In the opening scene of Othello both Brabantio and Iago objectify Desdemona. In act I, scene 1, line 86, Iago informs Brabantio of Desdemona 's disappearance by exclaiming 'Zounds, sir, you 're robbed '. By using the second person objecting pronoun whilst addressing Brabantio, Iago objectifies Desdemona and it is implied that if Desdemona had actually been kidnapped, then her father would be a victim of the crime. This sentiment is not an unusual for a play written in the 17th century, when such views were prevalent and a woman marrying a man without her father 's approval would have been frowned upon, particularly as women were then seen as being possessed by their father until they are ‘given away’ to a suitable groom. In act I, scene 3 Brabantio interrupts a meeting between 'The Duke and Senators ' in order to accuse Othello of taking her daughter and persuade the Duke and his senators to use their power to face what Brabantio sees as justice. Brabantio states that Desdemona has been 'stol 'n from me ', clearly painting Othello as the thief and demonstrating his belief that Desdemona belongs to him, particularly as Brabantio has not ‘given away’ his daughter. Furt...
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...izens. Therefore, Iago is also accusing Emilia of having pretended to be something she’s not, only to reveal her true self by betraying Iago.
This sentiment is similarly found in A Streetcar Named Desire when Stanley and Stella have a confrontation over the radio: ‘There is the sound of a blow. Stella cries out.’ After Stanley had previously used the simple exclamative ‘Turn it off!’, Stella’s protest at Stanley doing what he sees as right and throwing the radio out of the window is seen as disobedience. Tennessee Williams’s use of a simple exclamative forces the audience to view Stanley as an aggressive character who has no issue with beating his wife after questioning him and threatening his dominance. Stanley’s actions are to him a form of justice, and he views a disobedient wife as someone in the wrong who deserves to be punished, much like both Othello and Iago.
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