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western movie genre analysis
aspects of western movies
western movie genre analysis
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The western style 2013 Australian feature film Mystery Road centres around indigenous detective Jay Swan as he investigates the murder of indigenous teenager Julie Mason. Swan’s continued struggles to convince the rest of the local police – who all happen to be white males – to help him to solve the case lead him to find a drug ring. Sen represents the idea that indigenous people do not receive justice through the construction of Jay Swan and the unjust way the rest of the Indigenous community are treated by the white community and predominately white police force, encouraging my empathetic response. Sen also explores the police as corrupt and apathetic. In recent years, all over the world, but particularly in Australia in the 1980’s onwards, …show more content…
Not only are they represented as disadvantaged, they are also treated differently to white Australians by members of the white community, particularly the police. In the scene where Swan goes to Ashley Mason’s house to tell her about her daughter’s death, a wide shot of the house the Mason family live in is shown. The house and those around it are in a state of disrepair – overgrown, dry grass, a fence that is falling down, and plain whitewashed houses are in view. This illustrates the unfortunate circumstances the Mason family are living in. The inside of the house is represented as just as underprivileged. As Swan walks into the house a medium shot of a child sleeping on the floor is shown, in addition to an otherwise cluttered living room. The child sleeping on the floor, rather than in a bed, suggests that the house is overcrowded. The disadvantaged indigenous Australian the media portrays is outlined again by the construction of Ashley Mason. When she is shown talking to Swan the camera is angled downwards, positioning the viewer to see her as fragile and small. She is also shaking as Swan lights her cigarette. This and her line of dialogue “I need a drink” after Swan tells her Julie has been murdered continues to position the viewer to see the Mason family as underprivileged, as well as representing Ashley Mason in the way the mainstream …show more content…
The idea that indigenous Australian communities are underprivileged and do not receive the same justice that the white community accrues is represented through Jay Swan and his interactions with the corrupt white police officers and the indigenous locals of the town. My empathetic response to the text as a whole was influenced directly by way the text constructs these ideas as well as my knowledge of the way indigenous Australians are represented in the mainstream media and the behaviour of the police force as an institution. These contextual factors and the way Sen has constructed ideas influenced me to empathise with the indigenous
These lines exemplify Keating’s constant reference to the non-indigenous group as ‘we’ and ‘us’, this coupled with the accusatory tone present throughout this section of the text ensures that the blame is being put on the white Australian’s of the population. The word choice and tone in ...
Hooper urges the reader to accept that in the context of colonial Australia, Aboriginals faced such extreme oppression that they resorted to summoning spirits to doom their cruel white colonisers. She recounts a walk to a cave in Cape York, where she intentionally selects paintings depicting destructive images of white colonisers being “doomed”, highlighting the rifles which the white troopers brandished. The marginalised Aboriginals resigned to using “purri purri” (sorcery) against the police, which emphasises the idea that in this context, the Aboriginals felt so oppressed that they resorted to conjuring spirits for protection. Hooper describes a painting in which under a white man’s shirt, “he was reptilian”, and the adjective “reptilian” allows the audience to understand that in this context, the Aboriginals felt so threatened that they had to draw the trooper as a snake. In Aboriginal culture, the snake symbolises protection of the land of Aboriginal people, whom believed that a man would be harmed if the symbol was drawn upon him. My understanding of the oppression in which Aboriginal Australians faced in colonial Australia invoked feelings of anger and disgust, and reinforced pre-existing attitudes I have on discrimination and the corrupt police
The marginalised Australian experience traps groups and individuals based on one or many aspects of their life. Both the poem ‘capital letters’ by Omar Musa and Craig Silvey’s novel ‘Jasper Jones’ explore the Australian Experience of marginalisation. They share many aspects of marginalisation including racism, injustice, resilience, consequences and life on the margin. Marginalisation can have negative psychological and emotional responses, however in capital letters and jasper jones, the consequences of overcoming marginalisation and the build-up of resilience are emphasised. Omar Musa’s poem capital letters looks into his own life and experiences growing up on the margin in Queanbeyan, Australia. The poem displays both the harsh consequence, as well as the
The Indigenous youth of Australia still face many challenges growing up in a world dominated by white Europeans. This essay will discuss the stereotypes and marginalisation that young Indigenous teenagers must face. After viewing Yolngu Boy and Black Chicks Talking, there will be examples from the two movies on the stereotypes, marginalisation, interdependent and the connection the characters of the movies have with the Aboriginal culture and the dominant white culture.
LaPrairie, C. (1998). The new justice: Some implications for aboriginal communities. Canadian Journal of Criminology. 40 (1), 61-79.
