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egyptian civilzation in art interconnected in religion
egyptian civilzation in art interconnected in religion
egypt use of animals in art
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The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.
Something I noticed after viewing several pieces of ancient Egyptian art is that a great deal of it is religious. It only takes a basic knowledge and understanding of the ancient Egyptians’ religion to know that they have numerous gods and goddesses. They are not exclusive in this way, as there are many other cultures and faiths which have multiple deities. However, the manner in which they portray their many gods through their art is very distinguishable and well-known. This could also be because of the style they use. The use of animals is one of the features that make a...
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...eum.net.au/The-Painter-in-ancient-Egypt/>.
"The Role of Cats in Ancient Egypt." The Role of Cats in Ancient Egypt. N.p., 22 Mar. 1998. Web. 3 Aug. 2013. .
Seawright, Caroline. "Avatars of the Gods: The Animals of Ancient Egypt." Avatars of the Gods: The Animals of Ancient Egypt. Thekeep.org, 26 Nov. 2012. Web.
Images Cited
Title page: http://www.animhut.com/articles/design-history-egyptian-art-episode-4/
1. http://www.animhut.com/articles/design-history-egyptian-art-episode-4/
2. http://travelingwanderlust.wordpress.com/tag/egyptian-religion/
3. King Mankaure and his queen http://travel-photos.curiouscatblog.net/tag/statue/ 4. Egyptian Cat Bastet - Saqqara, Egypt. 1200 BC http://www.museumstorecompany.com/Egyptian-Cat-Bastet-Saqqara-Egypt-1200-BC-p5492.html 5. http://www.prm.ox.ac.uk/AnimalMummification.html
6.
Hawass,Zahi. Egyptology at the Dawn of the Twentity-first Century. Cairo: The American University in Cairo Press, 2000.
The following paper objective is to present the funerary stela of Ta-Khaa-En-Bastet, kept at the Cincinnati Art Museum. The stela’s accession number is 1947.392 and is possibly from Abydos because of its imagery. The stela dates back to the Late Period of ancient Egypt, which is 664-332 BC. This funerary stela helps to provide data about the funerary practices and the responsibilities women had in ancient Egyptian society.
Johnson, Paul The Civilization of Ancient Egypt (New York: Harper Collins Publishers 1978,1998 and 1999)
Budge, E. A. Wallis. "Chapter III: The "Gods" Of the Egyptians." Egyptian Ideas of the Future Life: Egyptian Religion. New York: Bell Pub., 1959. 92-95. EBSCO. Web. 20 Apr. 2014. .
Egypt is a city bound to its history and tradition. Portraiture in Egypt was the inspiration for many cultures and stood as heavy influence for the catalyst of portraiture development around the world. Portraiture in ancient Egypt was constant and predictable until the late eighteenth century when Amarna style portraiture was introduced. The Amarna style stands out in Egyptian history for its severe contrast and break in tradition. The rendering of the body changes completely and deviates from what is expected of Egyptian art. This falls into the same time when Amenhotep IV was introducing other changes into Egyptian culture as well. As Amarna style progresses it is accompanied by the institution of Egyptian henotheism. Over two thousand deities were to be abandoned during Amenhotep IV’s eighteen year reign. His name would become Akhenaten and the Amarna style would be grouped into a class of ancient art surrounding Akhenaten, his family, and the sole god Aten.
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
Springer, Ilene. "The Cat in Ancient Egypt." Tour Egypt. Tour Egypt, 2010. Web. 20 Feb
During this time period in Egypt when the case of the mummy Tabes was made, the Egyptians included many animals in their artwork. Not only did they paint animals to represent certain words and meanings. They would also calibrate animals and humans together to symbolize their power. They used the strength of the animal portray the power of the person in the case and also the power of the god or goddesses painted on the
“Egyptian art comes almost exclusively from tombs and temples. Such art was not intended as decoration; rather, it was created to replicate the living world, to benefit or honor the dead. Perhaps for that reason, the Egyptians found a unique
Prisse, d’Avennes. Atlas of Egyptian Art. Egypt: The American University in Cairo Press. 200. Print
Wilkinson, Toby A. H.. The rise and fall of ancient Egypt. New York: Random House, 2010. Print.
I visited the Oriental Institute of Chicago Museum, which contains various artifacts, I choose a Model Hippopotamus from Egypt. The hippopotamus is dated to Egypt’s Middle Kingdom, circa 1878 BC. According to wall text at the Oriental Institute of Chicago, hippopotamuses in Egyptian culture represented the enemies of the ruler. I was attracted to the Model Hippopotamus based on its size/shape, lines, texture, and the color.
Thesis statement: In this research, I will investigate the basic concepts of the Egyptian mythology and its gods.
Teeter, E. Egyptian Art. Art Institute of Chicago Museum Studies, Vol. 20, No. 1 Ancient Art at The Art Institute of Chicago (1994), pp. 14-31
Seemingly static in appearance, to the untrained eye, Egyptian Art is somewhat formal and blocky, with very little to no naturalism; in opposition to ancient western art such as Greek and Roman artistic traditions. (Neer, 2012) However, Egyptian Art serves a purpose that celebrates the afterlife as well as appreciating life. Egyptian visual imagery expressed animals not in the typically assumed static and rigid form, but in naturalistic dynamism that is largely ignored in general Egyptian Art scholarship. Ancient Egyptian art endures a steady artistic tradition and despite various changes and modification in style occurred during the 3,000 years pharaohs ruled; they are recognizably Egyptian in origin. What was wholly unique was the artistic