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francis scott fitzgerald influence
fitzgerald portrayal of women
fitzgerald portrayal of women
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Women in F. Scott Fitzgerald's first published piece This Side of Paradise , riddle the life of its main character, Amory Blaine. Despite his charm and his sense of confidence Amory fails, at least within the timeline of the text, to maintain a steady relationship. What Amory does achieve by the end is the conclusion that his generation is lost and that all he knows is himself. This is a serious change in philosophy from the beginning, where Amory believes he has the ability to master anything and anybody. Considering Amory has at least five loves within this philosophical development it seems likely that at least some of these lovers greatly influenced his final conclusions on himself and on the world. Thus, the question becomes not only how but which one of these women made the strongest impression on Amory and his verdict on the world? Three of those women will be examined here.
Before diving in looking at these women and their influence on Amory it's important to first understand where Amory ends up in order to backtrack and pick up the clues that led him there. At the end of the text Amory proclaims in a rather dramatic fashion, “I know myself...but that is all” (213). His sense of himself is all that he feels he can truly understand. The outside world is alien to him and full of uncertainty. When Amory contemplates at the end on the situation of his own generation he concludes that they are set adrift, wrenched from the foundations that once held culture down solidly. “A new generation...grown up to find all Gods dead, all wars fought, all faiths in man shaken...” (213). Now compare these perceptions to his original conceptions of the world. As in the section, “Code of the Young Egotist”, where Amory invisions himself as...
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...Amory's life, he is not—so to speak—in love with her but he does become attached to her. Simply because they can role play comfortably together. She concludes the fragmentation of Amory's reality by causing him to recognize the fragmentation of thought when she accuses him of disregarding the subjective nature of the concept of 'goodness'. Amory has understood himself as 'good' with the pieces of reality that he possess's or more likely, is willing to recognize.
Thus, when Amory cries, “I know myself...but that is all” (213), he has finally realized the extent of the fragmentation of the world that surrounds him. Each woman led him down certain routes that further developed, and by that I mean tore down, his final conceptions of reality. He is no longer a forming force in the world but a being at subject to the whims of infinite realities that make up the world.
However, Amory spins into a deep depression after Rosalind refuses to marry him due to his current financial state, and instead goes off to be with another guy whom she soon marries instead. The breakup with Rosalind nearly killed Amory, causing him to quit his job and become a huge alcoholic for the next year or so. He soon takes a trip to Maryland to visit an uncle of his, and has a short romance with a girl named Eleanor. Although he has some feeling for her, he knows no girl will make him feel as he did for Rosalind. After returning to New York, Amory soon learns about Rosalind’s plan to marry some high-roller, causing Amory to fall back into his spiral of self-destruction. Without a source of money, nothing comes easy to anyone, and a determined Amory attempts to dig deeper for the meaning of life without love. He no longer sees women as a source of motivation, and he tries to discover who he really is without the help of Rosalind. He says that “It is not life that’s complicated, it’s the struggle to guide and control life,” which shows his urge to find a sense of direction in his life, as well as contributes to him learning who he really is (256). Once he gives up conformity, love and wealth, Amory finally is able to see his selfishness and enters an extremely deep discovery, which allows him to begin understanding himself as a person. At the end, he declares, “I know myself, but that is all-,” which would indicate that Amory knows nothing but himself and who he is, and that knowledge is far more valuable than anything else he has ever wanted in his entire life
In Their Eyes Were Watching God and Seraph on the Suwanee, Zora Neale Hurston creates two protagonists, Janie and Arvay, and depicts their rich relationships with Tea Cake and Jim, respectively. This brief paper compares these two women and their interaction with their husbands. Contrasting the similarities of these relationships helps underscore deeper themes that Hurston draws from two ostensibly different women.
Most love stories end with a man and woman happily in love with each other. This is not the case in F. Scott Fitzgerald’s short story, “Last Kiss”. Throughout the story, Jim longs for his childhood sweetheart and Pamela seeks out someone who will make her a star actress in Hollywood. Jim holds fast to his position of power and does not give in to Pamela’s beauty and charm until later in the story. Strong will and determination of females pose as a threat to masculinity because females can entice, persuade and manipulate males. Fitzgerald’s story demonstrates the inability of femininity to surpass the power of masculinity. This is shown through reinforcement of femininity, masculinity and belief in social norms.
