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Our personal response to William Shakespeare’s play ‘Hamlet’ (1603) is informed by our knowledge of the composer’s contextual and political milieu which aids to highlight aspects of the human condition which permeate not only Elizabethan England but also that within our modern context. Shakespeare utilises a variety of dramatic and language techniques, to delve deeply into elements of human nature, thus through the play’s textual integrity, Shakespeare is able to strike a chord with contemporary audiences as we too consider the perilous nature of human attributes such as deception, corruption, and mortality.
Corruption is central to the textual integrity of Hamlet, as it mirrors the political tension that took place during the Elizabethan
In parallel, Hamlet analyses death as a destined part of life and thus, this existential questioning gives the play its literary value. This is most significant within Hamlet’s well known “To be or not to be” soliloquy, where Hamlet philosophises using metaphors, whether it is nobler to accept fate “suffer the slings and arrows of outrageous fortune,” to fight fate “take arms against a sea of troubles,” or perhaps to fight fate by ending life “by opposing, end them.” Hamlet first sees death as more preferable to life, illustrated through the iambic line “For who would bear the whips and scorns of time” before listing problems that make life a burden, this however, is brought further by the metaphor “the undiscovered country/no traveller returns,” where Hamlet compels us to consider the uncertainty of death. Not only is it a philosophical and religious debate, what Hamlet is saying is a question that is fundamental to humanity. From Shakespeare’s use of soliloquy, we gain strong insight into Hamlet’s mind and personal dilemmas, allowing us, to understand his wrestle with his conscience. As we too emphasise with his dilemma of futile values and christian morality Stage directions are also used to emphasise black humour “he digs and sings,” drawing a contrast in the image of the gravedigger singing while at work “Has this fellow no feeling…?” it is
In Act 1 Scene 2, Claudius seems a capable king, demonstrated by his eloquent language “Through yet of Hamlet our dear brother’s death… to bear our hearts in grief,” indeed our initial reading of Claudius creates a visage of a man who is good for the country. However, the true essence of Claudius is revealed through juxtaposition “one auspicious eye and one dropping eye,” alluding to his dual personality. This is reinforced the paradox “one may smile and smile and be a villain.” As a result, Shakespeare is able to explore appearance vs reality, where many characters of Hamlet, put on facades for self-gain, echoing the ability for deception in humanity. Reflecting this, is Hamlet’s adoption of “antic disposition” which accentuates a feigning of madness in order to safely pursue his revenge “though this be madness, yet there is method in’t”. Thus, Shakespeare colours our understanding and promotes thinking about the capacity for deception in the human
Hamlet 's deliberation in murdering Claudius results from the contradictory traits that quarrel within him. Henry MacKenzie notes contrasts in Hamlet 's personality, such as how he possesses the "strongest purposes of revenge" but is "irresolute and inactive," or how he holds the "gloom of the deepest melancholy" but is simultaneously "gay and jocular" (MacKenzie 150). This array of traits that
Hamlet’s sanity began to deteriorate when learned that his father’s death was not an accident, but rather a foul deed committed by the newly crowned King of Denmark. “If thou didst ever thy dear father love – Revenge his foul and most unnatural murder” [Act I, v l .23-25]. As a mysterious ghost appeared in the terrace, Hamlet learned of a murderer that would prove his fealty towards his father. As he contemplated the appalling news recently brought to his attention, the control Hamlet had over his actions was questioned. “O villain, villain, smiling, damned villain! My tables meet it is I set it down, That one may smile, and smile, and be a villain. At least I am sure it may be so in Denmark,” [Act I, v l. 106-109]. Hamlet’s hatred toward his father’s killer caused him to relate the tribulations between murder and the aspects of Denmark as a country together. As with most of the conflicts Hamlet faced, his lack of ability to avenge his father’s death, furthered the deterioration of his life and surroundings.
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
R, Sarah. "Shakespeare's Hamlet - The Personal and Political Corruption of the State." Teenink. N.p., n.d. Web. 7 Jan. 2014. .
In Hamlet’s speech, Shakespeare’s efforts to target his Elizabethan audience develop the theme of the frailty of man. Shakespeare conveys this underlying theme of the play by subt...
In Shakespeare’s Hamlet, the influence of Hamlet’s psychological and social states display his dread of death as well as his need to avenge his father’s death. In turn, these influences illuminate the meaning of the play by revealing Hamlet’s innermost thoughts on life, death and the effect of religion. Despite the fact that Hamlet’s first instincts were reluctance and hesitation, he knows that he must avenge his father’s death. While Hamlet is conscious of avenging his father’s death, he is contemplating all the aspects of death itself. Hamlet’s decision to avenge his father is affected by social, psychological and religious influences.
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as one great puppet show, "I could see the puppets dallying".
Death threads its way through the entirety of Hamlet, from the opening scene’s confrontation with a dead man’s ghost to the blood bath of the final scene, which occurs as a result of the disruption of the natural order of Denmark. Hamlet is a man with suicidal tendencies which goes against his Christian beliefs as he is focused on the past rather than the future, which causes him to fall into the trap of inaction on his path of revenge. Hamlet’s moral dilemma stems from the ghost’s appearance as “a spirit of health or a goblin damned”, making Hamlet decide whether it brings with...
Appearance and reality have never been portrayed with such immense differences as they are seen in Hamlet. Deceit runs about freely the entire play and affects every character, creating torment and confusion for all. Three complex characters use treachery to their advantage as they create façade in order to carry out plans, yet their shrouded minds impede them from carrying them through. All Shakespearian tragedies are filled with delusive, spurious characters, but none are as deceitful as those in Hamlet. Claudius, Polonius, and Hamlet have distorted realities and unfortunately, each has a clouded conscious that leads them to make life-changing decisions.
To put an antic disposition on), That you, at such times seeing me, never shall—With arms encumbered thus, or this headshake, Or by pronouncing of some doubtful phrase, As ‘Well, well, we know,’ or ‘We could an if we would,’ Or “If we list to speak,” or “There be an if they might, “Or such ambiguous giving out—to note That you know aught of me. This not to do, So grace and mercy at your most need help you, swear” (Act 1, Scene 5). Hamlet is planning to feign madness so that he can fool those around him into believing he is harmless and gain insight into the King’s secrets. Hamlet’s fake insanity gives him the opportunity to verify that what the ghost said is true. His next piece of trickery that he puts into action is an “innocent” play that he writes to force the guilt of murder to make an appearance on Claudius’ face because, supposedly, a play can “Make mad the guilty and appeal the free” (Act 2, Scene 2). The actors have the exact effect on Claudius as Hamlet predicts, sending Claudius into a fit of anxiety and rage.
Up until this point the kingdom of Denmark believed that old Hamlet had died of natural causes. As it was custom, prince Hamlet sought to avenge his father’s death. This leads Hamlet, the main character into a state of internal conflict as he agonises over what action and when to take it as to avenge his father’s death. Shakespeare’s play presents the reader with various forms of conflict which plague his characters. He explores these conflicts through the use of soliloquies, recurring motifs, structure and mirror plotting.
Corum, Richard. Understanding Hamlet: A Student Casebook to Issues, Sources, and Historical Documents. Westport, CT: Greenwood, 1998. Print.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.