l.a confidential film noir

l.a confidential film noir

Length: 961 words (2.7 double-spaced pages)

Rating: Excellent

Open Document

Essay Preview

More ↓
The Key Conventions Of Film Noir In L.A Confidential

L.A Confidential (Curtis Hanson, 1997) is a neo-noir film about a shooting at an all night diner and the three Las Angeles policeman who investigate in their own unique ways. It is based on the book by James Ellroy and after a very well adapted screenplay, won nine academy awards. It starred actors with big names like Russell Crowe, Guy Pearce and Danny Devito, which made it a very high earning film.
The Narrative or storyline is much the same as any other film noir movie. It has a ‘hard boiled’ cop (Russell Crowe) who we grow attached to. The narrative of any film must have certain ‘key conventions’ which are apparent for the audience to tell the genre of the film. The narrative can be used to provide an explanation as to why the film contains certain things, or why a character does something.
The genre of the film is how we know what kind of film it is. Genre is a French word which literally means type; it shows what category a film comes under. There are certain factors in a genre which will identify it. Things like settings, characters and themes can all be similar in one specific genre.
‘L.A Confidential is in the film noir genre. Other films in this genre are ‘The Big Sleep’, ‘The Maltese Falcon’ and ‘Double Indemnity’. Lighting is very important in film noir. It uses techniques such as chiaroscuro to give the film a darker, more obscured feel. The characters are often similar in film noir. The main protagonist is always some hard boiled cop or investigator who doesn’t always play by the book to get his desired results. There is often a femme fatale; a very pretty woman with whom the main protagonist has a love interest. There will always be bad guys who will try and stop the main protagonist from completing the case.
In L.A Confidential Danny Devito narrates. A narrator is quite common in noir films. The purpose of a narrator is to explain, to the audience, parts of the film which cannot be explained by conversation on screen or visually. A voice over is non- diagetic which means that we can hear it but it is not apparently coming from anywhere on screen. Danny Devito is perfect in this role because he has quite a seedy voice this is good to illustrate the sleaziness of film-noir, it shows the real voice of L.

How to Cite this Page

MLA Citation:
"l.a confidential film noir." 123HelpMe.com. 24 Aug 2019
    <https://www.123helpme.com/view.asp?id=73887>.

Need Writing Help?

Get feedback on grammar, clarity, concision and logic instantly.

Check your paper »

Essay about An Analysis of L.A. Confidential

- Although not entirely uncritical in its portrayal of race, L.A. Confidential further cements white as the “invisible norm” in film. The film makes a few points about police racism and white—specifically Anglo—dominance in the LAPD, but the few critical points the film makes are limited to the institutions portrayed in the film; the primacy of whiteness throughout the film itself goes unquestioned. Furthermore, its stereotypical representations of minorities sabotage any chance the film had to offer criticism of white hegemony in either its historical setting, 1950s Los Angeles, the late ’90s world in which it was made, or the universe of noir film....   [tags: Police Corruption 2014]

Research Papers
2550 words (7.3 pages)

A Comparison of The Big Sleep and L.A. Confidential Essay example

- A Comparison of The Big Sleep and L.A. Confidential For this essay I have taken two films of a similar genre and style from two different cinematic periods and compared them against to attempt to highlight the similarities and differences that will inevitably be present. The two films I have chosen are ‘The Big Sleep’, made in 1946 with Humphrey Bogart and Lauren Bacall, and ‘L.A Confidential’, made 41 years later in 1997 - with a stellar cast including Kevin Spacey, Kim Basinger and Danny De’Vito....   [tags: Papers]

Research Papers
1639 words (4.7 pages)

Essay on Chinatown as Film Noir

- 'Chinatown' as Film Noir      Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.             Roman Polanski's 1974 film, 'Chinatown', revolutionized the film noir genre....   [tags: Film Noir Chinator Analysis Essays]

Research Papers
853 words (2.4 pages)

Film Noir: The Maltese falcon Essay

- Film Noir was extremely trendy during the 1940’s. People were captivated by the way it expresses a mood of disillusionment and indistinctness between good and evil. Film Noir have key elements; crime, mystery, an anti-hero, femme fatale, and chiaroscuro lighting and camera angles. The Maltese Falcon is an example of film noir because of the usage of camera angles, lighting and ominous settings, as well as sinister characters as Samuel Spade, the anti-hero on a quest for meaning, who encounters the death of his partner but does not show any signs of remorse but instead for his greed for riches....   [tags: Film]

Research Papers
973 words (2.8 pages)

Essay on Film Noir: A Style Spanning Genres

- The classification and cataloging of items seem to fulfill a basic need in human beings, whether it is vegetable, mineral or animal. It seems that this basic need to analyze and categorize items applies also to objets d’art, including film – and the recognition or dismissal of film noir as a genre has been argued since the term was coined. While the term itself is valid, film noir as a genre is a misnomer. More properly, film noir should be considered a style unto itself, but definitively not genre, defined by the very definitions of the words “style” and “genre”....   [tags: Film]

Research Papers
1014 words (2.9 pages)

