Truth Disguised by Words
Throughout history people have used disguises to deceive others to hide their true identity. Hiding ones true identity is a predominant theme throughout King Lear for characters dress up to deceive their friends and family. Another use of disguise in this play is using words to hide ones true emotions and personality. Words have a strong importance to the characters in this play which leads to easy manipulation. Three characters use words that do not reflect their true feelings to deceive and manipulate their friends and family to do things that they would otherwise not do if their true intentions were know. These three characters are Goneril and Regan, the two eldest daughters of King Lear, and Edmund, the illegitimate son of Gloucester. They lie, deceive, fabricate evidence, overpower and betray their father and the other people closest in their lives, including each other. All three of these characters have used their mastery of the English language to portray an intention different from their true feelings and emotions and succeed in fooling the other characters in the play to obey them.
Throughout King Lear cruelty and selfishness is an ongoing theme and sentiment which is mainly generated from Lear's two eldest daughters, Goneril and Regan. Though these two sisters are virtually one character during most of the play they do even turn on each other when need takes over their heart. Goneril and Regan begin the play by professing their deep undying love for their father. These speeches were necessary if they wish to aquire their deserved piece of land and power from their father. In these two speeches Goneril and Regan use such phrases as "A love that makes breath poor and speech unable"(I, i, 60) and "And find I am alone felicitate / In your dear highness' love." (I, i, 75-6) while the daughter with the truest love towards her father refuses to speak for she "cannot heave / My heart into my mouth."(I, i, 91-2). The love Cordelia could not express in words her sisters were able to so insincerely, for if their love was true love it would not be able to be expressed in just words because emotion would take over any meaning words had. This is the first time we see them speak in the play and their first words are insincere which is definitely a sign of the lack of respect they give to the meaning of words throughout the continuation of the play.
Goneril and Regan, two daughters of King Lear try to gain some power. After Lear banishes Cordelia, Goneril and Regan think that their father is going crazy and they over throw his power of being a king. Another character that tries to gain some more power in the play is the character, Edmund, his brother Edgar has more power than him, people treat Edgar better because Edgar was born in their parents’ marriage, while Edmund was not so they call Edmund, Gloucester’s illegitimate son.
The theme of dishonesty is demonstrated from the start of ‘King Lear’ during the ‘love trial’ when Cordelia dislikes her sister’s “ponderous” words which suggest how dishonest both Goneril and Regan really are. The adjective “ponderous” determines that her love for Lear cannot be measured with words. Cordelia refuses to take part in the contest and Lear comments by saying: “so young and so untender”. The word “untender” suggests that Lear hopes for something that makes him feel valued as a king and father, however this works against him as ultimately both his other daughters better themselves by flattering themselves into trying to get the Kingdom. Arguably in this instance, flattery is a form of dishonesty and although Lear asks for it, their words begin the downward spiral of the tragedy....
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
The plot of King Lear is set in motion by the conversation between Lear and his daughters. In return for their love and honour, he will give them land and power. The fact that they are daughters and not sons is significant because Lear demands their total love, trying to put them into a mother role: something he would not do if they were men. Goneril and Regan are neither noble nor truthful and they have no problem lying to their father for their own personal gain. While Regan claims "I am alone felicitate/ In your dear Highness' love." (I.i.75-76) and later treats her father in the most reprehensible manner, Cordelia denies Lear's unnatural request saying, "Sure, I shall never marry like my sisters/ To love my father all" (I.i.103-104). Her truthful refusal to proclaim total love for her father proves her to be the actual loving daughter but results in her banishment. From this first scene, the characters' alliances and allegiances are forged and all that follows is directly resultant.
