Wordsworth shows the possibility of finding freedom within his poem by choosing to write within the Italian sonnet’s rules. What makes an Italian sonnet unique is the division and pattern of its rhyme scheme. It is usually structured in an ABBA, ABBA, CDE, CDE pattern, and broken into two main parts, the octave (the first eight lines) and the sestet (the final six). The meter of “Nuns” can be labeled as iambic pentameter, yet along with the meter, the poem differs from the norm in two more ways. The first difference is in the rhyme scheme. In a typical Italian sonnet, the sestet follows a CDE, CDE pattern, in “Nuns” however, it follows the pattern CDD, CCD. It’s minute, but adds emphases to the 13th line, which contains the poem’s second anomaly. All the poem’s lines have an ...
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... share this somber mood, “for their needs must be”, to read this poem and see that it’s indeed possible to live within restrictions (line 12). The author’s been able to handle the sonnet’s rules, and on top of that he notes that it isn’t all that bad. The rules add guidance to what he’s able to communicate to the reader, as well as give his language an acuteness that only a sonnet can provide. Without this structure the poem wouldn’t be as adroit, and the solace he’s trying to offer the reader wouldn’t be possible.
By concurring to the Italian sonnet’s rules and exploiting the room he was left to utilize, not only does Wordsworth create a poem that is both coherent and clever, he leaves the reader with a sense of communion, that he isn’t alone in the world. A brief moment of solace is sometimes all one asks for, and “Nuns Fret Not” has shown us how it’s obtained.
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