Truthful Horatio of Shakespeare's Hamlet

Truthful Horatio of Shakespeare's Hamlet

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Truthful Horatio in Hamlet       

 

Horatio's role in Hamlet is minor, however he serves two purposes central to the drama. Horatio provides the truth. It is through Horatio that the actions taken by Hamlet and other characters gain credibility. He is the outside observer to the madness. Hamlet could soliloquize to no end, but it is his conversations with Horatio that ground the play in reality. Horatio believes Hamlet and thus we have permission to believe. He sees the Ghost and so we can believe that Hamlet has seen the Ghost. If Horatio were not there, Hamlet's sanity would truly be in doubt.

Horatio's second purpose is to be Hamlet's one true confidant. Apart from Hamlet's soliloquies, his conversations with Horatio are the only insight we have into what the Prince is really thinking and feeling. But why Hamlet chooses Horatio to become the sole person on whom he can rely is of primary concern here. From the first scene we see that Horatio is calm, resolute, and rational. Not afraid to confront the Ghost, Horatio demands that it speak if it knows what future awaits Denmark or if it has come to make a confession:

If thou art privy to thy country's fate...

O, speak!

Or if thou hast uphoarded in thy life

Extorted treasure in the womb of earth...

Speak of it, stay and speak! (I.i.133-9)

 

Hamlet admires Horatio for the qualities that Hamlet himself does not possess. He praises Horatio for his virtue and self-control: "Horatio, thou art e'en as just a man/As e'er my conversation cop'd withal" (III.ii.56-7). Horatio's strength of character is unwavering, and Hamlet longs for the peace of mind that such stoicism must bring to Horatio:

Dost thou hear?

Since my dear soul was mistress of her choice,

And could of men distinguish her election,

Hath seal'd thee for herself, for thou hast been

As one, in suffering all, that suffers nothing,

A man that fortune's buffets and rewards

Hast ta'en with equal thanks: and blest are those

Whose blood and judgement are so well commedled

That they are not a pipe for fortune's finger

To sound what stop she please. Give me that man

That is not passion's slave, and I will wear him

In my heart's core, ay, in my heart of heart,

As i do thee. (III.ii.65-70)

 

Thus Horatio has reached an apex that Hamlet recognizes is the freedom from emotional upheaval.

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