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So are you to my thoughts as food to life,
Or as sweet-season'd showers are to the ground;
And for the peace of you I hold such strife
As 'twixt a miser and his wealth is found;
Now proud as an enjoyer and anon
Doubting the filching age will steal his treasure,
Now counting best to be with you alone,
Then better'd that the world may see my pleasure;
Sometime all full with feasting on your sight
And by and by clean starved for a look;
Possessing or pursuing no delight,
Save what is had or must from you be took.
Thus do I pine and surfeit day by day,
Or gluttoning on all, or all away.
PARAPHRASE OF SONNET 75
As food is to the body so are you to my soul and mind,
Or as spring showers are to the ground;
And for the contentment you bring me I allow such inner strife
As the conflict between a miser and his money;
Who takes joy in his wealth, but soon
Fears that ruthless competitors will steal his treasure,
Now thinking it best to have you alone,
Then thinking that the world should see how happy I am;
At one moment wholly satisfied by feasting on your sight
And the next moment utterly starved for a look at you:
Having or seeking no pleasure
Except what you have given me or what I will demand.
And so I starve or feed to excess depending on the day,
Either gorging on you, or not having you at all.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
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So...life ] As food is necessary to sustain the body so is the young friend necessary to sustain the poet's soul and mind.
sweet-season'd ] The sweet season, i.e. spring or, specifically, April. Shakespeare could have been thinking of the opening to Chaucer's Canterbury Tales:
Whan that Aprill, with his shoures soote ("sweet showers")
The droghte of March hath perced to the roote.
the peace of you ] Some critics believe that "peace" here could be a misprint. The great critic Edmund Malone argued that "the context seems to require that we should rather read 'price' or 'sake'. The conflicting passions described by the poet were not produced by a regard to the ease or quiet of his friend, but by the high value he set on his esteem" (Alden 185). Another possibility is that "peace" is play on "piece" (as in "pieces of money"), in keeping with the theme of wealth beginning in line 4. However, because of the contrast between "peace" and "strife" in line 3, the general consensus is that Shakespeare intended "peace" and not "piece".
'twixt a miser and his wealth ] "As between a miser and his money". The miser alternates between pride because he has accumulated so much money and fear because his wealth may at any moment be taken from him. Like the miser, the poet is torn between conflicting feelings for his friend.
enjoyer ] Invented by Shakespeare.
anon ] (1) soon or (2) at once.
Doubting ] Fearing.
the filching age ] The miser's (or the poet's) ambitious competitors. The poet fears contemporaries seek to steal the young man's affections and financial support.
surfeit ] Eat to excess.
day by day ] Change from one day to the next.
gluttoning ] Shakespeare's invention of the verbal form of "glutton".
Malone, Edmund. Quoted in Shakespeare's Sonnets. Raymond Macdonald Alden, ed. Boston: Houghton Mifflin, 1916.
Rowse, A.L., ed. Shakespeare's Sonnets. London: Macmillan & Co., 1964