Women Portrayed in Horror and Film Noir Films Essay

- Women Portrayed in Horror and Film Noir Films Works Cited Not Included Horror films have always been more attractive to the male viewer than to the female viewer. Why is that. Usually horror films mainly present the audience with very graphic mutilation and the raping of females, more so than their male counterparts. Horror films have always depicted females as either objects or as the victim of a horrible act....   [tags: Film Movie Noir Females Essays]

Research Papers
2949 words (8.4 pages)

Essay on Bunohan: A Noir Film Analysis

- Figure 1 Ilham talking to Deng before Deng strikes him with a knife Film Noir which means black films in French, was actually coined by a French film critics, Nino Frank in 1946, who began to notice that darkness, downbeat, mysterious and black themes could create a different and unique visual style in American films which were released in France following the World War 11. This style has been used in films to reflect the tensions and depression of the time during the war. Characters in the films during that time would show feelings and emotions such as fear, despair, grieve and paranoia to reflect that terrible War feeling....   [tags: Bunohan Film Analysis]

Free Essays
2195 words (6.3 pages)

Essay on Film Noir: The Big Sleep

- Film Noir is a genre of distinct and unique characteristics. Mostly prominent in the 40s and 50s, the genre rarely skewed from the skeletal plot to which all Film Noir pictures follow. The most famous of these films is The Big Sleep (1946) directed by Howard Hawks. This film is the go to when it comes to all the genre’s clichés. This formula for film is so well known and deeply understood that it is often a target for satire. This is what the Coen brothers did with 1998’s The Big Lebowski. This film follows to the T what Film Noir stands for....   [tags: film analysis, the big lebowski]

Research Papers
858 words (2.5 pages)

Chinatown: Above The Film Noir Genre Essay

- The viewer sees a private eye and beautiful client. First thought, "It’s definitely another Hollywood crime drama." On the surface, Chinatown has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers....   [tags: Movies Film]

Research Papers
1601 words (4.6 pages)

Miami Film Noir Essay

- MIAMI NOIR We have much to learn from Mike Davis, CITY OF QUARTZ (Vintage, 1992) who discusses the paradoxical effects that the representations of Los Angeles in hardboiled novels and their translation into film noir cinema had on the image and myth of that city. Together they radically reworked the metaphorical figure of the city, using the crisis of the middle class (rarely the workers or the poor) to expose how the dream had become nightmare. . . . It is hard to exaggerate the damage which noir's dystopianization of Los Angeles, together with the exiles' [European intellectuals living and working in L.A.] denunciation of its counterfeit urbanity, inflicted upon the accumulated ideologica...   [tags: Film Cinema Movies]

Free Essays
1033 words (3 pages)

Related Searches

A.
The setting of film noir is usually quite cheap. This is used effectively to actually show the dark tacky parts of society where film-noir usually takes place. There is not a lot of light in these films and they are often set on location. A seedy underworld is often present in film-noir movies, where all the bad or undesirable parts of society are exposed. Things like drugs, alcohol, murder and corruption.
In my analysis I will be looking at a scene near the end of the film where Bud White and Ed Exeley take part in a shootout at the victory motel. The narrative conveys very common noir aspects here; the shootout takes place in a very dark room. The only light comes from outside. This shows the mood of the scene to be sinister and bleak. It puts the audience in a scared state as the shadows can conceal anything. It is also hard to see what White and Exeley are doing. The shadows are very menacing because they use a chiaroscuro lighting effect. This means that the rooms, people and settings are hidden from view by shadows. The blinds over the window cast strong grid shadowing over the characters showing uncertainty and anxiety. This lighting is very common in film-noir films as it shows the seediness of the settings. The narrative within this scene is very stereotypical because it uses the key conventions.
When the two main protagonists arrive it is night time but there is quite a lot of light. The entire setting reflects film-noir; we can see this just by looking at the motel, it is decrepit and messy which is very stereotypical of film noir.
Once the action starts happening the shootout is very conventional to film-noir. The main protagonists are on their own against an overwhelming amount of ‘bad guys’ or the cops who work for the bad guys. This shows that the ‘good guys’ are in fact very remote and deserted.
The only thing different from most noir films is the fact that there are two main characters rather than just one. Both of them still have the characteristics of film noir though. Bud White is the strong one, the muscle and Ed Exeley is the smart one, the calculating one.
The Scene ends with a twist that Dudley Smith, the police chief, is behind all the murders and organised crime. This comes back to the key convention of corruption in film noir.
The mise en scene here is good because when Exeley gets shot there is a page of the newspaper L.A Confidential. This suggests that the paper has had a hand in everything that has happened in the film so far. At the end of the scene Exeley shoots Dudley Smith. This shows how much he has changed through the course of the film. He started off as a ‘goodie goodie’ son of a lieutenant who was sanctimonious and smug. He has grown into a man who shoots fellow police officers in the back because he believes it is the right thing to do. He believes this because Smith is the one who killed his father. He has switched his priorities round from ‘the book’ to his personal judgement. It shows how much he has matured.
Return to 123HelpMe.com