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Red, white and blue, filled with such false pride. Flag colors and skin colors, they would have you divide. Black brother from black brother, and black men from white, manipulating colors to instigate a fight. From the Bloods to the Crips, to the white supremacists, they are soul-mates of hate in an ironic twist. They fail to view life’s colors in high definition. They opt to see their lives in black and white television. They mistakenly believe that it’s the colors that bind, lost within the duotone prisons of their minds. Perhaps they’ll escape the chains that have locked down their brains, and begin to see other hues than just the red, white and blues.
– (McCullough, 2011)
Critical Threshold
'Twas mercy brought me from my Pagan land, Taught my benighted soul to understand that there's a God, that there's a Savior too: Once I redemption neither sought nor knew. Some view our sable race with scornful eye, "Their colour is a diabolic die." Remember, Christians, Negro's, black as Cain, May be refin'd, and join th' angelic train.
- (Wheatley, 1834)
At the tender age of seven, Phillis Wheatley was brought from Africa to Boston as a slave. Slaves were not typically thought of as bright, creative or intelligent, but her owner saw a light in Phillis and at the age of thirteen, she tried her hand at poetry. Her experience was a unique one, given the opportunity to expand her mind by her owner, but unable to lift the veil of actually being a slave. Her poem expresses her great arrival from Africa, a joyous adventure, being rescued. If only all slaves were given this great arrival experience, more joyous poetry from slaves may have been written. I enjoy this simplicity of this poem from the eyes of a thirteen year old slave child who wa...
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McCullough, P. (2011). Un-American. Black Poems
Rubel, D. 2005. The Coming Free: The Struggle for African-American Equality. New York,
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Wheatley was born in West Africa around 1750, and was captured when she was 7. John Wheatley purchased Phillis for his wife, Susanna; together they taught Phillis how to read and write, and as early as 12, Phillis was writing poetry and her first poem had been published. Wheatley’s poems implicitly advocated for racial equality, while condemning slavery. Her work received some negative feedback from political figureheads, such as Thomas Jefferson. White America classified a human as having the ability to read, write, and reason; therefore, leaving no room for the uneducated Africans, seeing Africans as nonhuman. Jefferson claimed Wheatley’s work was not literature because the moment he admitted Wheatley’s work was indeed literature, he would have had to admit she was a human being. The way Phillis Wheatley handled the adversity she faced is admirable. Wheatley definitely impacted American history, and “owes her place in history to advocates of inequality” (Young 1999
...o has ever lived in darkness can be revived by this angelic train or by the famous mercy whom will bring light into your dark world. Wheatley makes a clear point that all people, despite their color can be saved.
Phillis Wheatley, who is now known as one of America’s most scholarly writers, has made a major impact on American Literature today. Her role in Literature had influenced many African Americans during this time period because it was very uncommon for them to become educated. Her poems made some people realize that they shouldn’t have slaves. Many people say that Phillis Wheately should go down in history as a hero while others say that she should not. Phillis is a historical hero because of the extraordinary courage that she showed by writing her poems while facing the adversities that she encountered. People disagree with this statement because they say that she did not make a difference in history.
The eyes of potential soul arose into the world in Senegambia, and half way around the world in Easton arisen a soul to be etched into the world forever. A girl , no , a woman I should say given the strength possessed in the soul of her body and mind and certainly a man , a man who will grow to learn fathoms of knowledge breaking the impenetrable minds of those who heard silence. These two were of separate shades although fused from one deep pigment. Two of the most renowned black writers that were for the abolitionist movement in America were Frederick Douglass and Phillis Wheatley. During the times of slavery, finding a literate black slave who could read the very words of a paper who could then think for themselves and stand up to show who they were , to speak with wisdom to tell off the silenced cowards who looked away at the reality of the world was rare . These two authors with bold spirits managed to write literature that inspired the minds of people to change. Wheatley would move her readers with a delicate, yet powerful literature while Douglass would use strong authoritative use of words. ……During the years of 1773 and 1845, works of perfection and meaning arose. In 1773 a work by Phillis Wheatley was published. A poem called “On Being Brought from Africa to America” that had described a doomed destiny but enclosed in a veil of liberation and sovereignty. Wheatley was one of the more passive writers. She knew she was a slave reckoned with no moral standing in the eyes of the whites, and she was aware of her place in society as against the whites. She knew the only way to grasp the attention of her readers was to enflame them in anger. When analyzing slavery...
It can be argued that Phillis Wheatley has undoubtedly made significant contributions to literature on a grand scale. At the time that she began to showcase her talent for versifying poems, she was faced with the enslavement of her race. It can be argued to what extent someone is being held in slavery actually enslaved. It was inconceivable that a black slave female could achieve such a level of intellect that she was asked to verify that she actually did write her poems. Wheatley’s works have been critical in contrasting the assumption that African Americans were of inferior intellect. She was also criticized for not having her works make direct references to the abolition of slavery, and taking a more radical approach to addressing the institution. Wheatley, in her own right, did not need to take a radical approach to emphasize an anti-slavery message in her works. Through an analysis of the historical context of her poems we begin to see the consistencies and themes in her writing style, which helps readers to identify with the author. We can also identify with her use of religious inferences, classical citations, and unique use of language as instruments that not only highlight her heritage but provide a form of motivation in African American writers. This subtly sets the framework for an anti-slavery movement in her own distinctive way. Her works help to highlight how she is able to combine personal experiences and literary devices to establish her voice. Wheatley utilizes her poetry as an outlet to expose human frailty, and express her belief of racial and religious equivalence. Wheatley’s literature was essential in furthering the abolitionist movement. The goal and purpose of this movement was basically to put an end t...
