Women In Hollywood: Pre-code and Post War Eras Essay

Women In Hollywood: Pre-code and Post War Eras Essay

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Slowly she asked "Is anyone there?" as she walked down the dark deserted road. When she heard a loud sound she turned abruptly trying again "Hello?" Met with only silence she picked up here pace almost running down the dirt road. Her nerves had just began to calm when she heard "WRRRREEENNNNNRRRRRRR" as a chainsaw started behind her. Running she started looking behind her hoping that whoever it was, wouldn’t catch her. With her lack of concentration she tripped over her high heels and face plants into the dirt, giving the murderer a chance to catch up. Slowly he lowered the chainsaw and began cutting --CUT -- This is a common plot used in horror movies today. Movies have changed over the years. They were different five years ago, fifty years ago, and even a almost a century ago. Technologies have unthinkable things possible. They have allowed us to re-sink "the unsinkable ship." They have allowed us to see dinosaurs in all their brutal glory. We have seen imaginary creatures, only ever mentioned in stories brought to life. Movies have moved so far from the 1920's and 1930's. They have developed ideals, rules and even standards; but where did they begin? Did movies just fall out of the sky? Did they just come into being? No they began slowly, silently moving towards a new era, the era we today call "Pre-code Hollywood"
The idea of Hollywood, before it was Hollywood as we know it seems foreign. However, it did exist and was known as "Pre-code." Pre-code Hollywood refers to the era in the American film industry between the introduction of sound in the late 1920's and the enforcement of the Hays Code censorship guidelines, which went into effect on June 13, 1934 (Association of Motion Picture Producers 1934). Durin...


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...d by William Wyler. Performed by Audrey Hepburn. 1953.
Sabrina. Directed by Billy Wilder. Performed by Audrey Hepburn. 1954.
Lasky, Betty. The biggest Little Major of Them All. Santa Monica: Roundtable, 1989.
Miller, Frank. Censored Hollywood. Atlanta: Turner Publishing, 1994.
Nichols, John. ""Counbtering Censorship: Edgar Dale and the Film appreciation movement (critical essay)."." Cinema Jouranl. Fall 2006.
Rabinovitz, Laura. For the Love of Pleasure; Women, Movies and Culture in the Turn-of-the-Centry of Chicago. New Jersey: Rutgers university Press, 1998.
Reed, Elanine Walls. "'A very unusual Practise [sic]': miscegnation and the film industy in the Hays era." West Virginia Univesity Philological papers 50, 2003: 42-53.
Southerland, Harold P. ""'Love for Sale'- sex and the Second American Revolution"." Duke Journal of Gender Law and Policy, 2008: 49-77.

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