Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
racism in literature
symbolism in cry the beloved country
historical context for apartheid in africa
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: racism in literature
The time of the 1940’s in South Africa was defined by racial oppression of the native inhabitants of the country by the Dutch Boers, also known as the Afrikaners. These people were the demographic minority yet also the political majority. They executed almost complete control over the lives of the natives through asinine rules and harsh punishments. The highly esteemed novel Cry, the Beloved Country tells a story of Stephen Kumalo, a black priest dealing with the struggles of living in the South Africa during this time. His son killed a white man and on the day his son is to be hanged for this crime, Kumalo climbs a mountain in order to reflect on the current situation both in his family and in his country. In chapter 36 of Cry, the Beloved Country, Alan Paton uses a motif and symbolism to demonstrate the idea that bondage of both the natives and the Afrikaners is prolonged in South Africa because of the whites’ fear.
In the middle of the passage, Paton uses the motif of fear to explain why the Afrikaners are afraid. Paton shows this message when he says, “[Salvation] lay far off because men were afraid of it…of [Kumalo], and his wife, and Msimangu, and the young demonstrator.” All the people listed are native Africans. All of them strive for a change to the current condition of their people. All of them believe that salvation will come and they work tirelessly to achieve it. However, in the eyes of the Afrikaner men, the change and the deliverance that comes to the natives are not beneficial. It only works to disrupt the white-dominated society they have set up. They see change as the enemy and thus they fear the promoters of change. The motif of fear is continued when Paton explains that the Afrikaner’s fear was “so deep that...
... middle of paper ...
... way, using dawn as a symbol for emancipation from oppression and fear acts to show both its unpredictable yet unavoidable, and beneficial properties.
In conclusion, through the use of a motif and symbolism in chapter 36 or Cry the Beloved Country, Alan Paton is able to relay the message that the Afrikaners’ binds them and until they are able to feel compassion for those they oppress, they will continue to be held in captivity by their minds. The lives of these white men and women are consumed with being afraid of what the blacks will do to them. They are unable to enjoy life because they are constantly nervous about a potential native threat. They are also the unknowing victims of their oppression. We are able to see through this example that fear of others binds ourselves. Only through realizing this and coming to love others can we truly emancipate ourselves.
In “Letter from Birmingham Jail,” Martin Luther King, Jr. uses a catalogue of personal experiences in order to appeal to the emotions of the reader, also called pathos, by utilizing concrete language, semicolons, and lengthy sentences. He not only entices the emotions of the fellow clergymen he is addressing, but also society in general, attempting to reveal the true situation of the oppressed Negroes during this time in the Civil Rights Movement.
Millions of people of all nationalities came to America during the twentieth century with the hope of finding a new and better life for themselves. These immigrants were lured by the thought of obtaining the American Dream--"life, Liberty and the Pursuit of Happiness" in the "land of opportunity." Unfortunately, few immigrants were actually successful in achieving the dream. Most were faced with hardship and discrimination, instead of the expected equality and freedom. The dire living conditions hampered their ability to pursue "happiness" and created what W.E.B. Dubois called "the veil," which refers to the fabric of racism that separates whites from other ethnicities and causes non-whites to see themselves under the distortion of a discriminative society. Thus, the idealized images of America were shattered by a grim reality. The harsh realities that these immigrants found are depicted in literary works such as The Autobiography of an Ex-Colored Man, America is in the Heart, and ...And the Earth Did Not Devour Him. Through the protagonist of the novels, the authors convey the dispiriting side of the America that the immigrants unknowingly fell into.
