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ancient greek human sculpture
greek sculptures ap art history quizlet
ancient greek human sculpture
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Winged Victory:
The Nike of Samothrace
The Nike of Samothrace (fig. 1)
Charles Champoiseau uncovered pieces of masterfully worked Parian marble in April of 1863.1 On Samothraki, the island from which Poseidon is said to have watched the fall of Troy, these segments of stone came together to form four main sections: a torso, a headless bust, a section of drapery, and a wing.2 The sections were shaped to be assembled though the use of cantilevering and metal dowels, allowing the sculptor to extend beyond medium’s gravitational limitations (fig. 2). Just one year later, the pieces were assembled (and those missing were remodeled), and the Greek goddess Nike was revealed at the Louvre.
A Hellenistic masterpiece, she is caught at the very moment in which she alights on the prow of a warship. Right leg outstretched, her hips bend left and her shoulders twist back to the right, creating a beautiful sense of torsion through the contrapposto technique. Her massive wings are blown back by the speed of her flight and the ship, possibly in the moment just before she furls them. Damp from the spray of the sea, her tunic is plastered tightly around her body by the driving wind, held in place with two belts, one around her waist and the other beneath her breasts. A second piece of cloth called a himation has slipped from around her waist and streams out on either side behind her, blown tightly against her thighs. Both garments exhibit virtuoso handling of the drapery—the wet folds of the fine cloth can be felt by the viewer, cool in the misty gusts, and the transitions to where her skin can be seen underneath is flawless.
She and the ship on which she stands were recessed into a niche in the stone around the outer r...
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...e Theogony. Trans. Hugh G. Evelyn-White. Web. Internet Sacred Text Archive. 8 Nov. 2009 .
Homer. The Iliad. Trans. Samuel G. Butler. Web. Project Gutenburg. 7 Nov. 2009 .
Lahanas, Michael. “Art Produced in Pergamon (Pergamum).” Web. Hellenica. 8 Nov 2009
"Nike." Columbia Electronic Encyclopedia, 6th Edition 1. Academic Search Premier, EBSCOhost (accessed November 6, 2009).
Pausanias, Description of Greece with an English Translation by W.H.S. Jones, Litt.D. in 4 Volumes. Volume 1.Attica and Cornith, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd., 1918.
Ridgway, Brunilde S. Hellenistic Sculpture II: The Styles of ca. 200-100 B.C. Madison, Wisc.: The University of Wisconsin Press, 2000.
J. Boardman, 1975, Athenian Red Figure Vases, The Archaic Period (London: Thames and Hudson), 121, ill. 170
Outstanding works of noticeably Greek bent, when found in Etruria, always raise questions about if they were, in fact, not of Greek origin.” However, the Chimera from Arezzo has classification with Greek art that was invited into the Etruscan civilization and art, and Brendel researched that Etruria had very limited supply of bronze or of similar material worth to
Roughly 68 percent of the electricity generated in the United States of America is produced by fossil fuels. That includes petroleum, natural gases and coal. Although coal contributes around 37 percent to the factor, it is by far not the cleanest of them all. Some might argue that it is good for the economy because it is cheap and it creates jobs.. But the other side of the story portrays coal mining as a process that kills thousands of coal miners a year and that it practically destroys the environment around the mining with soot and air pollution. Mining now days is a big part of urbanization; due to how cheap the process is. There are different ways that coal mining is done. Mainly mountain top removal is done but there are many other
When beginning my sketch, I took a moment to analyze the work of art and found that the statue illuminated a sense of serenity. Like most viewers my initial reaction was to explore the statue from head to toe as I sought out the different elements and principles of art. The statue was close to life-size and just about my height, so looking straightforward we were eye to eye. I noticed the softness gathered about the facial structure, but all the same time the depth and complexity that was engulfed around the muscularity of the body. The rigorous symmetry was accounte...
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
Souza, Philip De. The Greek and Persian Wars, 499-386 B.C. New York: Routledge, 2003. Print.
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as "hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence of athleticism is evident in many famous sculptures. I will attempt to show how the human form influenced Greek art. It is important to note that many of the Greek sculptures discussed do not exist in their original form but rather in Roman copies of the original bronze sculptures. (Riffert)
The Nike of Samothrace captures the essence of the goddess in a dramatic pose. Her body leans forward as her robust wings heave upwards, creating a magnificent balance and sense of motion. Recovered in the Sanctuary of the Great Gods by a French explorer in 1863, the statue stands 8 feet tall. The deep lines and contrasting textures of the feathers, fabric, and skin allude to the elegance of past Greek style. Of all similar remains from ancient Greek art, this famous Hellenistic sculpture best reflects the sense of pride, honor, and victory associated with the goddess.
Morris, Ian. Classical Greece: ancient histories and modern archaeologies. Cambridge [England: Cambridge University Press, 1994. Print.
Nike of Samothrace is a beautiful winged sculpture also referred to as the Winged Victory of Samothrace is estimated to have been created between 200-190 BC. The BC marble sculpture of the Greek goddess Nike who was also known as Victoria (Victory) was not discovered until 1863. The sculpture was created to honor the Greek goddess and the sea battles of that time. On the other hand, the fearsome looking sculpture called the Coatlicue was created 1300-1500 in Tenochtitlan, Mexico. The Coatlicue was once buried because of the way it looks and Christians thought that images of the Aztec Gods were of the devil. The Christian were also afraid that if the Indian people were to see the stone images then they would start to worship them and abandon
Ancient Greece has set the tone for the standard of how great sculptures were crafted. Therefore, a classic example of this form is the Fallen Warrior from the East Pediment, taken from the ruins of the temple of Aphaia. With its mythology and architectural styles, Ancient Greece has undoubtedly changed the way sculptures were made and still inspires many artists to this day.
Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This
The sculpture is a good example of the recurring trends and subjects that were prevalent in the art of the Hellenistic period. Darker subjects, such as death, pain and sorrow, were just as popular as the more optimistic themes of patriotism, courage, and heroism. Usually these themes were explored in relation to intense events such as wars. Interestingly, the sculpture of the dying Gaul touches on themes related to pain, suffering, valor, patriotism, and death at the same time. Even though the agony communicates visibly to the viewer by the crooked lines on the dying Gaul’s forehead, painful eyes, its genital...
Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological
Fuels like coal, and oil that once were a fine innovation in creating energy are now rapidly deleting and one day will be gone forever; energy that won’t last is often referred to as non-renewable energy. Besides being set up to fail and become inefficient in the future, fossil fuel energy is not clean to use and poses several environmental complications. Coal, for instance is “the dirtiest of all fossil fuels. Coal combustion not only produces sulfur oxides and nitrogen oxides that contribute to acid rain and snow, it generates millions of tons of particulates that cause asthma and other respiratory diseases.” As with all usage of fossil fuels, it creates enormous amounts of carbon dioxide, which contributes to greenhouse gas. Not only are fossil fuels dirty, they also pose as a security risk and unforgiving on the American wallet. (Saini)