 (Jan.-May 1981): 79-92. Rpt. in Short Story Criticism 112. Detroit: Gale, 2008. Literature Resource Center