What Distinguished The Romantic Time Era From Other Musical Eras

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During the romantic period the tone color and timbre became very important and the orchestras got bigger than they were before and the concert halls grew bigger as well. The orchestra had around a hundred instrumentalists. This was a big difference from the baroque era when the orchestra had only ten to forty players, depending on the piece being performed and what the composer wanted. At the time of the classical era the orchestra had grown to four constant sections with twenty four to sixty players The instruments being a part of the orchestra were also different. In the baroque the strings, the basso continue and the woodwind were important while the percussion instrument, and the brass were not required. The four groups in the classical era were “strings, woodwinds, brass and percussion” and the string section was the most important one. In the romantic era the four groups were kept, and the brass woodwind and percussion were made a part of the orchestra and got more emphasis than before. The woodwind section became a permanent part of the orchestra as well (Kamien 180, 189, 190, 246, 258).

The spirit of the romantic era made the composers experiment with new sounds and combinations among the instruments (Kamien 259). The instruments were very much improved in the romantic era, which made it was easier to be more expressive than before (“Romanticism”). The woodwinds were developed in the beginning of the 1800’s, and the valves that are used today were invented by a German man named Böhm (Castegren). The piano, which had replaced the harpsichord in the classical period grew to be the most popular instrument at the time, and was improved greatly (Kamien 189, 259). Due to these improvements in the piano const...

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Vidovic, Silvije. “Transformation of themes, Hungarian Rhapsodies Nos. 6,10 and 12.” Diss.

U of North Texas, 2012. Print.

Watts, Andre. “Un sospiro from Trois Études de Concert, S.144/3.” La Jolla Music Society.

2013. Web.15 March. 2014.

Walker, Alan. Franz Liszt: The Weimar Years, 1848-1861, Volym 2. Cornell Paperbacks,

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