Though this poem is only a small snapshot of what I personally thought Douglass was going through, I could never adequately understand the frustration he must have had. My hope in writing this poem was not to provide a psychoanalysis or theoretical idea structure to any audience, but rather to show that even today, a modern audience member like me, can appreciate the struggle of a fellow human and speak against injustices, specifically in Douglass’s time.
The illustration that Phillis Wheatley portrays in history is an African-American woman who wrote poetry. Her life goes more into depths that what is perceived, however. Phillis Wheatley uses her poetry as a unique way to get out the truth. Through poems such as On Being Brought From Africa to America and the poem about Lee, she made statements about was what going on at that time; a revolution. Phillis Wheatley was known as a revolutionary mother, for she gave hope to slaves, ease to whites, and was an influence to America. She was not known for conflict or trying to start an argument, but she more known for personalizing her thoughts onto a piece of paper, read by all of America. Her ideas were used as an influence during the revolutionary war. Phillis Wheatley was not an ordinary slave, but she was accepted into society my the majority. The family who raised her, taught her how to read and write, and she slowly turned into a woman of the revolution.
Wheatley’s poem, “On Being Brought from Africa to America” is part of a set of works that Henry Louis Gates Jr. recognized as a historically significant literary contribution for black Americans and black women (Baym et al. 752). Addressed to the Christians who participated in the slave trade, the poem is meant to reveal the inconsistencies between their actions and the Christian Ideal. Whether perceived as a work of sincerity or a work of irony, the poem conveys the message that an individual’s behaviors are influenced by the examples of others and that all people are equal. Understanding Phillis Wheatley’s intent in her poem, “On Being Brought from Africa to America,” is gained by considering all of the aspects of her existence when analyzing her work and even though perception is based on individual perspective, analysis and explication will reveal the contrariety Phillis Wheatley observed between society and the Christian Ideal and evidence her desire for the dissolution of every inequality.
This poem is written from the perspective of an African-American from a foreign country, who has come to America for the promise of equality, only to find out that at this time equality for blacks does not exist. It is written for fellow black men, in an effort to make them understand that the American dream is not something to abandon hope in, but something to fight for. The struggle of putting up with the racist mistreatment is evident even in the first four lines:
In the poem, The Runaway Slave at Pilgrims Point by Elizabeth Barrett Browning, Browning based the poem on past experience due to the fact her family had owned slaves in Jamaica for several generations. Once these slaves were set free in 1833; sixteen years later abolitionist repudiated the “ unjust- power of the white slave owners.” ( Stephenson, 43). With Browning rejection of her once slave owning father’s irrational authority to refuse his children to marry and leave home, this poem empowered the rage she had suppressed by years.
What is freedom? This question is easy enough to answer today. To many, the concept of freedom we have now is a quality of life free from the constraints of a person or a government. In America today, the thought of living a life in which one was “owned” by another person, seems incomprehensible. Until 1865 however, freedom was a concept that many African Americans only dreamed of. Throughout early American Literature freedom and the desire to be free has been written and spoken about by many. Insight into how an African-American slave views freedom and what sparks their desire to receive it can be found in any of the “Slave Narratives” of early American literature, from Olaudah Equiano’s The Interesting Narrative of the Life of Olaudah Equiano, or Gustav Vassa, the African published in 1789, to Frederick Douglass’s Narrative of the Life of Frederick Douglass, An American Slave, Written by Himself which was published in 1845. Phillis Wheatley’s poetry and letters and Martin R. Delany’s speech Political Destiny of the Colored Race in the American Continent also contain examples of the African-American slaves’ concepts of freedom; all the similarities and differences among them.
Phillis Wheatley was an African-born slave in the last quarter of the eighteenth-century in New England. She was born in West Africa and brought to America on the slave ship Phillis. She was, however, much more than chattel-she was a poet. Phillis was the first African American to have a book published. In a time when women were not expected to be able to read or write, and when teaching an African American to be literate was frowned upon, Phillis Wheatley became educated in Latin and English literature. The education of Phillis Wheatley was, for the most part, for the intent of training "a servant and would-be companion for domestic utility," in which they undoubtedly succeeded. However, they "got an intellectual adornment" who, with her knowledge of the poems of Alexander Pope, the "Puritanical whiteness of her thoughts," and ability to write poems, soon became a celebrity among Boston?s social elite (Richmond 18,19).
The power to do an outlandish action to change the future is truly remarkable. Eighteenth century poet Phillis Wheatley a former slave in the United States became the first African American to publish a book of poems. Fully aware that her life would change drastically she had no idea that her life would change for the better as her slave ship kissed the shores of Massachusetts. She had no idea that she would embark on the journey which would become the pathway for other African Americans to take upon themselves to understand literature. Phillis is amongst the few in history that created a tremendous change in how the eighteenth century population of white masters viewed the slaves they owned.
The poetry of Phillis Wheatley is crafted in such a manner that she is able to create a specific aim for each poem, and achieve that aim by manipulating her position as the speaker. As a slave, she was cautious to cross any lines with her proclamations, but was able to get her point across by humbling her own position. In religious or elegiac matters, however, she seemed to consider herself to be an authority. Two of her poems, the panegyric “To MAECENAS” and the elegy “On the Death of a young Lady of Five Years of Age,” display Wheatley’s general consistency in form, but also her intelligence, versatility, and ability to adapt her position in order to achieve her goals.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.