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Teaching Writing
As I look back over the course of this semester, the image that I get is one of the murky variety. It is difficult to identify although I have felt its presence for almost four months now. There have been many moments when I have waited for the insights to come, for the reading and the writing to mesh. And instead, I felt like I was lost in a fog that was sometimes dense, other times only misty. The worst part is that the fog is pervading a familiar place and once it clears I will be disappointed with myself because I should have known exactly where I was.
What troubles me is why I do not know where I stand, after a semester of studying concepts I believe in. My hopes for myself in this class have not been met (for which I hold myself entirely responsible). I spent the last few months searching for answers in the material, in my dialogues with my classmates and coworkers, in my writing and through my thinking. As a feminist and a critical pedagogue I thought I would surely come to some grand conclusions, with all these theories as my bedfellows. But instead I feel like I have abandoned and failed my agenda: to better learn the theory and grow because of it. This is not to say that I have not learned anything, or not grown from the experience of this class. I know and feel that I have been changed; I am just not certain how.
I look back at my reaction papers and I only see doubts. Questioning the people whose projects I admire, whose goals are not so different than mine, who know so much more than I do. And yet each paper that I have written criticizes and tries to poke holes. This sense of being lost, of not knowing is my own fault. I did not allow myself to engage with the writers. It has only been at the end, by doing my research paper and reading the articles about race that I finally felt like there was a place for me this course. It has been an alienating experience to see my peers thriving with our coursework while I felt like a grumpy old dwarf, shouting ìWhat about me?!î And then, a couple weeks ago, when we started reading Race, Rhetoric, and Composition, I felt like the fog was beginning to shift.
Mike Rose met many struggling students at UCLA’s Tutorial Center, the Writing Research Project, and the school’s Summer program. He first describes the loneliness students feel upon arriving at college, and that as they try to find themselves, they all to often lose themselves because they are bombarded with ideas that are so foreign to them. He introduces his audiences to Andrea, a bright young girl out of high school who, despite hours of memorizing in her textbook, could not obtain a passing grade on her Chemistry mid-term. How is this possible if she spent so much time studding? Rose explains that she failed because in college, and in this course in particular, it is not enough for a student to know the material, but rather, to be able to apply it in a various amount of problems. Yet the problem Andrea faces is that she was never taught this in high school.
‘Helping students meet the challenges of academic writing’ by Fernsten and Reda is an interesting study how reflective writing practices can be useful for marginalized students, who are struggling with “negative writer self-identity. The possible causes according to Fernsten & Reda are, “issues such as race, class and gender that are marginalized factors for many basic writers”, in addition to the expectations of the dominant academic culture. However, even though Fernsten & Reda illuminated the ‘potential conflicts’ within the academic world, they have failed to provide conclusive evidence that supports their argument regarding their solution. Their reliance on dated research that provides a one sided historical perspective, may no longer accurately reflect current socio/economic issues. In addition, education has been evolving to an inclusive curriculum approach, as immigrated children enter the school system in record numbers. “Persons obtaining legal permanent status in the U.S from the year 2000-2010 are roughly eleven million” (Homeland Security,pg.10/2010). Fernsten & Reda’s confidence of their own limited teaching practices without legitimate comparables from an empirical study leads to their underlying assumptions about the true effectiveness of reflective writing strategies and the causes they believe are associated to a student’s socio/economic background.
In her essay, “The New Literacy: Stanford Study Finds Richness and Complexity in Students’ Writing,” Cynthia Haven claims that writing, for the modern college student, has changed due to recent technology, specifically the internet. To prove this claim, the author turns to a study that began in 2001 at Stanford. This study’s goal was to analyze the writing habits of college students; however, the results yielded more than just that. The study found that students are writing much more than was expected, and much of what they write is not for a grade. So, these students write almost as much for their personal gain as they do for an academic one. Due to this, students are able to understand and utilize higher-level writing techniques, such as epistemic writing. Furthermore, they have
A Critical Review of "Helping Students Meet the Challenges of Academic Writing", by Fernsten, Linda A.; Reda, Mary
As stated by Anaïs Nin, “We write to taste life twice, in the moment and in retrospect.” Writing is a beautiful way to express how we feel, to make experiences memorable and to also be whoever we want to be. Writing is not easy for me. I always feel anxious before I begin to write, and this is because I’m always telling myself that “I don’t like to write.” In order to get rid of the nervousness, I start reading about whatever I have to write about so I can enrich my mind about that particular topic. Most of the times this does not work out, therefore I go to sleep and recharge my brain. As soon as I get back up I’m ready to write. My room is an ideal environment for me to write. Nobody’s there to distract me, so I put my headphones on because
When reading "Teaching Thinking by Teaching Writing" by Peter Elbow, I discovered many of the ideas he favors is how I start off my writing for most writing assignments. I tend to free-write when getting out of my thoughts without being interrupted by any outsider looking in or sources to result to. Then once I 'm done, if the assignment requires sources or I just feel I need another opinion and feel I 've been looking for extra help such as needing sources to include within my writing. I feel my best writing comes from me when I free writing first. I realized what I have been practicing for many writing projects is called first order thinking, then I later apply a second order thinking for the correctness.