In the passage of the Narrative of Fredrick Douglass, the author masterfully conveys two complimentary tones of liberation and fear. The tones transition by the use of diction and detail. The passage is written entirely in first person, since we are witnessing the struggles of Fredrick Douglass through his eyes. Through his diction, we are able to feel the triumph that comes with freedom along with the hardships. Similarly, detail brings a picturesque view of his adversities. Since the point of view is first person, the reader is able to be a part of the Douglass’ struggles with his new freedom. With diction, detail, and point of view, the reader is able to get a rare glimpse into the past of Fredrick Douglass.Fredrick Douglass’ diction is powerful as he describes his life as a slave and with his new freedom. Fredrick Douglass calls being enslaved an act of “wretchedness,” yet he was able to remain “firm” and eventually left the “chains” of slavery. Fredrick Douglass expresses that being enslaved is a wretched act and that no man should ever deserve such treatment. Despite being a slave, he kept strong and eventually broke the chain of society. However, Fredrick Douglass experienced great “insecurity” and “loneliness” with his new freedom, and was upon a new “hunting-ground.” His new freedom brought other devastating factors, being a new state without any friends, which caused his loneliness. In this new state, he grew insecure for he was in a new danger zone where at any time his freedom could be rejected. With new freedom come new obstacles, which are described in the diction of Fredrick Douglass.
... majority of the Black people to the atrocities, injustices and inequalities of their white masters, against which they make no organized protest at all, so she agrees with the reality that the next generations follow almost the same ways observed and adopted by the majority of their ancestors. It is therefore she is of the opinion that the Black people have accepted the slavery and atrocities as their fate. However, Butler’s comments, made through the mouth of her protagonist, serve as half truth in contemporary era, as the modern times witness the movements of liberty and freedom from the exploitations of the Blacks at the hands of the Whites. Somehow, it is also a reality that an overwhelming majority of the Blacks still look under the control and submission of the White population.
In Cry, the beloved country, Alan Paton tells the story of his journey across Africa, his experiences with the colonized Africa, and the destruction of the beautiful, pre-colonialism native land of Africa. Heart of Darkness also tells the story of a man and his experiences with colonialism, but a man who comes from a different time period and a very different background than Alan Paton’s Stephen Kumalo. Although, both Joseph Conrad and Alan Paton portray the colonized areas as very negative, death filled, and sinful places, it is when one analyzes the descriptions of the native lands of Africa that the authors reasons for their disapproval of colonialism are truly revealed. When comparing the writing styles of Alan Paton and Joseph Conrad, their descriptions of the land and the people in both works reveal their different attitudes and views towards colonialism. While Paton and Conrad ultimately oppose colonialism, Paton is concerned with the disappearance of African tribal tradition, whereas Conrad is concerned with the perceived corruption of the white colonists.
...all. However, society’s dividing beliefs soon began to influence all that was to become of them. Their struggles became their motivations in life, especially as they took on a new world and found what was beyond plantations and hard work. Why was slavery and racism so powerful? They were no longer just units of language, they had obtained meaning. “White America” had become aroused and attached its emotional and physical sensations to the controlling of African-Americans. They had merely separated their feelings from life. And even so, they used fear as a shield to protect their sentiments. However accordingly, through African-Americans past, present, and growing future, a wound can never be fully healed, for you will always carry it for the rest of your life. But, through mental, spiritual, physical, and emotional practices it is easier to succumb to the pain.
Paragraph fourteen of Dr. Martin Luther King, Jr.’s “Letter from Birmingham Jail” is the paragraph that makes the strongest appeal to the reader’s emotions by providing vivid examples of how hatred, racism, and discrimination negatively affected the lives of African Americans. These vivid examples range from stories of him explaining segregation to his children to the police brutality that was taking place throughout the south. Dr. King expresses himself in a way that forces the reader to visualize and deeply feel these events. His passionate use of rhetoric creates an emotional connection between the reader and the African Americans experiencing these injustices.
When Absalom is asked why did he shoot Arthur he says that he was afraid. Msimangu, Mrs Lithebe, Mr Carmicheal and Father Vincent ease Stephens fear of Absalom's case and expenses in Johannesburg. This is very comforting for Stephen, we remember Mrs Lithebe's words "for what else are we born" and there are some white men who do care. We also learn of James Jarvis's (he was a British white) suffering and fear, he is comforted by an Afrikaner policeman who went out of his way to help him, he is also comforted when he reads Arthur's manuscripts.
