Essay PreviewMore ↓
Before this week, I had never read any poetry by Ezra Pound. I noticed immediately that many of the poems are very short. "In a Station of the Metro," for example, is two lines. In the essay "Imagism," the second rule of imagistes is said to be "to use absolutely no word that did not contribute to the presentation." I think this rule helps explain why some of Pound's poems are so short. Obeying the second rule of imagistes will be harder the longer the poem is. This rule, however, does not seem to me a rule of imagistes alone, but of most poets from all eras. I don't think many poets could be found who would say that they try to use superfluous words. Just because a poem is longer than a few lines doesn't mean the poet is being long-winded. I think the vast majority of poets would say that they only use necessary words in their poetry. Of course it could also be said that words that seem superfluous do actually "contribute to the presentation." I have a hard time with letting Pound claim this rule as one of the imagistes only.
Besides it's length, "In a Station of the Metro" was a poem I read with interest because it is on the syllabus as one of the poems to read carefully. I thought it strange that I was supposed to pay attention to this poem. Truly, it initially struck me as the kind of poem that I tried to write in elementary school. Not that I ever wrote anything interesting, but the shortness of the poem and the pairing of two very different images was pretty much the basis of my poetry as a kid. I thought randomness made poems deep.
The title of this poem is very important as it places the reader in the metro station. While titles of poems and books are always important, this poem would be quite lost without it's title. The title lets us know that "the apparition of these faces in the crowd" takes place in the metro station, not the stadium or the shopping mall or any other crowded place. By placing the reader with the title, the poem lets the reader know that the first image of the poem, the "faces in the crowd," is something that belongs to the location of the speaker.
How to Cite this Page
"Ezra Pound's In a Station of the Metro." 123HelpMe.com. 10 Dec 2019
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- Ezra Pound, the founder of imagism, was born in Hailey, Idaho, on October 30th, 1885 (Flory 308). Growing up in Philadelphia, Ezra Pound knew at fifteen what he wanted to do; he wanted to become a poet ("How"). In additon to his writings, he defriended and assisited many of the greatest writers of his time with their careers: T. S. Eliot, William Carlos Williams, James Joyce, Robert Frost, and Ernest Hemingway (Flory 308). In 1913, he published Contemprania, a group of imagistic poems that included the popular "In a Station of the Metro," stripping away his formerly archaic vocabulary and simplifying his verses (Flory 315).... [tags: Poetry]
622 words (1.8 pages)
- The Explication of Ezra Pound’s “In a Station of the Metro'; Ezra Pound’s words portray a moment frozen in time. The poem, “In a Station of the Metro,'; is a poem of imagery. Through imagery, Pound imbues his vision and thoughts of his surroundings while on a subway train. Pound’s title, “In a Station of the Metro,'; sets the stage to allow the reader to visualize a “… dark, cold, wet…';(p657) subway station.... [tags: essays research papers]
339 words (1 pages)
- Poetry is a very subjective art it is up to the authors to determine how they want to convey their message to the readers. Both Ezra Pound’s poem “In the Station Metro” and Emma LaRocque’s poem “The Red in Winter” use imagery, that is very subjective to interpretation, to convey their message in an economic manner. Pound’s artistic imagist poem shows that art isn’t just visual but it can also be portrayed through words alone; and that imagery is a powerful aspect of poetry. LaRaque’s however is focused on how images can portray political issues among differing cultures.... [tags: Ezra Pound, Emma LaRocque, poetry]
1147 words (3.3 pages)
- Ezra Pound's Developing Ideas Often called "the poet's poet," because of his profound influence on 20th century writing in English, American poet and critic, Pound, believed that poetry was the highest of the arts. You never would have believed that a writer and optimist such as Ezra Pound would have been born in Hailey, Idaho in 1885. From the sound of his work you'd thing he was definitely one of those European Imagist. In 1908, after teaching college for two years, Pound traveled abroad to Spain, Italy, and London.... [tags: essays research papers]
1032 words (2.9 pages)