During the late sixteen century, when the first fleet arrived to Australia and discovered the free settlers or known as Australian Indigenous inheritors (The Aborigines), the community of aboriginal inhabitants since then have experienced vast levels of discrimination and racism against their gender, race, colour and ethnicity. The term over representations refers to the presents of minority or disproportionate ethnic aboriginal groups represented in the criminal justice system (CJS). This essay will further explain the relationship between aboriginal communities and policing discussed in Blagg (2008) and Cunneen (2007, the three major sources of concern in association to aboriginal over representation in CJS which include; systematic bias,
The incident in which Colten Boushie was shot by Gerald Stanley is an example of an interaction of 2 different groups in society and their behaviour towards each other. In “[exposing] racial tensions”, that examines the racial discrimination which might have created a bias for members the jury to find the man of a similar social class or background not guilty. As a minority, Indigenous people are small in number compared to the rest of society and as a result are seen as a lower class on the social hierarchy. This case displays the idea that when minorities face sociological problems within the legal system or in general, society, they are less able to ensure the justice being served. A sociologist would be interested in studying the response to Boushie’s death and what general patterns of human behaviour arise from the Indigenous
Barsh, R. 2005. Aboriginal peoples and the justice system: Report of the national round table on Aboriginal justice issues (Book Review). Great Plains Research, 359-362.
The gross over representation of indigenous people in the Australian criminal justice system (CJS) is so disturbingly evident that it is never the source of debate. Rather it is the starting point of discussions centring on the source and solutions to this prominent social, cultural and political issue. Discourse surrounds not only the economic and social disadvantage of indigenous communities, but also the systemic racism and continuing intergenerational trauma resulting for the unjust colonisation of a nation which has profited whites at the detriment to indigenous people throughout history. In respect to the currently CJS, trepidations are raised by indigenous communities around the lack of culturally diverse laws and punishments within the system. The overtly western system does not provide a viable space for indigenous
In Australia the Aboriginals face discrimination daily. The film opened with four young Aboriginal girls singing on a makeshift stage facing their community. When the camera panned to show the smiling faces in the crowd it gave a feel of unity and love. Later it showed two sisters who were trying to hitch a ride into the city from the main road. Yet every vehicle passed them by; once they saw who they were, frustrated the older sister. Gale stated it was because they ‘were black’. When in the town playing their song on the stage in a bar, the youngest sister turned up and took
No community in Canada comes into conflict with criminal justice system officials more disproportionately than Aboriginals (Dickson-Gilmore, 2011, p.77). Indeed, Aboriginal Canadians are often subject to both overt and unintended discrimination from Canadian law enforcement due in large part to institutionalized reputations as chronic substance abusers who are incapable of reform (Dickson-Gilmore, 2011, p.77-78). One of the more startling contemporary examples of this is the case of Frank Paul; a Mi’kmaq Canadian who was left to die in a Vancouver alley by officers of the Vancouver Police Department after being denied refuge in a police “drunk tank”. Not surprisingly, this event garnered significant controversy and public outcry amongst Canada’s Aboriginal population who have long been subject to over-policing and persistent overrepresentation as offenders in the Canadian criminal justice system (Jiwani & Dickson-Gilmore, 2011, p.43 & 81).
Beresford, Q., & Australian Institute of Aboriginal and Torres Strait Islander Studies. (2006). Rob Riley: an aboriginal leader's quest for justice. Canberra: Aboriginal Studies Press.
Good morning Mrs Dover and 8D. I have chosen to analyse the film clip “black fella, white fella” by the Warumpi band, and have determined that the song and associated images is partially successful in communicating aboriginal values, such as culture, land and family. The lyrics include the language features repetition, alliteration and rhetorical questions to deliver a message of reconciliation and equality. These features are also supported by visual imagery that is intended to support the ideas within the song.
In Jasper Jones, racial power has been reflected through the representation of certain groups and individuals of the 1960s and the conflicts that occurred. At the time in which the text was set being the 1960s, racial prejudice was evident in Australia, especially in rural areas that maintained a parochial and xenophobic society. Aboriginal people were not recognised as citizens of Australia and in some cases, not even as people. They were mistreated and typically seen as uneducated drunkards and criminals. Offspring of white colonists and Aboriginal people were regarded as ‘half-caste’ and were also not acknowledged as Australians. In the same context, there was a growing hatred and resentment towards Vietnamese immigrants due to the impac...
...derstand what they are and are going through. If the reader belongs to another minority or is a new emigrant to Australia will identify itself with the anger and frustration other readers might feel guilty just because they thing they belong to a privileged group. I felt the injustice of inequality that emerges form this poem collection and the uselessness. There were no suggestions how repair what was done . The author shows in the poem that the hurt and anger are part of the aboriginal identity.