William Shakespeare 's ' Much Ado About Nothing ' Essay

William Shakespeare 's ' Much Ado About Nothing ' Essay

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Much Ado about Nothing, though interspersed with dark moments, is a comedy that ends with the expectation of multiple marriages. Shakespeare 's comedies usually explore the themes of love and marriage. The common characteristics of his plays include rural settings, mistaken identity and disguises, complex plots, disputes within characters, separation and reunification. Tension is usually built up around the various trials and tribulations the protagonists must overcome. In Othello, Iago wants to destroy the relationship between Othello and Cassio by accusing Desdemona of infidelity; unlike Don John, he is successful. In Romeo and Juliet, Lord Capulet 's tirade and outrage at Juliet can be compared with Leonato 's soliloquy where he wishes Hero dead: "Grieved I, I had but one? Chid I for that at frugal nature 's frame?". Eventually the unrelenting control of her father results in Juliet 's death, but in Hero 's case the disaster is narrowly averted but Hero still faces a symbolic death. Much Ado about Nothing also bears resemblance to revenge tragedy. When Beatrice says "eat his heart in the market place", it is the kind of violent action we would expect to find in a revenge tragedy, additionally when Beatrice asks Benedick to "kill Claudio", we are reminded very much of the character of Lady Macbeth from Macbeth.
Shakespeare alternates between poetry and prose in Much Ado about Nothing. Although it is largely written in prose with blank verse, its qualities change with each character and the situation. Shakespeare uses iambic pentameter and this pattern is varied by using devices such as caesuras to create different effects. Poetry is used at significant parts of high emotional intensity as Elizabethan audiences associated poetry...


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...umbed to the patriarchal system following her marriage with Benedick, he has silenced her: "Peace I will stop your mouth". The resolution of the play is linked to the exposition in Act 1 where there is an emphasis on the male characters and the patriarchal society. The dialogue between the men is unflattering to women and objectifies them: "Would you buy her, that you inquire after her?". The misogyny is at its most potent at the plays ' pinnacle. Leonato 's own disownment of his own daughter is shocking; "Do not live, Hero; do not open thine eyes", he turns on her viciously even in the absence of substantial proof: "Would the two princes lie, and Claudio lie", he would rather believe the word of two men rather than his daughter.
In Conclusion, there are several moments in the play that question the credibility of whether the conclusion ends in harmony or resolution.

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