- Anti-traditional Conception of Sex in Pound's "Coitus" Critics have been fascinated and often baffled by Ezra Pound's shifting poetic style, which ranges from the profound simplicity of "In a Station of the Metro" to the complex intertextuality of the "Cantos." Pound's significance derives largely from his constant resolve to break traditional form and ideology, both literary and poetic. What is particularly unique about Pound, however, is that as he continually establishes precedence, he rarely abandons his thorough knowledge and appreciation of classical literature, drawing heavily from his literary and historical education in even his most groundbreaking works.... [tags: Pound Coitus Essays]
2527 words (7.2 pages)
- Ezra Pound was born in 1885 in Hailey, Idaho. He was considered one of the foremost American literary figures of the 20th century. Pound's style was unlike any other poet during this time period. He wrote about ancient and modern history with his personal reflections and experience. In Pound's poetry he tested many new forms of verses. Pound influenced young authors such as: James Joyce, T.S. Eliot, Robert Frost, and Ernest Hemingway. When Pound was 15 years old he had already decided that he wanted to be a poet.... [tags: Ezra Pound]
308 words (0.9 pages)
- Ezra Pound and T.S. Eliot on Modernism On Ezra Pound’s quote on modernism, he claims that "the modern age wants a literature that reflects an image of itself: "accelerated" and mass produced ("a mould in plaster/Made with no loss of time) as well as superficial." This means that today’s society wants a literature that resembles itself, fast paced and shallow. Society want literature that is direct and straightforward simply because people find it too "time consuming" to think for themselves.... [tags: essays research papers]
1354 words (3.9 pages)
- Machines are everywhere. They take up every aspect of our lives: our waking up, our getting to school/work, and even at school/work. But when mankind’s machines are used for ill, the results could mean the death of us. Nuclear ICBMs pose a constant threat; just one of their 250 warheads can level cities with a single, grand explosion, and one warhead can contaminate 250 miles of air and land, making it inhospitable for thousands of years. In Metro: 2033, the worst scenario has been realized: the 2013 nuclear war has annihilated most of humanity, and the few thousand people living in the Moscow Metro (Московское метро) are struggling to survive mutant attacks, believing again... [tags: technology, machines, metro]
1448 words (4.1 pages)
- The Romantic Period came in a time where artists and writers felt a need to reflect on the old and maintain a connection to the world around them, avoiding change as much as possible. In contrast, Modernism came around in a time where artists and writers felt that the world needed to change. The modernist view is one that focuses on the here and now, not so much on maintaining connections to older traditions and views. Although bleak, Modernism is something that, in the time that is relevant, that mankind needed.... [tags: Modernism, Postmodernism, Ezra Pound]
1014 words (2.9 pages)
- According to Ezra Pound, great literature is “simply language charged with meaning to the utmost possible degree,” (Pound 28) and “news that stays news” (29). In his book, ABC of Reading, Pound explains that one can “charge words with meaning mainly in three ways, called phanopoeia, melopoeia, logopoeia” (37). The way he wrote his book is analogous to the way any writing should be: clear rather than abstract and very concise. The poetry appended to the volume, too, tends toward the clean, precise and concise.... [tags: Ezra Pound, Literary Analysis]
968 words (2.8 pages)
The first thought I had about the pairing of these images is the comparison between the hustle and bustle of human lives, specifically at the metro, and the calmness of wet nature. Reviewers of this poem note that because the metro in underground, the crowd of people is like crowds of people in Hades or the underworld. In this case, the wet bough is certainly not native to the location. Many reviewers also focus on the relationship between Pound and Yeats, but most of the things written on this were confusing to me. While Pound's poetry seemed strange to me at the beginning of the week, I am interested to learn more about it.
A Major Minor: Ezra Pound's Poetry by Donald A Lyons. New Criterion v 17, nlO (June, 1999).
"Concealing the debt": a note on Ezra Pound's "In a Station of the Metro" by Sumanyu Satpathy. English Language Notes v32, 113 (March, 1995).
An American Poetry Sampler by Stormy Stripe. Biblio (April, 1998).