Antigone is an admirable character in some aspects through out the play. Her pride
basically serves as a building block to her being admirable. Certain examples through out the play
prove this to be true ,but in some instances the end result is negative.
A big example of this was her willingness to bury her brother accepting any consequences.
To Antigone the Gods are more important than any subject ,and Creon seems to think that he
is at their level of standing just because he is king. Creon having this mental feeling of power says
that if anyone buries Polyneices they shall be put to death which basically is directly against the
Gods laws. Antigone’s strong loyalty to the Gods and compassion led her to bury her brother.
Secondly she confronts Creon admitting what she had done and she does not show any
sign of fear. This is a perfect example of her loyalty and faith within the Gods laws. Antigone
also has this mental preparation for death ,but she does not realize that death is so real and not
just some easy thing to accept. Death is non-negotiable.
When Antigone’s death approached her with a cold realization ,she started blaming her
family. Antigone said “Their crime, infection of all our family!”(Antigone Scene 4, line 39).
From that she basically stated that her own family had cursed her which was the first scene all
Maria had no authority over her restless family. The source of the conflict between Antonio and Maria originates from her oldest sons taking to going where they please and not caring about their parent’s wishes. The burden of pleasing their parents passes from the eldest sons to the youngest one. With the sole duty of pleasing his parents, Tony internally rebels against their wishes instead seeking to set to rest his churning mind by seeking his own beliefs. His brothers console themselves about abandoning their family by saying that “Tony will be her priest” (Anaya 36) and not knowing that the “dreams of their father and mother [haunt] them” (Anaya 36) also haunted Antonio. Having the responsibilities of his brothers and his family shape the way he grows and thinks. He isn’t just thinking about himself he also has the problems of redeeming his family on his head. Through the story and through Ultima Tony realizes that he is not bound by obligations and can instead shape his own
When Antonio first became homeless, an older man tried to steal one of his belongings, which was a simple hot plate. His first instinct was to attack the man and take back his property. While doing so, Antonio thought, “We have almost nothing, and this man wants to take it from us” (43). In addition, he mentions how, “It felt good to hit this man… For a moment, he felt strong and free; fury was a much better drug than self-pity.” (43). When Antonio discusses about the old man and his crimes, he may be alluding to Longoria and what he did to Antonio’s family. The man who tried to take away part of Antonio’s possessions is referring to Longoria and how he took away Antonio’s family. The act of beating the old man refers Antonio’s eventual act of revenge against Longoria and the satisfaction he experiences afterwards. Both acts demonstrate Antonio’s willingness to sacrifice and harm other in certain scenarios where it is necessary. The significant difference between Longoria and Antonio is the intention behind their actions. Longoria killed hundreds in cold blood for his own selfish desires and beliefs, while Antonio only harmed a total of two people to get revenge and to enforce justice in the only way he could. As mentioned before, Longoria’s actions are evil because he commits them for selfish reasons and without remorse. In contrast, Antonio’s actions are seen as necessary evils. A necessary evil is defined as an act of evil (as perceived by society) that is committed in a certain scenario where it follows a utilitarian approach; an approach in which the action does more good than harm. When Antonio beat up the old man, he was merely protecting his belongings and enforcing the law. More importantly, when Antonio killed Longoria, it was for his wife, his son, and the hundreds of other innocent lives that Longoria had claimed; Antonio did an act of
In the novel, Bless Me, Ultima, Antonio learns about his relationship with his universe. Through the teachings of Ultima, he learns to see with his heart and to appreciate all the magic that nature beholds. The river of life is never ending like the river that binds the llano to Guadalupe. All that Antonio has experienced is symbolized in the river and the life that surrounds it. Ultimately, it is his teacher and friend, Ultima, which teaches Antonio that life is a cycle and that understanding oneself brings peace and harmony. The river also serves to bind the past, present, and future. Antonio learns that his future is tied to his past and that his destiny will be guided by an understanding of his heritage and “the magical strength that resides in the human heart”.
[ANTIGONE] That must be your excuse, I suppose. But as for me,/I will bury the brother I love. [ISMENE] Antigone, I am so afraid for you! [ANTIGONE] You need not be: You have yourself to consider, after all.” (Sophocles, Prologue, Lines 62-69) Though morally Ismene completely agrees with Antigone, her willpower gives an impression more on the lower side than Antigone’s. Even if like her sister, she values divine laws more than the state laws, Ismene contrasts with Antigone on the courage to commit such an act of burial behind the backs of Thebes’ royal court. Ismene’s silence breaks when she exclaimed in questioning her sister, “[ISMENE] Do you refuse me, Antigone? I want to die with you:/ I too have a duty that I must discharge to the dead. [ANTIGONE] You shall not lessen my death by sharing it. [ISMENE] What do I care for life when you are dead? [ANTIGONE] Ask Creon. You’re always hanging on his opinions.” (Sophocles, Prologue, Lines 437-441) Antigone’s pride caused her to become stubborn and not listen to any other opinion about the
Of the tragic figures in Antigone, Creon is the most obviously evil because his motives are self-serving and his fate the worst. As the play begins, we learn that Antigone has defied Creon's royal decree by performing sacred burial rites for her exiled brother, Polyneices. Polyneices has been declared an enemy of the state by Creon. The sentence for anyone attempting to bury him is death by stoning.
Creon wants to be respected and feared as a king because this will prove him to be the
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
The characters in the play Antigone all suffer a downfall of some sort. The major characters suffer the most, though. In this short essay, I will document on how the two main characters, Creon and Antigone, both inevitably become tragic heroes.
...ce. In the very last dream, he witnesses three deaths that occur in front of him. This shows that he is losing his innocence because the people that die in the dream were not evil but good. This makes Antonio realize that the world is unfair and unjust. In his dream, “the Golden Carp appeared and Cico struck with his spear and the water ran blood red” (176). The Golden Carp dies which signify his loss of innocence, because only the innocent who have not sin can see the Golden Carp.
In the story “Antigone”, Sophocles shows that Creon’s attitude is very angry, making everyone sees him as a tyrant more than as a king. His regard for the laws of the town causes him to abandon most viewpoints, like the laws of the gods, or the rights of the people. He believes that his subjects should obey the laws he has set in place, even if moral or religious beliefs contradict his laws and beliefs. Creon’s idea of a good leader is one who maintains order through violence and fear. More over his arrogant, power-seeking personality prevented him from seeking out advice or listening to his own people.
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
The Tragic Play Antigone by Sophocles has a Conflict between religious morals and loyalty to the state and its laws. This struggle is displayed through the characters Antigone and Creon. Antigone’s life meets a tragic end in the play, but her death makes her a martyr leading to the citizens to follow her view of religion.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Antigone is a Greek tragedy written by Sophocles that has two tragic heroes, Antigone herself and Creon. A tragic hero is the main character in a tragedy that makes an error in his or her actions that leads to his or her downfall. Creon is the tragic hero in Antigone because he reveals all the characteristics of a tragic hero. Creon’s tragic flaw is his pride. Creon’s stubbornness, his abuse of power, and his actions that resulted in his downfall in the play are three of the ways in which Creon can be the tragic hero.
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