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gangs in movies essays
depiction of blacks in Hollywood
gangs in movies essays
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The film West Side Story was released on September 15, 1989. It was directed by Robert Wise and Jerome Robbins. The lead actors are Natalie Wood as Maria, Richard Beymer as Tony, Russ Tamblynas Riff, Rita Moreno as Anita, and George Chakiris as Bernardo. This film fits under the genres of both romance and drama. The movie starts with a brawl between the Jets, an American gang, and the Sharks, a Puerto Rican gang. After the policeman, Officer Krupke, breaks up the fight, the Jets plan to have a rumble with the Sharks in order to regain dominance over the streets of New York. In the next scene, Riff, leader of the Jets, approaches former member and loyal friend, Tony, and begs him to come to a ball and help negotiate the terms for the rumble …show more content…
While Tony used to be a gang member, he generally tries to take the peaceful approach and he is full of compassion and love for Maria. Maria has an innocent character and is completely in love with Tony. Bernardo is strong in his hatred of the way Puerto Ricans are treated by Americans. Riff is very loyal to his friends and he seems to be a relatively good person despite being a gang leader. Anita is often cynical towards Bernardo, yet she expresses strong appreciation for a life in America. This movie takes place on the streets of New York City sometime in the 1950s. This very apparent due to the strong New York accents of the American …show more content…
An example is the Krupke Song sung by the Jets. They are essentially mocking how the cops treat them as hoodlums and they express that they were brought up in terrible ways which is why they are such "hoodlums." This provokes a lot of thought on how we think of gang members and criminals. Another very intriguing idea is how harshly the authorities treat the Puerto Ricans. This leads one to reflect on whether or not the Puerto Rican hatred of the American life is just. The way this film attempts to manipulate a viewer 's emotions is through playing emotional music and through inserting strong romantic scenes to try to create in a viewer a strong connection with the characters in the
The movie starts with a slow shot of a gas station. A car drives up, and the cashier working there is shoved in the store as three gunshots ring out. It then goes to a shot of Rico and Joe in a diner talking about a successful gangster named Pete Montana. They decide to move to the city. There, Rico wants to be like Pete, and Joe wants find a girl he loves and be a dancer after his time with the gang. Rico doesn’t like this idea of Joe’s and dismisses it saying tit wasn’t important.
In middle school Jackie started falling into the wrong crowd,he eventually joined the “Pepper Street Gang” a agroup of multi-cultural group of rebels that started trouble through the neighborhood and Jackie soon became there leader.Eventually,Jackie and his friends got into more trouble than intended.They got caught swimming in a local lake and was then esorted to jail at gunpoint by the sheriff.After being kept and interrogated un...
Gallman, J. Matthew. "Gangs Of New York (Film)." Journal Of American History 90.3 (2003): 1124-1126. America: History and Life with Full Text. Web. 2 May 2014.
Unlike real life, a film can limit its scope to only the objects, characters, and settings that are important to its story. Despite these limitations, a classical film attempts to get the viewer to believe in the film’s diegetic elements so that as much of the audience as possible is emotionally fulfilled when the story ends. The Philadelphia Story maintains a sense of believability by downplaying its stylistic elements so that the audience remains immersed in the film’s universe. For example, a sequence where the film subtly utilizes stylistic elements to a great effect is when Lord is attempting to convince a journalist, Macaulay Connor, and a photographer, Elizabeth Imbrie, that she is an idealistically feminine bride-to-be. Lord enters the scene speaking French with Dinah. Connor, Imbrie, and most of the film’s audience cannot
The film I watched in class is called "Black is Black ain 't" by Marton Riggs -a homosexual man dying of aids. Through various clips Riggs demonstrates different themes about what it "really" means to be black. During the video famous activists and ordinary African Americans spoke about how they felt on certain issues faced by the black community. These individuals clarify certain myths that are sought to portray African Americans as incompetent, aggressive people. Due to this, many African Americans have been excluded from their community for reasons such as race, color, physical feature, masculinity, sexuality, gender, culture, and speech.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
Laurents, Arthur. West Side Story. (A musical, based on a conception of Jerome Robbins; music by Leonard Bernstein; lyrics by Stephen Sondheim.) NY: Random House, 1966.
The film Sunset Boulevard, presented in 1950 is a black and white film. The film is about Norma Desmond an old actress, who has issues accepting that she is becoming old. The main actor in the film is Gloria Swanson, who plays Norma Desmond, an older woman who believes she is still young. Desmond is not content with the fact that Hollywood has replaced her with younger actresses. The next actor Nancy Olson, plays Betty Schaffer who falls in love with Gillis despite being engaged to his friend. The third actor is William Holden who plays as Joe Gillis, who has financial problems and decides to turn himself into a gigolo to earn money. The dilemma with Joe is he does not want Betty to know about his job because he knows he might lose Betty as
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
Fight Club is the film adaptation of the novel written by Chuck Palahniuk. This film portrays the life of a thirty year old insomniac, office worker and the alter ego he creates to escape the struggles of everyday life. Themes of isolation, masculinity and consumer culture are all present throughout the film, making the main character a very relatable figure for those emerged in the “average joe” life.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
This movie takes place in Los Angeles and is about racial conflicts within a group of people which occur in a series of events. Since there are a wide variety of characters in this movie, it can be confusing to the viewer. In the plot, Graham is an African-American detective whose younger brother is a criminal. His mother cares more about his brother than Graham and she wants Graham to bring his brother back home, which in turn hurts Graham. Graham?s partner Ria is a Hispanic woman who comes to find that her and Graham?s ethnicities conflict when she had sex with him. Rick is the Los Angeles district attorney who is also op...
The Wolf of Wall Street produced and directed by Martin Scorsese tells a story of Jordan Belfort, a stockbroker living a luxurious life on Wall Street. Due to greed and corruption, Jordan falls into a life of crime and abusive activities. Belfort made millions of dollars by selling customers “penny stocks” and manipulating the market through his company, Stratton Oakmont, before being convicted of any criminal activity (Solomon, 2013). Jordan reveals behaviours and impulses all humans have, however, on an extreme level. This movie illustrates “why ethics is another tool whose importance cannot be overstated” (Delaney, 2014). Without ethics and morality, individuals can never truly live an honest and happy life.