A connection that is lost would include Lear’s relationship between him and his three daughters. If Lear’s lack of communication were to be put aside, then Lear could then understand and know his daughters each on a personal level. Thus, allowing him to realize that Cordelia is the most loyal and loving daughter of all. Whereas, he would recognize Goneril and Regan to be his two ungrateful daughters, who are known to be fake backstabbers that are capable and willing enough to get that they want. Secondly, with Lear’s deficient sense of communication, it has allowed him to gain the persona of haste irrationalism. As said by Goneril to Regan “The best and soundest of his time hath been but rash” (1.1. 295). Goneril explains that Lear himself has always been irrational and uncontrollable, even when young. This is proven after the choice of Cordelia to not profess the love that she has for her father, causing Lear to then hastily banish Cordelia from the
King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
Lear is the tragic hero, his flaw is vanity, his flaw runs true with mankind in general. In the first scene Lear's tragic mistake is the quintessence of this, this abomination of human nature. A father asking his children "which of you … doth love us most?" (I,i,50) This goes against the laws of nature family love is without condition, this point is realized in the answers of his daughters. Goneril and Regan both say their love is "more than word can wield matter." (I,i,53-54) However, Cordelia states "Nothing, my lord." (I,i,86) which ironically means everything, Shakespeare cleverly reveals this to the reader through an aside from Cordelia "I am sure my love's more ponderous than my tongue." (I,i,76-77) Though the reader feels Codelia's love Lear, blinded by vanity banishes his "sometime daughter" (I,i,118) failing to realize the meaning of "nothing." Lear's ignorance of his daughter's true love due to his vanity is a key flaw , captured by Shakespeare, in human nature. This flaw, is revealed through a tragic mistake incidentally, Sh...
Cordelia, Lear’s youngest and favorite daughter, demonstrates genuine love to her insane and foolish father despite the fact she has banished and neglected for stating her honest feelings and intentions to her father. In Act 1, as King Lear is dividing up his grand kingdom, he gives the opportunity to his three daughters to profess their true love to him. The eldest two, Goneril and Regan, profess their fake love by giving lavish and bogus speeches in order to inherit the most land. However, King Lear’s most cherished daughter, Cordelia, simply neglects to give a superfluous enunciation, stating her honest feelings towards her father. Cordelia states, “Unhappy that I am, I cannot heave my heart into my mouth. I love your Majesty according to my bond; no more nor less” (I.i.88-90.). Lear, who expected a grandiloquent profession from Cordelia, enrages and unjustly banishes her from h...
The power that Lear gives to Goneril and Regan makes them treacherous and deceitful. Lear offers his land to his daughters – Goneril and Regan – but in return they must profess their love for him: “which of you shall we say doth love us most, that we our largest bounty may extend.” (1, 1, 56-57) By doing this, Lear gives an opportunity for his daughters to take advantage of him. Goneril “loves [him] more than words can wield the matter’ (1, 1, 60) and the same goes for Regan saying, “[Goneril] comes too short, that [she] profess [herself] an enemy of all other joys.” (1, 1, 79-80) They don’t really love Lear, but instead they love the power that Lear gives them. Once Lear had given the land to his daughters, the power that they have corrupts them. When Lear needs a place to stay, the daughters are not quick to react; Goneril allows him to stay...
In King Lear, love is shown as important and strong. The filial love between Lear and his three daughters is the driving force of the play. Lear orders his daughters to tell him how much they love him to divide the land between the three of them. His eldest daughter, Goneril states: “Sir, I love you more
Hatred and desire fueled Goneril, Regan, and Edmund to lie in order to obtain their parents’ power leading to destruction within their family. Edmund’s hatred was continued by the reminder that he was only the bastard son of Gloucester driving him to lie to both of them ultimately ruining his father’s eyesight and his brother’s identity. Goneril and Regan got rid of their father while retained his power by lying about who loved him the most and took away his knights. From King Lear, Shakespeare concluded that greed and power are capable of ruining a family.
The tragic collapse of King Lear was initiated within the first act, where he demonstrated a lack of insight into who his daughters genuinely were. To start, Lear decided that it was time for him to divide his kingdom among his three daughters, and the criteria he used was who every flattered him the most with kind and lovely words, would obtain the greatest share. This idea that whoever showed the most affection for him under this rationale would prove who loves him the most, and therefore would they would receive a great share of the kingdom, was his tragic mistake. Regan and Goneril, the two villains throughout the play, put together an act in order to achieve the greatest share of the kingdom, and both excelled in this regard, despite
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her: