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The portrayal of women in Shakespeare's plays
Ophelia in hamlet from the feminist perspective
Ophelia in hamlet from the feminist perspective
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Being a female in the Elizabethan period meant that you were to be considered as property, a subspecies of human, far below the male-counterpart. In Shakespeare’s Hamlet, there is no one more representative of being oppressed, than the character of Ophelia. She is such a respectful, docile, young woman, that oftentimes she represses her own feelings to represent the obedient role of a female, and through a catalyst of unfortunate events in her life, her frail mentality pushes her into a deep depression. Ophelia endures a perplexing struggle with coming of age due to her absent female confidants, a pompous father, and a selfish lover. What is worse than living in a misogynistic society, is living in one as a female who is alone, and unable …show more content…
Hamlet is unmistakably a young, irrational, and highly emotional person himself, as are most people of adolescent age. He is self-absorbed in his own plots, so much so that he completely dismisses Ophelia as a human with feelings, and says careless, harsh things towards her such as, “God has given you one face and you make yourselves another. You jig and amble, and you lisp, you nickname God’s creatures and make your wantonness your ignorance” (3.1.142-145). He demeans women for using makeup as though it makes a woman a deceiver, speaking of a woman’s bountiful ways, and sweet character in a very belittling way. He tells Ophelia that since she has already had sex with him, she cannot claim that she is innocent. Ophelia, trying to represent the woman she is supposed to be, responds in a very polite way, and does not for a second show offence, and instead asks God to restore him to his more gentlemanly ways. Of course words of these sorts, coming from someone you believed you shared something sacred with, hurt, and yet Ophelia feels like she has to conceal that from him in order to fulfil her role of a respectful, quiet female. His arrogance, and selfishness show Ophelia that men are entitled to say any sort of disrespectful thing, and as a woman, she has to stand there and take it. It can then be said, that if Hamlet was to apologize, she would have forgiven him in an instant. The whole conversation they engage in is so atrocious, as we now know in modern-day, that this is verbal, and emotional abuse, which is identified to cause trauma to the way a person feels about their self-worth. Ophelia will learn to feel that this is the way a man treats a woman, and that she deserves it for making him upset. Hamlet has not even given a single thought about what she is going through, and the position her
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
The life of Hamlet is without a doubt very interesting, he suffers from unfortunate events in his time that are often major blows to his ego. His father dies while he’s away at college, Hamlet is next in line to be king until his “uncle-father” steals it from him; but it is to be known his “uncle-father” would not have stolen it if his “aunt-mother” hadn’t allowed it. It’s very apparent from the beginning of the play that he is very well obsessed with his mother and her doings. He harasses, humiliates, and abuses her because she has done such an unforgivable act by marrying Claudius. His thoughts and feelings towards his mother are very strong and well known, he even describes the odd pair as “little more than kin and less than kind.” That’s not all with Hamlet; his mother remarrying is just the tip of the iceberg so deeply rooted in the ocean of his emotions. His relationship with Ophelia is twisted, Hamlet goes through episodes of
People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.
Hamlet’s Ophelia tragically falls victim to the prevailing and unquestioned female stereotypes of her day. Trapping her within the type of the chaste and dutiful woman, Polonius strips Ophelia of her individual identity and silences her voice. He reduces her to a mere pawn, whoring her out to serve his own selfish agendas. It is only in madness that Ophelia is offered an unexpected respite from this puppetry, one that even the finality of death is unable to offer.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
When reading the text, one can comprehend that Ophelia is caught in the middle between two opposite sides. Her family (father and brother) believe that Hamlet is a womanizer rather then the philosopher that he is. They also believe that he will use her in order to achieve his own purposes, and that he would take her precious virginity only to discard it because he would never be her husband. But, Ophelia's heart mesmerized by Hamlets cunning linguistics is set on the fact that Hamlet truly loves her or loved her, even though he swears he never did. In the eye of her father and brother, she will always be a pure, wholesome girl, an eternal virgin in a sense, (due to a parents nature to always see their offspring as a child) they want her to ascend into her stereotypical role in life as a vessel of morality whose sole purpose of existence is to be a obedient wife and a committed mother. However, to Hamlet she is simply an object used to satisfy and fulfill his sexual needs. He also seems to hold her at a distant which suggests that he may...
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
A play with great value and quality would best describe one of Shakespeare’s intriguing plays, Hamlet. Events, dilemmas, action, and the characters all contribute greatly to make the play interesting and appealing. Every event that occurs leads to the outcome of dilemmas and action. The characters personalities is what makes the action is even more exciting. Each character has got their own special significance in the roles they play. However Ophelia, the daughter of the Lord Chamberlain Polonius, allows an atmosphere of simplicity and delicacy to surround the play. Her simple nature causes inner thoughts that allow us to question her true character.
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Hamlet is solely focusing on Ophelia sexual organs, “‘nothing’ is what lies between maids’ legs” (222). Ophelia seems not to be offended by this language in the least bit, and her actions cannot accurately portray how the women of that time perceived it. In some senses Hamlet may be a misogynist character and Shakespeare gives readers a reason for it in which it might be excused. It might seem as if his mother’s sexuality has poisoned his own, and he declares in his soliloquy, “Frailty, thy name is woman!” (1.2.146). He views her sexual independence as a weakness and is appalled by her choice to remarry so soon after her husband’s death.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
For a character that only appears in five of the 20 scenes in Hamlet, Ophelia has garnered a great deal of attention from analysts, critics, artists, actresses, fiction writers, psychologists, and adolescent girls alike. Readers are consistently struck by her character that seems relatively insignificant in the grand scheme of things. Ophelia is many times viewed as only important in relation to Hamlet and the effect she has on him. Ophelia is not just important in this respect, but also in respect to what she tells us about the society she came out of and the society we live in today. First analyzing Shakespeare and his precursors then concentrating on the modern day prominence of ...