In Aristotle’s poetics, he describes in detail what constitutes a traditional tragic hero. Aristotle said that the tragic hero must be of high status and admired by the community. In addition the tragic hero must be “essentially good”, meaning that they must not have intentionally caused evil or the catastrophic deed. But although the tragic hero did not purposefully cause harm that doesn’t mean it wasn’t their fault. Aristotle said the tragic hero but have a tragic flaw that is to blame.
The character Othello is considered as the tragic hero in Shakespeare play. Othello is a moor and a general in Venetian army. Othello is experienced in battle and valued by the people. Since he is such a well-respected military leader, the people listened and cared about what he had to say. One instance of his high regard can be seen when one of the senators said, “Here comes Barbantio and the valiant Moor", (Act I scene 3). With Othello overcoming racist Venice and managing to gain this high status in the community, Aristotle’s first requirement for a tragic hero is fulfilled.
Although Othello’s nobleness is only one reason why he’s a tragic hero. Another reason is his admirable personality which the audience looked up to. Othello’s personality is best depicted when Barbantio confronted him about secretly marrying his daughter, Desdemona. In this scene Othello was accused of using witchcraft to persuade Desdemona to marry him. This showed that even though Othello was valued in the community Barbantio still thought of him as not good enough for his daughter. However despite Barbantio offensive comments Othello carried himself with dignity and grace calmly explaining the situation. By Othello refraining from raising his voice by respectfully talking to Barbantio the audience will begin to feel sympathy for Othello’s situation. They can see that Othello’s position as a moor it made it impossible for Desdemona to marry him without it being frowned upon. However this didn’t matter to Othello and his brave and courageous actions by secretly marrying Desdemona captivate the audience allowing them to respect and admire him.
Eventually Othello’s clear-headed, confident, and calm nature is put to the test when Iago and Rodrigo conspire against him. Rodrigo is in love with Desdemona and heartbroken when Othello and Desdemona’s marriage was approved by the duke. Iago is Othello’s secret enemy and sees Rodrigo’s sadness as a way to manipulate him eventually convincing him that he can seduce Desdemona only if they team up against Othello.
According to Aristotle’s definition of a tragic hero, a tragic hero must be born from a high social class and his or her downfall must be caused by a fatal flaw of that character. Aristotle also mentioned that a tragic hero is someone that is between two extremes. Neither good nor bad, just their fatal flaws brining misfortune to themselves. The purpose of a tragic hero is to create catharsis for the audience by empathising with the protagonist. Therefore a proper tragedy
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare. The story is about Othello, who is a general in the Venetian army and is convinced by his trusted ensign, Iago that his wife is cheating on him. Eventually Othello kills his wife and when he finds out the truth he then kills himself. Most of the conflict in the play stems from Othello’s value assumption that women are not equal to men, which leads to dramatic and value irony. Othello’s relationship with Desdemona, his trust in Iago and Othello’s jealousy indicates Othello’s belief that women are not equal to men.
Othello is a good man but took the wrong path. He is well known in Venice even though he is a moor because of his irreplaceable honour. He is kind hearted towards most of the people he encounters because he believes in friendship.. This lead him to meet Desdemona and end up marrying her whom he showed passionate interest towards. Othello put his trust in people easily which shows that he is a very friendly character but he gave it to the wrong person, whom is Iago. He put his trust in Iago even though Iago’s intentions were purely to get him killed or arrested. Othello had honour and took account for all his foolish mistakes in which only some loyal soldiers may abide to. In the story he have shown these characteristics by killing himself after realizing the deathful mistakes he's done.
Desdemona is one of the protagonists of the play contributes to the play and also fleshes out certain aspects of characterisation mainly where Othello and Iago are concerned. Thus her relevance is highlighted consistently throughout Othello, since without her ppresence, Iago would not have succeeded in manipulating Othello, and Othello's drastic transformation would not have been made evident.
The first rule that is met in Shakespeare’s play is that Othello is considered tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Othello is the central character of the story and Shakespeare emphasizes his nobility and charisma. He has "magic" in the words he uses and the stories he tells and his ability to speak towers above other characters. He is an excellent officer and possesses the virtues of honesty and fortitude.
Within the drama, “The Tragedy of Othello”, Othello maintains a vital role in the plot within Shakespeare’s writing. Othello held a prominent role in society as a general for Venice and was both physically and psychologically respected in his community. However, during the drama Othello makes an important decision by choosing to murder Desdemona even with no clear proof; this action would affect Othello greatly as the drama transpired. Throughout Shakespeare’s script, Othello is continuously manipulated by Iago which ultimately results in not only the death of Desdemona but also the death of Othello himself. All of his actions would play a part in the overall analyzation of Othello; a tragic hero.
Every tragic play must have a tragic hero. A tragic hero does not need to be good; for example, Macbeth was a wicked person, even though he was a tragic hero. This tragic hero, Aristotle tell us, should not be absolutely evil, since the death of such a figure, being only just, would fall to move the audience; not should the figure be absolutely good, for his death would violate our concept of right and wrong, evoking not a tragic sense but a feeling of courage" (Fallon, Shakespeare 7). According to Aristotle, "The tragic hero must be an important person in the community, a king, a queen, a prince, of a famous warrior, a man or woman of substance and responsibility because that figures experiences a fall, and any fall is more moving if it comes from a great height" (6). Also a tragic hero does not have to die, but in all Shakespeare's plays the hero dies, while in other tragic plays they may alive.
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”
Othello as a Tragic Hero William Shakespeare's famous tragedy "Othello, the Moor of Venice" (c.1604, as reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure Sound and Sense, 6th ed. [Fort Worth: Harcourt, 1993]1060-1148) is arguably one of the finest, if not the finest, tragedies in the literary history of Western civilization. This paper discusses Othello as a "tragic hero" and compares him to the great Aristotle's concept of what a "tragic hero" actually is. First, we need to understand the characteristics of a so-called "tragic hero" as defined by the Greek critic, Aristotle. He indicates that a tragic hero must have these characteristics: (1) Be a nobleman, prince, or person of high estate; (2) Have a tragic flaw, and a weakness in judgment; and (3) Fall from high to low estate. (Hubele). Using the Aristotle criteria, we can easily classify Othello, the Moor, as a tragic hero. At the time, it was common practice for the Italian city-states to have a foreigner, with proven military capabilities, serving as the head of their Army. Othello, an African Moor of noble birth, is just such a character and held the highest ranking military position as Governor-General of Cyprus. The city of Cyprus was a city-state in the great state of Venice. His title alone, Governor-General, exudes an air of nobility, confidence, and strength. It defines someone who is held in tremendously high esteem by the people of Venice. During Act 1, Scene 3, the Duke and a few Senators are discussing issues around a table when Othello enters the room.
Using Rodrigo as a tool, Iago discovers that Othello’s passion for Desdemona to also be his weakness and eventual downfall. Latching on to this notion Iago’s uses it to his advantage. Rodrigo is a mere pawn in Iago's master plan with him being used as a back up, almost like an unknowing sidekick, winning him over by providing him with false confidence regarding Desdemona.
Aristotle defines a tragic hero as "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake." When Aristotle states “a great man” the hero is neither a villain nor a perfect citizen but is basically good and decent in his nature. The mistake that is mention is some moral blindness or error that is his/her downfall. Also not that the God’s are also in some sense responsible for this hero’s mistake and inevitability his down fall. Also when it comes to a tragic hero Aristotle states that three main things happen to draw attachment of the audience to the