Explore how relationships have been represented in this scene, evaluating the significance of this scene in the play as a whole. In your response include a discussion of the composers’ language and stage techniques.
The relationships in ‘Hamlet’ represent the play’s universal themes that resonate through generations due to the ubiquity of human condition. Through the employment of the Senecan revenge tragedy and Machiavellian characters, Shakespeare depicts the Elizabethan social climate in Hamlet’s militarised relationship with Claudius as well as Hamlet’s altering inclination towards mortality and madness. Franco Zeffirelli’s artistic choices in his 1990 film adaptation of hte play re-contextualises the continuity of the themes in line with intrinsic human attitudes. Essentially, the dynamics portrayed in the text carry thematic significance in its ability to reflect the motivations and repercussions of human nature and its consistency throughout subsequent epochs.
Shakespeare replicates the Elizabethan audience’s affiliation with uncertainty through the dynamics between the Machiavellian protagonist and the metatheatre of his internal and external environments. The atmosphere if doubt originates from the presence of obscure royal opposition and espionage, furthered by the Queen’s lack of a successor as well as the expanding intellectual and philosophical awareness of the age. The composer utilises the melodramatic appeal of Senecan revenge tragedies to contemplate religious absolutes on the afterlife and the divine judgment of crime, evident in the self-dramatising Hamlet whose fixation on intense rumination is his hamartia. Despite the supplement of Greek elements such as Hamlet’s anagnorisis of the Ghost, or Claudius’ hub...
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...blished in the play are both outcomes of and precipitate the exploration of themes that align with the inherent humanity of the Elizabethan audience and the generations that follow. Shakespeare incorporates Greek elements to his own Senecan revenge tragedy ‘Hamlet’ and its Machiavellian characters to communicate the value of doubt, mortality and madness with contextual fluidity. Hamlet and Claudius’ antagonism is emblematic of the opposition that spied on Elizabethan royalty while grief, revenge, and the consequential madness are re-contextualised in each era by the omnipresence of human nature. Zeffirelli facilitates these ideas in his 1990 film adaptation through camera techniques and acting choices. In consummation, the relationships illustrated in ‘Hamlet’ encapsulate the narrative’s fundamental concepts that prevail as sympathetic to audiences of various times.
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