In 1930’s and 1940’s South Africa, many people suffered through traumatic events, whether it be a robbery, a loss of livelihood, a beating, or the ultimate tragedy, the loss of a loved one. In his novel Cry, the Beloved Country, Alan Paton makes sure that this is not left out of his true-to-life, albeit fictional, account of life in South Africa. James Jarvis is the recipient of this tragedy in the novel. His son, Arthur Jarvis, is murdered in his home by Absalom Kumalo during a botched robbery attempt. This sudden loss breaks Jarvis’ heart and sends him reeling. He goes to Johannesburg for the trial and ends up realizing that he really didn’t know his son at all. Reading his son’s writings causes him to have a moral conversion, and he begins his new life when he returns to Ndotsheni. Even though James Jarvis is a man of few words, he has much to say after his son’s death and he speaks through his actions.
Cry the Beloved Country, by Alan Paton, is the story of the two fictional characters, Stephen Kumalo and James Jarvis, who lose their sons in South Africa in 1948. In his story, Alan Paton used the George Hegel's Dialect of thesis, antithesis, synthesis, in order to expose social injustices in a microcosm of South Africa that correlate to the macrocosm of the issues faced by the entire country and what must be done to fix these injustices. Paton subdivided his story into three books. The first of these books, depicts the Journey of Stephen Kumalo, to try and restore his family, is a cry against injustice. The second book focused mainly on James Jarvis’s plight to understand his deceased son, depicts the yearning for justice. While the final book displays the restoration and repair of the injustices derived from the yearning for justice.
Cry, the Beloved Country is such a controversial novel that people tend to forget the true meaning and message being presented. Paton’s aim in writing the novel was to present and create awareness of the ongoing conflict within South Africa through his unbiased and objective view. The importance of the story lies within the title, which sheds light on South Africa’s slowly crumbling society and land, for it is the citizens and the land itself which are “crying” for their beloved country as it collapses under the pressures of racism, broken tribes and native exploitation.
In Alan Paton's novel Cry, the Beloved Country two characters, Absalom's girl and Gertrude, show the how society in Johannesburg is as a whole. Absalom's girl symbolizes how girls her age are mothers and have even become divorced several times before. On the other hand Gertrude, Kumalo's sister, illustrates the qualities of a young woman who becomes corrupt from Johannesburg's filthy system of stealing, lying, and prostitution. Both of them show the ways of Johannesburg as a whole.
This essay is about the effect of Colonialism seen in the book Things Fall Apart. Through out the whole book you can see different impressions on the tribe, many other people, and the relationships between the white man and the black man. "Does the white man understand our custom about land?" "How can he when he does not even speak our tongue? But he says that our customs are bad; and our own brothers who have taken up his religion also say that our customs are bad. How do you think we can fight when our own brothers have turned against us? The white man is very clever. He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart." (Achebe, 17)
"A Far Cry From Africa" is the story of a man half African and half English, who is witnessing the death and destruction of his homeland resulting from the English colonization of South Africa. In his description he does not, however, favor one side over the other, but focuses rather on the injustices of both cultures. At the end of the po...
12 Million Black Voices by Richard Wright is a photo and text book which poetically tells the tale of African Americans from the time they were taken from Africa to the time things started to improve for them in a 149 page reflection. Using interchanging series of texts and photographs, Richard Wright encompasses the voices of 12 Million African-Americans, and tells of their sufferings, their fears, the phases through which they have gone and their hopes. In this book, most of the photos used were from the FSA: Farm Security Administration and a few others not from them. They were selected to complement and show the points of the text. The African-Americans in the photos were depicted with dignity. In their eyes, even though clearly victims, exists strengths and hopes for the future. The photos indicated that they could and did create their own culture both in the past and present. From the same photos plus the texts, it could be gathered that they have done things to improve their lives of their own despite the many odds against them. The photographs showed their lives, their suffering, and their journey for better lives, their happy moments, and the places that were of importance to them. Despite the importance of the photographs they were not as effective as the text in showing the African-American lives and how the things happening in them had affected them, more specifically their complex feelings. 12 Million Black Voices by Richard Wright represents the voice of African-Americans from their point of view of their long journey from Africa to America, and from there through their search for equality, the scars and prints of where they come from, their children born during these struggles, their journeys, their loss, and plight...