Writing Lessons by Stanley Fish was a reading I found myself dreading to start. Before actually beginning, my thoughts were that this reading would be extremely mundane. I then realized that it needed to be done and that the sooner I begun, the sooner I would finish. After finishing the first paragraph, I then found myself grasped and fully engaged in the reading - not just because I was interested in the content and story but because I actually was able to sit back and learn from it. Writing is something I feel comfortable and capable of doing, but this reading gave me a better grip on the actual structure of sentences.
College writing professors teach writing in a variety of ways around the United States and the world. The reason for this is that some professors are trying to teach their students a different aspect of writing an essay or a paper. Two views on this particular subject that I found interesting were Maxine Hairston’s essay "Diversity, Ideology, and Teaching Writing" and also Thomas Bray’s newspaper article "Memorial Day and Multiculturalism". These essays are two totally different views on how diversity and multiculturalism is to be applied in America or taught in the college writing classroom.
Writing can be a very difficult process for those who do not know how to go about constructing
The student who is preparing for preservice or inservice teaching in any field must answer two crucial questions: “What is learning?” and “What is teaching?” The student preparing to teach writing must also answer the question, “What is the purpose and the value of writing?” Writing is a subject area in which the teacher cannot easily state why writing itself is valuable or what purposes are served by learning the “art and craft” of writing, except as a tool for communication in other subject areas. In his article “Who’s Afraid of Subjectivity,” Robert P. Yagelski (1994), offers some answers to these questions about knowledge, education, and writing, as well as addressing related questions concerning individuality.
Writing and reading are two essential skills that we need to have in order to succeed in any field of study that we have chosen. Without these two we would not be here, wouldn’t be writing right now and would be considered the lowest class of our society. There are different aspects of writing that each of us may, or may not, excel at. Some of us are creative enough to write short stories or even novels on fiction while others, like me, are better at writing essays. To accomplish this we have all had a person to inspire us, to drive us, to get us over the hump of confidence that we need to succeed. Still to be successful we need to count on ourselves to succeed.
I have always known that writing was not my strong point. Entering writing 101 in September I was very much afraid. I knew that the expectations would be very high for this course; thus it would be more difficult than any other writing class I had previously taken. At first writing was a nightmare for me, but thanks to the assistance from professor Smart and my tutors, I have improved drastically in my writing skills and, as a result I am now a better writer. During the course of four months, I have learned so much. There were a few bumps in the way throughout the semester, but I managed to overcome them. It is hard to believe that my journey in writing 101 is coming to an end. Through my hard work and dedication, this class has helped me to build confidence in my writing that will help me throughout my college life.
I feel this semester, only the first I will survive, was a successful one. I feel that one of the objectives of this class was to make us better writers and I certainly improved throughout this course. I have learned what makes an unacceptable paper and what makes a good paper, and what makes it easier to write a strong paper.
Walking inside the typical composition class, one can expect to see the students crafting the five-paragraph essay or working on a persuasive piece as they try to argue they side of an in-class debate. Composition classes do not only work on a studentís writing, they also get the students to think through their writing (at least the good ones do). There is a certain well-accepted style to teaching writing in the traditional composition class, and it works very well for many students and teachers. However, should the line of comfort be crossed, and if so, how? Should composition instructors grab a hold of a different writing style, making it the focal point of their pedagogies in their writing classes? More importantly, if they do, what good would come of it?
Nowadays every student has many way to go to tutoring. Tutoring in the writing center has many choices. The choices that tutor make in regard to these and other questions will shape the form and outcome of the tutoring session. This tutoring session helps students become self-determining through questioning, because the tutor should help students develop self – confidence and improve study skills. Before I start this class, my thinking was that the people who tutor someone or any subject. They usually sit down together and read the paper or kind of essay and tell them to which grammar mistake was and what materials to add and take out any kind of essay or assignment which make sense to help or improving in our essay. The important decisions