Sexy, attractive, dependent, traditional…successful, smart, determined, independent; why must a woman choose, why can they not be a woman of all these characteristics? Dalbey and duCille explain how women are objectified starting at a young age of playing with dolls and attending pageants. This objectification continues into advertisements, Kilbourne, Bailey, and Powers all argue why women are portrayed as objects of sex which ultimately dehumanizes women. The reliance on a man is a constant issue women are faced with, along with the notion that men are to be the breadwinners. What if a single woman making half a million dollars as a doctor is out buying a new vehicle; does a dealer have the right to ask “shouldn’t you ask a man permission …show more content…
Pageants were to be events to allow women to reveal their values, beauty, talents, and intelligence; with the reward of a scholarship to motivate women to achieve their goals. However, we all know world peace is not happening anytime soon, as pageants have turned from scholarship motivated to showcases of women being sexy. Dalbey condones the reason women do not speak out is, “Women [do] not believe their complaints would have any effect…” Do you think a man has the same mentality? Women need to be assertive and take a stand against these objectifying ads and end the demeaning of women. The way women are perceptive is contradictive if a man has the same characteristics for example: if women are smart they are considered know-it-alls, if they are successful it is because their fathers got them where they are, but if they are sexy nothing else matters. “As an icon of idealized femininity, then, Barbie is locked into a never-never land in which she must be always already sexual without the possibility of sex” (539) (duCille). Young girls are influenced by the curvy, busty, Barbie doll and believe to be attractive they must also be …show more content…
But jean sells are increasing when their commercial shows a woman being attacked by three men (464) (Kilbourne)? Kilbourne states that commercials that have a sexy man doing something dangerous becomes erotic, therefore men have this perception that being the good boy is not a positive attribute. When examining Kilbourne’s advertisement selection we see men in control, pushing women against walls and having two women flock over one man. Kilbourne’s selection was to confirm the discrimination women face. The group of feminist fund-raisers, who call themselves SlutWalkers are currently trying to “reclaim the word slut,” by marching around in skimpy clothing making jokes about the industries of prostitution and pornography. They are putting women into a difficult situation because they are pushing for empowerment, but does empower cross your mind when there are half-naked women waltzing around? These women believe they are taking a stand against men, but truthful they are giving them exactly what they want…women strutting around with very little clothing on (Powers). Women are portrayed similarly in advertisement for cars, alcohol, and aftershave; because sex sells. Women are sexy and attractive which sells products on television; however when it comes to advertisement on the radio a man’s voice is used 78% because it is convincing and strong
Thus, we can assume that the audience itself, the members who believe in the content of ads and its sincerity, as well as, people who agree with the portrait of the women that is being created are the only prisoners in this particular situation. “To them, I said, the truth would be literally nothing but the shadows of the images” (Plato 868). On the other hand, according to the Jean Kilbourne, author of “Two Ways a Woman Can Get Hurt” what is not mention to the public is the fact, that many women from the very young age during the process of finding out the truth and being blinded by the “light” are fighting with depression, low self-esteem, eating disorders and sexual harassment. “I contend that all girls growing up in this culture are sexually abused – abused by the pornographic images of female sexuality that surround them from birth, abused by all the violence against woman and girls, and abused by the constant harassment and threat of violence” (Kilbourne
In Rereading America excerpts by Jean Kilbourne’s “Two ways a Woman Can Get Hurt”: Advertising and Violence” and Joan Morgan entitled “From Fly-Girls to Bitches and Hos,” both authors focus on gender inequality in America. In doing so they are trying to explain to the audience about the status of women in the men dominated society. Both articles discuss the violence and exploitation of women and demonstrate the power of media and the entertainment world based on our attitudes that influence our behavior as men and women. Both selections also make readers think about the current status of women in the society and the media’s role in a way of effective gender roles among society. Kilbourne and Morgan provide the different examples in their own ways to support their selections and ensure to make their essay successfully persuasive by demonstrating their point of view, while still reaching the same conclusions. Kilbourne takes a calm approach to explain to the readers how the objectification of women in advertisements constitutes a form of cultural abuse, while Morgan adopt a very aggressive way to express her point of view. Comparing Morgan’s tone with Kilbourne, Morgan’s aggressive approach might leave readers disinterested to read her selection.
Was the story of Beowulf’s battle between good and evil a reflection of Christ battling Satan? There are 3 major battles within Seamus Heaney's edition of the epic poem Beowulf all of which earn Beowulf some heroic status for saving the town from the evil antagonists that lurk, but is there a deeper meaning behind these battles than just an old tale? Is there some metaphor we are supposed to perceive? Throughout Beowulf there are a lot of different themes to pick and choose from, some interesting and more prevailing ones are that of pride vs. humility and sacrifice vs. selfishness. Beowulf for example is very proud but at the same time humbles himself and offers his credit to the Lord. The bible states in Jeremiah 29:11 ‘“I know the plans I have for you,’ declares the LORD, ‘plans to prosper you and not to harm you, plans to give you hope and a future.”’ Seamus Heaney portrays Beowulf as a Christ-like figure to spread the ideals and values of Christianity and God’s Love to the audience.
There are a plethora of different themes, motifs, and symbols to choose from in Beowulf. A recurring theme throughout Beowulf is generosity and hospitality, along with the importance of ones identity. One portion stands out the most against the first theme and it is; The Finnsburg Fragment. A motif that came to mind while reading Beowulf had to have been the importance of the Mead Hall. Something else to think about is the relation to the fall of the hall in The Finnsburg Fragment being told right after Beowulf’s victory against Grendel.
