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The role of Iago in Othello
Imagery of women in othello
Imagery of women in othello
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A story wouldn’t be an interesting one without a villain. Every television show, Disney movie, and play always has to have that one person that opposes the main character. According to Merriam-Webster, a villain is a deliberate scoundrel or criminal, which is a very fitting definition when talking about these characters in Shakespeare’s plays. (“Villain” Merriam-Webster) There are always certain characteristics that every bad guy possesses. In a number of Shakespeare plays the villain is a stereotyped character who does not fight against any feelings of remorse and, still more importantly, even enjoys his evil nature. (Osterried) The villains from Othello, A Midsummer Night’s Dream, and Hamlet are similar because all have a conflict with a woman and have a goal in mind and will do anything to reach it, but different in the way their actions affect the outcome of the plot. To begin, the villains from these plays are always fighting with a woman or have a conflict with another about a woman. The scoundrel of Othello, for instance, is Iago. He is vengeful for getting passed by for a promotion by Othello. To get back at him, he causes trouble by making it seem like Othello’s wife, Desdemona, is being unfaithful. Shakespeare scholar, Harold Bloom, argues that Iago is an artist of evil. The same way that some people enjoy writing songs or filming movies, Iago enjoys ruining people's lives. He does it with a sense of craftsmanship, appreciating the elegance or cleverness of a particular step in his scheme as much as its final result: incredible suffering for the people he has chosen. (Shmoop Editorial Team) In the play Hamlet, the troublemaker, Claudius, has a fight with Hamlet throughout the entire drama about his marriage to Hamlet’s... ... middle of paper ... ... did get what they deserved. Works Cited Jarrard, Donovan. "Character Analysis." Blogspot. N.p., n.d. Web. 26 Jan. 2014. . Osterried, Peter. "Villains in Shakespearean tragedy and comedy." Dortmund. N.p., n.d. Web. 26 Jan. 2014. . Shmoop Editorial Team. "Othello Act 5, Scene 2 Summary." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 26 Jan. 2014. Shmoop Editorial Team, ed. "Iago in Othello." Shmoop.com. Shmoop University, Inc., n.d. Web. 26 Jan. 2014. . "Villain." Merriam- Webster. N. pag. Britannica Academic Edition. Web. 26 Jan. 2014. .
Shakespeare's villains seem to fall into one of two categories: those who are villainous of heart (inherently and genuinely evil or Machiavellian) and those who are circumstantially turned antagonists. Richard III's carefully plotted plans to usurp the throne contrast heavily against Aaron's (of Titus Andronicus) rambling which contrasts with Aaron's lack of action. The motivations of these two characters are different however. Richard seizes the opportunity to take over the throne by Machiavellian means when presented with the opportunity. Aaron represents the evil presumed of a "godless moor," his character being a symbol as much as his skin colour particularly to an audience familiar with the conquests.
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
Comparing the Villains in Much Ado About Nothing and Othello & nbsp; The two villains in Much Ado About Nothing and Othello share much in common, despite their numerous differences. It is evident that Shakespeare framed the second piece of literature to be similar to the first. Although shorter, the plot of “Othello” is definitely more complex. The villains play a major part in the novels, and are very much alike in their line of thinking. The comedy, “Much Ado About Nothing” depicts the story of a group of high-ranking soldiers who travel through a town called Messina.
In the play Othello by William Shakespeare, the character Othello is portrayed as a fairly good man. By some, he may be known as a bad person, but he has become greatly beneficial to the growth of Venice and the state of Cyprus. Othello is a good man even if he committed murder to his wife because he was a great war general and contributed to Cyprus in time of need. While Othello murdered his wife Desdemona, he did it purely from misunderstanding and jealousy. Iago made Othello believe Desdemona was cheating on him with Cassio even though she never did such actions.
In Shakespeare’s plays, those characters experienced great struggles of choosing to be moral or evil. He gave them chances to choose whether they wanted to become good and moral even though, according to the settings, it was reasonably for them to become evil and give their enemies a taste of their own medicine. In this paper, three characters from different plays will be compared, such as Claudio from Much Ado about Nothing, Prospero from Tempest, and Hamlet from Hamlet, the Prince of Denmark.
There are many literary works that contain villains who play an essential role in the development of the work as a whole. However, I believe that the ultimate villain of this kind is Iago in Shakespeare’s play, Othello. Through manipulation and scheming, he beguiles the other characters of the novel.
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
...le to comedies, when considering A Midsummer's Night Dream, As You Like It, and Measure for Measure, in which the heroes are mostly virtuous ("innocent"), and the villains are devious ("cunning"); however, since the Duke and Iago are both cunning villains, Steinbeck's notion of villains is also appropriate for tragedy. More importantly, though, as previously noted, these “heroes” are directly responsible for their fall, and therefore challenge readers to consider the roles of heroes and villains in tragedy less traditionally; Othello is not cunning, nor is he innocent, and so Steinbeck's parameters exclude him. Thus, a more encompassing generalization would be that tragic heroes are responsible, and "villains are cunning" (Steinbeck).
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Watkinson, A. "Othello: The Ironic Interdependence of Othello and Iago." Novels for Students. 5 November 2004. http://www.enotes.com/othello/743/print
William Shakespeare masterfully crafted Othello, the Moor of Venice as an Aristotelian tragedy play. The main protagonist of the play, Othello, is the perfect example of a tragic hero. Shakespeare was influenced by Aristotle’s concept of a tragic hero and used Aristotle’s principles to create Othello. William Shakespeare attempted to create an Aristotelian tragedy play with a tragic hero and succeeded in Othello, the Moor of Venice by weaving in pity and fear into each line and action. The power of pity and fear creates the upmost tragic situation and follows in accordance of Aristotle’s definition of tragedy. Othello makes the ultimate act as a tragic hero by killing himself at the end of the play. “Othello, more than any play in the canon, has a fascinating and contentious performance and reception history,”
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
7 May 2010. Studygodorg.blogspot.com -. 14 March 2014. Downing, Elizabeth. A. The “Top 10 Greatest Shakespeare Villians.”
Critical Analysis of Iago's Soliloquy in Act 2 Scene 3 of Othello by William Shakespeare
Shakespeare uses Iago and Othello as the main characters of the play, showing how Iago manipulates Othello into believing his wife is cheating on him. Iago, or “honest Iago”, the villain of the play, a perfectionist at manipulation, that manages to influence people into thinking his deceitfulness is an act of honesty. He spends all of his time plotting against Othello and Desdemona, eventually convincing Othello that his wife has been cheating, despite the fact that Desdemona has been completely faithful. Othello, Venice’s most competent general, and the protagonist of the play. He was a noble and respected war hero, and a loving husband, however he was the target of Iago’s atrocities, which lead him to become an irrational, violent, and insanely jealous husband who murders his own wife at the end of the play.