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i am the legend movie analysis
i am the legend movie analysis
i am the legend movie analysis
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Director Francis Lawrence’s 2007 film adaption of author Richard Matheson’s I Am Legend is the perfect selection for the FYS 175 class film. Academy award winner Will Smith plays the role of legendary Robert Neville. Robert Neville’s character is a somewhat messianic figure in the apocalyptic story. Robert’s dog Samantha is the perfect loyal companion. Towards the end of the movie, Anna and Ethan Montez appear and help to further Robert’s legend. The movie portrays a dystopic period of the world, while still delivering a sense of hope. It is this sense of hope carried in I Am Legend that allows the movie to be a perfect fit for this course.
The FYS 175 class film is a movie that depicts apocalyptic and eschatological meaning. It is important that the end times Oscar winning film paints a picture of hope towards the ending, as I Am Legend does. Hope is a major theme throughout the courses’ eschatological readings. Each reading consist paints the story of a group of people living in a gloomy state, all the while hoping to be delivered into utopia. The plot of I Am Legend is identical to this common theme of flourishing hope. The main character Robert Neville possesses the same hope and determination as the people of the cargo cults and the children of Fatima.
The film lacks the theme of millennialism while heavily placing its emphasis on apocalyptic and eschatological meaning. I Am Legend presents an interesting theory of the end of the world that was not directly discussed in FYS 175. I Am Legend presents the idea of the world ending due to medical advancements. Although this theory was not discussed directly within the course, the theory of the apocalypse occurring because of overall human advancements was preval...
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...of a man living a solitary lifestyle and suggests to the viewer what it would be like to be the only man living. The special effects used in the film creates the image of somewhat demonic apocalyptic characters. The director chose to use computer-generated imagery in order to make the zombies appear real. The computer-generated imagery allowed the zombies to constantly hyperventilate and appear to be highly infected by the virus.
I Am Legend is certainly qualified to be the End Times Oscar Winning Film, because of its apocalyptic, eschatological, and hopeful meaning. Robert sacrifices his life to cure the human race, which is symbolic to the death of Jesus Christ. Although life ends has ended for Robert, his legend allows a new and hopefully better society to be born. It is this utopic ending that proves that I Am Legend should be the FYS 175 class film.
On the TV show, The Movie Show, David Stratton described the film as a “bold and timely film about the stolen generations.” The film is so highly rated for its amazing plot, the well-used mise en scene and the film techniques including the camera work and sound.
Frank Baums, The Wizard of Oz is arguably one of the most popular films made. Even though it was released in 1939, nearly three-quarters of a century ago, the film continues to entertain audiences and speak to them in a personal way. The question that comes to the mind when analyzing this film is: What is it about this film that gives it such timelessness? When reflecting on the film’s timeless qualities, it seems clear the plot is one of the things that enable it to maintain its relevance. Primarily, the plot of The Wizard of Oz is timeless because it is such an excellent example of the heroic journey, both in literally and cinematically. This journey of self-awareness is a metaphor for growth, which is something we all search to discover at some time in our lives.
No one is born without a reason or purpose. While it differs from person to person, there is no greater journey than the quest to fulfill it. From a shepherd searching for the treasure of his dreams, to the son of Indian immigrants who must discover the value in the treasure of accepting in his own identity, following a Personal Legend is a significant part of one’s life. Santiago and Gogol, from the novel The Alchemist by Paulo Coelho and the film adaptation The Namesake respectively, encounter obstacles as they embark on the life altering journey to discover and fulfill their destiny. Both protagonists are faced with the challenge of realizing the importance of their Personal Legend and the quest to reach
When someone asked Emmanuel Siéyès what he'd done during the Reign of Terror, he replied, "I survived."Though the characters in the stories of Frederick Busch's latest collection don't have to contend with quite the same adversities as Monsieur Siéyès, nevertheless they encounter revelations which are, in our modern context, just as terrifying.And more often than not, they survive them.
When deciding what movie to do for this particular paper I faced a few issues. I knew what the requirements were, but I wanted something different and something I could have fun watching and writing as well. So, after looking around and pondering movies for weeks I finally decided on a perfect choice The 60’s directed by Mark Piznarski?
The film ‘I Am Legend’ and the novel ‘Z For Zachariah’ were chosen to be studied together for my connected text assignment. Originally I chose the film because I enjoyed it; I then matched it to a text based on similarities in theme. Both ‘I Am Legend’ and ‘Z For Zachariah’ are based on the same theme; that of man as the cause of the destruction of the human race. While the settings and characters are vastly different; as is the cause of destruction, both the main characters are faced with tough decisions that must be made in order to survive a major man made disaster. Both characters must deal with the enormity of the notion that they could be one of the last humans alive on earth.
...ng the underlying theme that drives the story and the movie, propels the reader and viewer to rekindle the desire to hope above all else because hope is all one has in devastating as well as dire needs. Hope overcomes despair, permits others to see your “inner light” to develop integrity which connects with honesty and trust. Hope is the inspiration to continue to live regardless of the circumstances. Red may have narrated; “Let me tell you something my friend. Hope is a dangerous thing. Hope can drive a man insane.” But, Andy Dufresne states it best: “Get busy living, or get busy dying.”
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
Barsam, Richard. Looking at Movies An Introduction to Film, Second Edition (Set with DVD). New York: W. W. Norton, 2006. Print.
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
It is made apparent to the audience that the world will soon cease to exist, but there is no closure as to why that is. The wife inquiries about that mystery, asking is it “a war?” “The hydrogen or atom bomb?” “Or germ warfare?” (Bradbury 2) in which the husband confirms it isn’t any of these things and that instead it should be viewed as “just the closing of a book” (Bradbury 2). It is interesting that a story about the end of the world, one whose writing is focused on small details, has the actual threat missing from the text. This is intentional, because it is a detail that simply doesn’t matter. It is not end that is a concern, but rather the realization of what matters when faced with it that is
...n (Director) mistakenly seems to believe can carry the whole film. On the strength "based on a true story", he has rejected attention-grabbing characters, an imaginative plot, and unforgettable villains.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..