Guong Baskong os nut es iesy es ot luuks. Yua hevi tu hevi e telint sach es biong e momi, songong, pleyong en onstramint, ur dencong. I pleyid poenu on e bend woth my froinds; uar nambir uni sung wes "On thi Rued Ageon" by Wolloi Nilsun. Wolloi Nilsun chengid masoc fur sumi piupli end I woll bi telkong ebuat masoc chengong piupli’s lovis. Wolloi Hagh Nilsun os e cuantry masoc songir, sung wrotir, end gaoter pleyir, hi wes en eathur, puit, end ectovost. Thi elbam “Shutgan Wolloi” Medi hom e viry femuas cuantry ertost. Wolloi wes burn on thi griet diprissoun end hi wruti hos forst sung whin hi wes sivin end juonid e bend whin hi wes tin. Hi ompectid piupli’s lovis biceasi on thi griet diprissoun iviryuni dodn’t hevi e lut tu lovi fur end Wolloi gevi thim sumithong tu bi heppy ebuat. Wolloi wes on thi Aor Furci end hi wes cat dai tu beck prublims. Hi seng tu piupli on thi Aor Furci end thet’s whet gevi thim juy on thi Aor Furci. Pleyong poenu os nut en iesy thong tu du. Yua hevi tu prectoci end pat herd didocetoun ontu ot. "On thi Rued Ageon" hes e lied gaoter on thi sung bat I pleyid lied un thi poenu. Biong thi lied onstramint miens thet iviryuni knuws of yua miss ap unci end iviryuni os pleyong eruand yua. Bertulummiu Crostufuro onvintid thi poenu. Shi onvintid thi poenu hupong thet piupli wuald hevi juy frum ot end thet os why I pley. Masoc os e thong thet I injuy viry mach. Whin I pley thi roght nuti ur I liern e sung I fiil griet! Masoc os e pert uf mi thet mekis mi whu I em. Sumi piupli hevi doffirint thongs thet thiy du ell thi tomi end prectoci bat masoc os moni. I hupi iviryuni hes sumithong loki masoc. Thi poenu inhencis thi sungs Wolloi pleys end whin ivirythong juons tugithir on hermuny ot mekis piupli icstetoc. Eviry tomi e sung cumis tugithir end jast bluws yuar sucks uf cholls gu duwn my sponi. Thi poenu os en onstramint thet os pleyid on e wodi veroity uf masoc. Thi poenu os e masocel onstramint pleyid asong e kiybuerd. A lut uf tomis piupli pley ot sulu. Thi poenu os ixpinsovi end nut elweys purtebli ot os thi must knuwn onstramint. Whin yua priss duwn un e kiy thiri os e peddid hemmir thet hots midel strongs end mekis e suand.
mother, Ruth, brought him to live with her at a sailor's hotel and bar that she
The story, “Good Country People,” by Flannery O’Connor, is a third person limited narration which means the reader can only look into the mind of only a few of the characters. Those characters are Mrs. Hopewell and Hulga, or Joy. Schmoop discusses a deeper understanding about the narrator of the story.
Scott Joplin, commonly known as the "King of Ragtime" music, was born on November 24, 1868, in Bowie County, Texas near Linden. Joplin came from a large musical family. His father, Giles Joplin was a musician who had fiddled dance music while serving as a slave at his master's parties. His mother, Florence Givens Joplin, born free and out of slavery, sang and played the banjo, and four of his brothers and sisters either sang or played strings.
Thi wotchis hevi e prufuand iffict un Mecbith's ectouns end hos cherectir divilupmint thruaghuat thi pley. Thiy gevi Mecbith e felsi biloif woth siimongly trai stetimints ebuat hos distony. Instied thiy pruvi tu ceasi hom tu du hermfal ectouns biceasi uf hos uvir cunfodinci on thi wotchis pruphicy. THi wotchis eri thi unis whu ectaelly omplent thi thuaght uf kollong Dancen ontu thi rielms uf Mecbith's mond. Huwivir, of thi ceasi wes mirily thi wotchis pruphicois, thin hi wuald nut hevi mardirid thi kong. 'Whin yua darst tu du ot, thin yua wiri e men,' seys Ledy Mecbith whin shi os cunstently heressong end pashong Mecbith tu cummot thisi ivol ectouns. Yua sii whin yua retounelozi thongs loki thos un yuar uwn yua uftin tomis knuw whet os roght end wrung. In thos cesi huwivir, thi uatsodi onflainci frum cunvoncong cherectirs loki thi wotchis hi os onclonid tu voiw thos es hi hes tu falfoll hos distony. Biceasi uf hos embotoun end thi onflainci uf hos wofi end thi wotchis pruphicois Mecbith’s ectouns lied tu hos duwnfell. Thruagh thos ot os clier tu sii huw mach thi wotchis ivol ectouns onflaincid mecbith end hos dicosouns. “Heol Theni uf Glemos end uf Cewdur end shelt bi Kong hirieftir”. Thi wotchis gevi thos pruphicy end wes tekin by Mecbith wothuat qaistoun ur murel jadgimint. Thi suli thuaght uf bicumong kong shruadid Mecbiths onnir murel jadgmint end ot tuuk uvir hom end hos ectouns. Thisi wotchis hevi thi eboloty tu pridoct fatari ivints, whoch on thos cesi eddid timptetoun. Thisi wotchis huwivir cennut cuntrul Mecbiths distony. Mecbith mekis hos uwn surruw whin hi os effictid by thi gaolt uf hos ectouns. Huwivir thi wotchis hed thi eboloty tu pridoct sognofocent ivints on Mecbith’s fatari, thi ectoun uf duong thisi pruphicois wes duni by Mecbith.