Milan Kundera contends, “A novel that does not discover a hitherto unknown segment of existence is immoral” (3). In this it is seen that the primary utility of the novel lies in its ability to explore an array of possible existences. For these possible existences to tell us something of our actual existence, they need to be populated by living beings that are both as whole, and as flawed, as those in the real world. To achieve this the author must become the object he writes of. J.M. Coetzee states, “there is no limit to the extent to which we can think ourselves into the being of another. There are no bounds to the sympathetic imagination” (35). Through this sympathetic faculty, a writer is able to give flesh, authenticity and a genuine perspective to the imagined. It is only in this manner that the goal of creating living beings may be realized. Anything short of this becomes an exercise in image and in Kundera’s words, produces an immoral novel (3).
We come to scene which is most important when talking about dependency on male counterparts. Evey is caught in the act of prostitution by fingermens who then decide to do whatever they want with her and even kill her but that’s when V a character from V for Vendetta comes to rescue Evey as a damsel in distress (Moore and Lloyd 6). This shows how Evey’s character is defenseless and couldn’t take on a masculine role and is instead waiting for someone in a masculine role to come and save her. By showing that scene Moore and Lloyd have separated male from a female according to their bodies and their representation of masculine and feminine. In an article about gender stereotyping and under-representation of female character in children’s picture
The female characters are from various social classes and each of them has her own attitudes towards life and love. Lily, the caretaker's daughter is the first character to be introduced to us. In the story she is a representative from the labouring class. Comparily, Gabriel is a well-educated young man who seems to have a bright future. When he arrogantly greets her, "I suppose we'll be going to your wedding one of these fine days with your young man, eh?" (Joyce 123). The girl answers bitterly "The men that is now is only all palaver and what they can get out of you" (124). Then Gabriel "color" as if he has made a mistake when Lily becomes upset about the subject of men. This is because he never expects his self-conceited good intention will hurt her feelings so much. Instead of comforting Lily, he "without looking at her", kicks off his goloshes and flicks actively with his muffler at his patent-leather shoes. From this we can see he first chooes to avoid difficulty when the conflict between he and the ...
In JD Salinger’s Franny and Zooey, Franny Glass undergoes a mental and physical collapse, followed by a spiritual crisis. Every one of the Glass children is considerably precocious and deep thinking, and Franny and Zooey are no exception. With her fluctuating self-worth and perception, Franny begins to break down without any conscious awareness of why, which ultimately leaves her curled up on her mother’s couch in a state of emotional, intellectual, and spiritual crisis. This is why there is a need for urgent and vigorous “therapy” for Franny, and Zooey, having shared the elder Glass’ spiritual instruction, is the only character capable of providing any support for Franny.
Throughout the Novel F. Scott Fitzgerald establishes gender roles through women being seen as the second sex. The female characters throughout the novel follow the pattern of being unspoken, plain and proper, proving true to the social dynamics of the 1920’s and therefore further influencing men to be the greater sex:
Darcy’s new influence on Amory increases his conceit to an extreme level. Amory and Darcy write to each other while Amory is away at college. The letters from Darcy “gave [Amory] more egotistic food for consumption” (Fitzgerald 97). Amory’s interpretation of Darcy’s advice feed his ego. Darcy would remind him to never feel worthless or worry himself of conventions; Amory perceived it as remaining egotistical and acting in a pretentious manner. This was when Amory disregarded the feelings and respect of others. He feels “sorry for his generation but not for himself” because he relies on his arrogance and good looks to fulfill his life (Overview 3). Amory is accused of his snobbish attitude but remains oblivious, denying this accusation. His friends, Tom and Sloane, agree to this behavior in Amory. His vanity continues as long as he can be reassured by others. Amory desires to be admired and complimented by all of his acquaintances. When this fails, it leaves Amory in a state of self-doubt and confusion in his
The vision of the ideal marital partner, for both Dorothea and Lydgate, is oddly chanced. Strangely, Dorothea seeks an intellectually dominant partner who will guide her to her higher purpose in life, while Lydgate seeks a submissive woman who will share in his struggles and assist him with achieving his ambitious goals. It appears to the reader that in many ways it seems like they were looking for each other—for the commonality in their both ideals is the desire for a partner with whom they can share their higher goals, however, both marry someone quite different from this vision. In the beginning chapters, Dorothea is described as looking for a union “that would deliver her from her girlish subjection to her own ignorance, and give her the freedom of voluntary submission to a guide who would take her along the greatest path” (27). Here, Dorothea’s sel...
