The Mirrors
It was a small, circular mirror. When Jake picked it up, he saw his crystal clear reflection, enhanced by the smooth, silver glass. He looked up out of the old boxes he was rummaging through to find the rest of his dimly lit garage. He could hear kids playing outside and he rubbed his hands together, trying to remedy the sting of the bitter, unrelenting cold. He picked up the mirror, and took it into his mansion of a house in a quiet, peaceful suburb.
It was a Midwestern winter, and the days were short, bringing cold nights laced with the
sounds of speeding cars flying down the highway. Jake heard the shrill call from his mother.
"Jake, we're going to McDonald's. What do you want us to bring you back?"
Jake thought about it a moment, and responded in his low, thick voice.
"Im not hungry right now. Go ahead."
"You really should eat!" she yelled back. He didn't respond. Instead, he went into
his room, mirror in hand.
Jake had long been obsessed with the paranormal, diving into books of ghosts,
demons, angels, and reproductions of ancient cabalic documents. It was in these books that he learned of scrying, which is foretelling the future through the use of mirror glass. He remembered about the cool antique mirror graced with Celtic knotwork and a red runestone, and figured he would give the ancient art a shot. He opened up the book, looked at some procedures, and followed the instructions.
He set out the fancy purple velour cloth on his desk and placed the circular mirror
down upon it. He then eagerly looked into the book and slowly chanted the specified jargon in slow, broken Latin. With that, he blew out his candles, waiting as the book said, for the mirror's powers to unlock.
Nothing happened.
He got up from the chair in expectation that it wouldn't work, and proceeded to
turn the lights on, when he was shocked by what he heard.
It started off as a whisper barely audible, and as he listened in sheer terror it
became louder and louder, till he could hear nothing else but the shrieking terror that
plagued his ears.
It reminded him of a dog growling as if it were intimidated, but this was much more
low, and contained what could only be described as pure, clean, unadulterated evil.
The Helms White Racial Identity Model, created by Dr. Janet Helms, has six stages which are now referred to as statuses. The statuses are, contact, disintegration, reintegration, pseudoindependence, immersion/emersion, and autonomy. The first status, contact, shows obliviousness to being unaware of racism. This status shows that an individual believes everyone has an equal chance to success and lacks understanding of discrimination and prejudice. The second status is the disintegration status meaning that there is conflict among an individual’s loyalty to their group and “humanistic ideals”. These people may try to avoid people of a different race, may attempt to be “color blind”, and may seek reassurance from other Whites that racism is not their fault. The next status is reintegration. If reintegration occurs, racial/ethnic minorities may be blamed for their problems.
Prenzler, T. 1995. Equal employment opportunity and policewomen in Australia. Australian and New Zealand Journal of Criminology, 28/3, 258-77.
In Macbeth, Shakespeare succeeds in showing power of corruption, and also of unbridled ambition. The way he chooses to do this is in a brilliant flash of poetic philosophy, giving Macbeth a universal appeal that will remain undiminished in time to come.
sound of a lion roaring, which frightened him for the rest of he night. In the
angles and the convenient placing of a mirror is able to convey the sense of an
Macbeth’s blind ambition leads him to surrender to his dark desires that taunt him throughout the play. Macbeth is frequently tempted to result to the wrongful methods that seem to roam inside of him. In the beginning however Macbeth tends to ignore these desires and depends on chance. He declares “if chance will have me king, why, chance may crown me, without my stir” (Shakespeare, act 1, scene 3, 143-144). This declaration by Macbeth shows his initial stand, which is reliant on fate and sin free. Yet as Macbeth’s character develops throughout the play, he moves farther from his dependence on chance and closer to his darker desires. Eventually his blind ambition to become king overp...
Gutenberg was a skilled metalworker and for a short time he was involved in producing special mirrors that were designed to capture “holy light” shining from religious relics. These mirrors were then sold to pilgrims that made their journeys to holy sites.
Involved in social interaction is the concept of a social self. A social self, as explained by George Herbert Mead, is a symbiotic interaction; the individual self is a process of interaction as opposed to a “thing.” In terms of multiracial individuals, this means that they’re social self is developed through communication with themselves and with others. As explained by Shih and Sanchez, multiracial individuals have developed their sense of self by being misunderstood by “white” and non multiracial communities. In terms of the article, if multiracial individuals are feeling like their full self isn’t being accepted, they will view themselves as outcasted and unaccepted by their community. Unfortunately, it is difficult enough for a monoracial individual to feel accepted, let alone a multiracial individual.
Because of the witches’ prophecies, Lady Macbeth’s ambition and Macbeth’s greed, Macbeth diverges from his values and principles, corrupting him and ultimately leading to his downfall. Because of their greed and pride, the characters in the Tragedy of Macbeth end up not only losing everything that was important to them, but also the path on life they had tried so hard to stay on. Greed and pride shatters the fate that one would have had, whether fate is defined as where one would want to end up, or as where one will end up at.
The wind was loud, louder than usual. Ryder listened as the rain pattered against the roof. Ryder tried and tried to go to sleep, but something inside of him kept him awake. Maybe it was the rain. He felt the urge to go downstairs and wake his baby brother but ultimately decided not to. He looked out his window trying to occupy himself. He focused on the giant oak tree in his backyard, the creaking of the tire swing, and the creaking of the katydids.
The model led to the development of an assessment instrument to measure the white racial identity. According to Helms, developing a healthy white identity requires transition through two phases, abandonment of racism, and definition of a non-racist white identity. The two phases are characterized by six distinct racial identity statuses that are equally distributed. They include autonomy, contact, disintegration, immersion/emersion, pseudo independence, and reintegration. I find this model detailed, informative and helpful in understanding the white racial identity (Derald Wing Sue,
Macbeth written by Shakespeare, is a tragic and historical thriller play filled with action-packed murders and the fall of man. The characters are portrayed to have personal ambitions. Shakespeare displayed these ambitions to both be destructive and constructive. Which unchecked ambition has detrimental impacts as shown in the main characters and checked, cautious ambition can help influence and encourage others. Ambition is an overarching theme found common in the play and could also be shown for the sake of justice and a positive characteristic. These ambitions were either presented as fatal flaws shown
“Angus, no!” Teddy yelled, his skin turning pale as he saw Angus in the road with the silver truck. Teddy began to run, his eyes burning as he tried to save the small dog, but it was too late.
The play Macbeth, by William Shakespeare illustrates how greed for power and wealth can result in the destruction of oneself as well as others. The play's central character, Macbeth is not happy as a high-ranking thane - leading him to assassinate Duncan to become King, while unknowingly dooming himself. Throughout the play many examples are evident of Macbeth's unquenchable thirst for power.
To begin, Macbeth experiences an internal downfall due to his ambition where he battle between his desires and moralistic values. Initially, the idea of attaining power over Scotland by killing King Duncan sparks a sense of fear and paranoia in Macbeth, however, his conscience struggles to take over his ambition: "that we but teach/ Bloody instructions, which being taught, return/ To plague the inventor. [...] I have no spur/ To prick the sides of my intent, but only/ Valuing ambition, which o'erleaps itself/ And falls on th' other-" (1.7.8-28). At this moment, Macbeth contemplates on killing King Duncan as he visualizes the long term consequences of committing the crime. The reader can grasp his moral judgement as he understands that by proceeding with the murder, he is only causing his own demise and punishing himself. With that b...