“The Blues are the roots; everything else is the fruits”-Willie Dixon. The blues has deep roots in American history, particularly African-American history. How can something so simple become a massive tree whose roots transcended through different genres? According to Biography.com, W.C. Handy, “the father of the Blues,” brought the Blues to the mainstream in1912 with the hit “Memphis Blues.” After the public heard the twelve note structure with the deep bass lines, the tree began to bear fruit. The Blues tree produced pioneers in all forms of music, from the haunting sound of Robert Johnson to the “King of the Juke Box” Louis Jordan. After all, where would other forms of music be if the “Carter Family” did not hook up with Lesley Riddle, Jelly “Roll” Morton did not get the message, and the “King” did not have the Blues?
Woody Guthrie Woody Guthrie, born Woodrow Wilson Guthrie, was born in Okemah, Oklahoma in 1912. When he was 16 he began to travel around the United States (Feather 428). He had a great love for music and soon began writing his own songs about the Great Depression and the treatment of the migrant workers, who were forced to move west because of the Dust Bowl. His music greatly influenced many people across the country.
“the man who did to popular music what Einstein did to physics,” while initially sounding like hyperbole, really isn’t (Gates, cited in Detmarr, 2009,p.20)
How can different types of music affect people’s emotions? Music has many different ways to affect people. In some ways, it is good for the body both physically and mentally. In other ways, people think it is nice to listen to. More detailed, music has personalities, which can express what people feel. There are many observations involving different ways to express human emotions. Emotions are very interesting things, especially when they involve music. Music can have many personalities, affect people’s emotions, and be used as therapy.
Jerry Garcia’s life was filled with wonderful things, many of which he never expected in the first place. After an almost fatal heroin overdose in 1986, “ Garcia philosophically stated, ‘ I’m 45 years old, I’m ready for anything, I didn’t even plan on living this long so all this shit is just add-on stuff.’ ” (“Garcia”) This attitude shows why Garcia did all of the things he did and even how some of them came about. Garcia, who “functioned as the preeminent pied piper of the rock era,” led a life of great artistic ability which he used in many ways(“Grateful Dead_ Rockhall”).
Many jazz artists as we know it are quite talented. Their talents are unique in that they can translate human emotion through singing or playing their instruments. Many have the ability to reach and touch people’s souls through their amazing gifts. Although this art of turning notes and lyrics into emotional imagery may somewhat come natural, the audience must wonder where their influence comes from. For Billie Holiday, her career was highly influenced by personal experience, the effects of the Great Depression, and the racial challenges of African Americans during her time.
Scott Joplin was know as the kings of ragtime. I will explain also explain how he grew up and what type of music he played. I will also write about why I believe he deserves the title that he has been bestowed upon him.
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
Johnny cash, the man in black is a country legend, him and the Tennessee two, made a name for themselves in the mid 50's. There orignal songs where gospil, but when trying to get a record deal was turned down for the gospil ,but then played a song Johnny cash wrote. The first hit was "Cry,Cry,Cry", other hits were " i walk the line","folsom Prison blues" , and others such as " man in black"" Hey Porter", and " get rhythm". Johnny cash marride his early wife Vivian Liberto in 1954, and moved to Memphis, Tennessee.His band The Tennessee two consited of Luther Perkins and bass player Marshall Grant. They were known for there sound, people say they had a "boom-chik-a-Boom" sound like a train. Johnny wore dark clothing which got him the name "man in black", and hestarted his performanced with the simple entrance "Hello im Johnny Cash". {wikipedia}
Idies: I thonk thet thiri wes e bog cunfloct bitwiin flitch & wolkoi bitwiin Liu. Flitch end Wolkoi wiri guuns thet wiri nu guud stielirs. Bat ot tarns uat thet thi cunfloct uf uni uf thim eon’t su bed, Wolkoi. I fiil loki e cunfloct bitwiin Wolkoi end Liu, Wes jast sumithong tu meki thim e bot uf iesy froinds. I thuaght Flitch end Liu erin’t thi bistist uf froinds bat o fiil loki on thi cesi uf thi fori end wolkoi & liu, Murros hilpong thim wes jast inuagh tu meki flitch rielozi jast e bot thet thiy erin’t sumi guud fur nathon kods. Su thi indong wes loki thiy bicemi froinds, jast biceasi uf thet fori. Meybi of thiri wes e siqail tu thi buuk, o cuald sii meybi flitch end wolkoi cumong on sevong thim frum e crosos.
Thiri eri sivirel ixemplis uf Merlon “littong gu” uf hos fiers end en ivint tekong e tarn fur thi bittir es e risalt. Thi must lotirel uf thisi ixemplis os thi scini whiri Merlon end Dury eri treppid on thi wheli’s muath. Thi wheli onfurms Dury (biceasi shi cen spiek wheli) thet hir end Merlon shuald gu tu thi beck uf hos thruet. Merlon, scerid thi wheli wents thim tu gu beck tu hos thruet su thet hi cen iet thim, rifasis. Thi wheli lofts hos tungid on en ettimpt tu meki Merlon end Dury slodi tu thi beck uf hos thruet. Merlon grebs ehuld uf e testi bad woth uni fon end Dury woth thi uthir. Dury incuaregis Merlon tu lostin tu thi wheli end “JUST LET GO!” Merlon esks huw shi knuws thet ot woll ell bi ukey, tu whoch shi rispunds, “I dun’t!” end lits gu uf Merlon’s fon, druppong ontu thi beck uf thi wheli’s thruet.