This phenomenon suggests that all women are required to remain loyal wives and stay at home mothers who aspire to achieve perfection. In “Mirrors of Masculinity: Representation and Identity in Advertising Images,” Jonathon E. Schroeder and Detlev Zwick claim that “highly abstract connections are made between the models, a lifestyle, and the brand” resulting in a need to associate these products with a specific way of living (25). Instead of simply displaying these luxurious bracelets and handbags, the ad creates an elegant environment through the incorporation of sophisticated items. The women are dressed elegantly in dresses and blouses, adding a conservative element to the ad. The ad presents a rather stereotypical image of the very successful heads-of-household type mothers who have brunch with other elite women in an exclusive circle. Everything from the merchandise they sport to the champagne glasses down to the neatly manicured fingernails provides insight into the class of women presented in this ad. The body language of the women strips the image of the reality element and instead appears to be staged or frozen in time. This directly contributes to the concept of the gendered American dream that urges women to put up a picture-perfect image for the world to see. Instead of embracing individual struggle and realities, the American dream encourages women to live out a fabricated
First, Kilbourne’s research should be praised tremendously for bringing to light the unhealthy impression of true beauty in today’s culture. Kilbourne challenges the audience to reconsider their viewpoints on advertising that is sublime with sexual language. The evolution of advertising and product placement has drastically changed the real meaning of being a woman. According to the movie, every American is exposed to hundreds and thousands of advertisements each day. Furthermore, the picture of an “ideal women” in magazines, commercials, and billboards are a product of numerous computer retouching and cosmetics. Media creates a false and unrealistic sense of how women should be viewing themselves. Instead of being praised for their femininity and prowess, women are turned into objects. This can be detrimental to a society filled with girls that are brainwashed to strive to achieve this unrealistic look of beauty.
In a study done by The 4Th Estate, the results showed men are quoted around five times more than women in stories regarding women (Pesta 1). With media being so male centered, it is not surprising that often women become the target of sexual objectification in all realms of media. With the concept of “Sex Sells” still holding true, many advertising outlets have continued to fund ads with sexually focused content. Whether you are listening to the radio, reading your favorite magazine, or just window shopping in the mall you are being targeted by media’s gendered advertising.
From the Mid Century of the 1900’s to today, women have strived to be noticed and respected by society; and to be a part of a world with little confidence and many insecurities leads to wanting more and stepping out of the box that society builds to keep traditions alive.
Women and men both play crucial roles in our society. Through the years, we like to presume that gender roles aren’t perceived as they once were. Is that the case? Looking through pieces of literature such as “I want a wife” (1971) by Judy Brandy, “Barbie Doll” by Marge Piercy (1973), and “The Yellow Wallpaper” by Charlotte Perkins Gilman (1899) and comparing them to modern day depicts how much gender roles changed. Gender roles have not changed a whole lot; they did change, but defiantly not as much as we like to believe. Women have more freedom and independence now than ever before, but that doesn’t change the fact that they are still controlled and objectified.
The portrayals of men in advertising began shifting towards a focus on sexual appeal in the 1980s, which is around the same that women in advertising were making this shift as well. According to Amy-Chinn, advertisements from 1985 conveyed the message that “men no longer just looked, they were also to be looked at” as seen in advertisements with men who were stripped down to their briefs (2). Additionally, advertisements like these were influencing society to view the male body “as an objectified commodity” (Mager and Helgeson 240). This shows how advertisements made an impact on societal views towards gender roles by portraying men as sex objects, similarly to women. By showcasing men and women in little clothing and provocative poses, advertisements influenced society to perceive men and women with more sexual
Although women today are less restricted than they were in the past, they are under no less pressure to conform to an ideal. Instead, the ideal woman has become more complicated. A woman must be successful in a nontraditional area — be it
In many clothing advertisements, particularly jeans and lingerie ads, women are used as the main subjects to entice the viewer to notice the ad and most importantly, be excited about the product. In one photo, Calvin Klein Jeans promotes its clothing through what seems to be unwilling, reluctant sexual activity – rape. The advertisement displays the woman resisting the man with the palm of her right hand, and she is pulling her shirt down to cover her stomach with her left hand; yet he is still pursuing her and attempting to remove her top. Her body language and gaze – devoid of emotion – reveal that she is not interes...
In the last decade beauty pageants have been a controversial issue. The arguments always cover subtopics such as feminism, exploitation, and self esteem. These so called beauty pageants make women’s bodies seem as if they are not their own but they as seen as objects of beauty for others. For years women have been yearning the right to be equal with men, but they are still playing dress-up for money.
American beauty pageants got their start in the 1920’s in Atlantic City, New Jersey. It was a kind of tourist attraction created by business owners to keep the tourist in town past Labor Day. Not surprisingly, the first competition consisted of only a swimsuit portion. Eventually as pageants grew more popular, more categories were added. It didn’t take long for pageants to gain popularity, the first Miss America Pageant was held in 1921. Pageants grew bigger still with television in the 1950’s, as it allowed mass amounts of people to watch at once. It wasn’t until the The Feminist Act in the 1970’s that people starting viewing pageants as bad (Goldstein). Some people suggest that beauty pageants really hammer the idea that beauty is the most importa...
image of themselves in real life. They are almost computer-generated women like in the movie Simone. Indeed, with the technology we have now, advertisers can transform a product into perfection, at the same time, misleading the consumer into seeing it as “real”, and thus permanently providing impossible standards (Ingham). More and more women are becoming dissatisfied with themselves trying to be this fantasy person created by the men in our society. This distorted view of reality, portrayed by advertisemen...