“Young Goodman Brown” – Conflict, Climax, Resolution
Edmund Fuller and B. Jo Kinnick in “Stories Derived from New England Living” state that “’Young Goodman Brown’ uses the background of witchcraft to explore uncertainties of belief that trouble a man’s heart and mind” (31). Are these critics’ statement correct? This essay will examine Nathaniel Hawthorne’s “Young Goodman Brown” to determine the conflict, climax and resolution.
The conflict between pride and humility is the direction that Clarice Swisher in “Nathaniel Hawthorne: a Biography” tends: Hawthorne himself was preoccupied with the problems of evil, the nature of sin, the conflict between pride and humility” (13). There is little doubt about the pride of the protagonist as he scolds his wife for not fully trusting him: "’My love and my Faith,’ replied young Goodman Brown, ‘of all nights in the year, this one night must I tarry away from thee. My journey, as thou callest it, forth and back again, must needs be done 'twixt now and sunrise. What, my sweet, pretty wife, dost thou doubt me already, and we but three months married!’" And looking at the end of the tale, perhaps it his Goodman’s pride which causes him to live the rest of his days in gloom; the opposite virtue of humility might ease his adjustment into a world of sinners.
Gloria C. Erlich in “The Divided Artist and His Uncles” says that “he let his more extravagant characters test the unlimited for him and sadly concluded that it was unlivable” (38). Stanley T. Williams in “Hawthorne’s Puritan Mind” states: “What he wrote of . . . . unforgettable case histories of men and women afflicted by guilt, or, as he called it, by “a stain upon the soul” (43). Sculley Bradley, Richmond Croom Beatty and E. Hudson Long in “The Social Criticism of a Public Man” state: “He was absorbed by the enigmas of evil and of moral responsibility” (47).
Using an assortment of literary critical opinion, this reader considers that the central conflict in the tale is an internal one - the conflict in the mind and soul of Goodman Brown between joining the ranks of the devil, and remaining a morally good person, and the extension of this conflict to the world at large represented by the villagers of Salem.
It is a difficult personal journey for Young Goodman Brown, a young Puritan resident of Salem, Massachusetts, in the 1600’s to say goodbye to Faith on that fateful night and to keep a prior commitment made with an evil character (the devil) in the woods.
Walker, L. A. (1986). A Loss for Words: The Story of Deafness in a Family. New York: Harper
The Big Bang, the alpha of existence for the building blocks of stars, happened approximately fourteen billion years ago. The elements produced by the big bang consisted of hydrogen and helium with trace amounts of lithium. Hydrogen and helium are the essential structure which build stars. Within these early stars, heavier elements were slowly formed through a process known as nucleosynthesis. Nucleosythesis is the process of creating new atomic nuclei from pre-existing nucleons. As the stars expel their contents, be it going supernova, solar winds, or solar explosions, these heavier elements along with other “star stuff” are ejected into the interstellar medium where they will later be recycled into another star. This physical process of galactic recycling is how or solar system's mass came to contain 2% of these heavier elements.
Nathaniel Hawthorne’s allegorical story “Young Goodman Brown” is set in Salem, Massachusetts during the late sixteen hundreds in a time of religious hysteria and only a few generations after the infamous witch trials. Although "Young Goodman Brown" is a fictional tale, it is based on the cynical environment of Salem during this time period. The short story is filled with many literary elements, leading you to question what did exactly happen to the main character at the conclusion. When analyzing a story like "Young Goodman Brown", one must recognize that the story is at whole symbolic. In the text, symbols are used to uncover the truth of the characters. The role of Faith as both a character and a spiritual element are crucial to both the story and the character of Young Goodman Brown.
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Clarice Swisher in “Nathaniel Hawthorne: a Biography” states: ”When Hawthorne called his stories ‘romances,’ he meant that they belong within the romantic movement that . . . . emphasize imagination and personal freedom” (18). It is the purpose of this essay to interpret the theme of Nathaniel Hawthorne’s “Young Goodman Brown” and determine where this “personal freedom” leads.
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