Reading is an experience of art; without readers’ interaction, the meaning of any literary work is insufficient. “[Norman] Holland believes that we react to literary texts with the same psychological responses we bring to our daily life....That is, in various ways we unconsciously recreate in the text the world that exists in our mind.” (Tyson, 182) By telling a story that centers on the conflicts between two wealth young females whose personalities are distinctly different in the jazz age, Fitzgerald leads us on a journey of physical, and especially psychological transition of the protagonists through an omniscient narration. For female individuals, a tale emphasis on the youth,
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the reader is treated to an enthralling story of a woman’s lifelong quest for happiness and love. Although this novel may be analyzed according to several critical lenses, I believe the perspectives afforded by French feminists Helene Cixous and Luce Irigaray have been most useful in informing my interpretation of Hurston’s book. In “The Laugh of the Medusa,” Cixous discusses a phenomenon she calls antilove that I have found helpful in defining the social hierarchy of women and relationships between them in the novel. In addition, Cixous addresses the idea of woman as caregiver, which can be illustrated through the character of Janie in Their Eyes Were Watching God. On the other hand, Luce Irigaray discusses the different modes of sexual desire of men and women in her essay, “The Sex Which is Not One.” Many examples supporting and refuting her claims can be found in the novel. According to Cixous, the most heinous crime committed by men against women is the promotion of antilove. “Insidiously, violently, they have led [women] to hate women, to be their own enemies, to mobilize their immense strength against themselves, to be the executants of their virile needs” (1455). Their Eyes Were Watching God offers many examples of women in vicious contention with one another, usually involving or benefiting a man. Janie is confronted by the malice of her female neighbors in the very first chapter of the novel, as she arrives back in Eatonville after her adventure with Tea Cake. “The women took the faded shirt and muddy overalls and laid them away for remembrance. It was a weapon against her strength and if i...
Many argue that F. Scott Fitzgerald's The Great Gatsby is an example of the "great American love story", but it is not. The Great Gatsby is not a tale about perfect love; it is a tale of love and lust corrupting individuals in their lives, and of an American dream that is never fulfilled. Throughout the story, we follow multiple relationships, but focus is on the single relationship between Gatsby and Daisy. This relationship, however, fails to fulfill many requirements that would make it a true love story, and thus, while some hardship is to be expected, this relationship encounters an excessive amount. To determine if The Great Gatsby is a "great American love story", it is necessary to examine what this ideal actually is, as well as how Gatsby and Daisy fit into the mold, and it quickly becomes apparent that they do not.
These first lines of Mina Loy’s poem “Parturition” indicate the way in which the poet distin-guished herself from other (male) modernist poets: “I am”, writes Loy, and puts a woman in “the centre” of her poem – a poem which has a distinctly female experience as its topic, childbirth. As modernism was a male-dominated literary movement, the experiences of women were largely disregarded but Loy aimed to give the “new woman” a voice and “pre-sented a new female perspective”. In 1914, Loy wrote her “Feminist Manifesto” that speaks out against the inferior position of women in society and stresses the importance of the aban-donment of the traditional view on women. Loy supported her position through her poetry in which she objected the position of women in a male-centred society and presented a new
...ngagement, their re-engagement. Cecily is not the natural country girl. She possesses the self-assurance of the experienced woman. Without being cynical she makes her desires clear. And when Gwendolen and Cecily discover that their Earnests are impostors whose names are Jack and Algernon they decide that love can be restored only if Jack and Algy christen themselves Earnest.