Effective Use of Irony and Satire in Unveiling
Unveiling, by Vclav Havel, is an almost satirical view of societal behavior in the modern day world. The unusual props located throughout the apartment as well as the characters involved in the play come together to form an ironic tale wrought with realistic themes and an extremist view of modern society.
The main characters are Vera, Michael, and Ferdinand Vanek. The play begins with Ferdinand entering the party of Vera and Michael. As the story line progresses, Vera and Michael continue describing their many material possessions and showing off their supposed glamour. All throughout the commentary on their accolades, they also openly criticize Ferdinand in every aspect of his life. They claim to do so only because they like him and because he is their best friend. In the end, Ferdinand begins inching towards the door, and Vera and Michael start to go hysterical at the thought of Ferdinand leaving. Finally, when he sits back down, Vera and Michael resume their "normal" chatter.
The characterization in Unveiling is consistent in that each character is generally stagnant. Vera is a flat character. She starts out as a needy woman who is almost grandiloquent when she speaks of her belongings. Her husband Michael is no different. His pretentious behavior is only heightened by the accessory of his wife. In the end, they are still the same albeit not as composed as in the beginning. Ferdinand is really just a minor, speaking character in the play. There is not much depth to his character. He is essentially flat because there is no change in his character or lack thereof.
Though Unveiling does contain many themes, the principle one that is prevalent throughout is social pretensions. Vera and Michael pretend that everything is fine in their life though it clearly is not. They hold themselves to a materialistic standard that they feel they must uphold. The slick veneer that they like to hide behind is actually rather brittle and transparent. Their loneliness is apparent. For their "unveiling" party, there is only one guest, Ferdinand. That points to the fact that they do not have many friends, thus the reality which is that they are alone. Along these same lines, societal pressures and social conformity are also major themes. They feel they must uphold such pretenses because that is the social standard.
The play consisted of five characters: Marty, James, Schultz, Theresa, and Lauren. Marty and James are a couple; they knew each other through a wedding, Theresa is a former actress who ran away from the competitive New York, Schultz is an awkward carpenter who just got divorced, and Lauren is a sixteen year old girl who dreamed of becoming an actress. Marty who is the teacher started the class, but the students participated in the class’s activities
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Arthur Miller, one of America's greatest playwrights, living or dead, is a master of verbal irony. An examination of three strong examples of verbal irony in Millers play, The Crucible, will prove this out. While Miller started the genre of the tragedy of the common man, and is also know for his thoughtful and decisive plot lines, much of his fame, possibly can be attributed to his brilliant use of language generally, and his use of verbal irony in particular.
What is the most effective literary device used in the writing of short stories? As taken from dictionary.com; irony is a technique of indicating, as through character or plot development, an intention or attitude opposite to that which is actually or ostensibly stated. In “An Ounce of Cure” by Alice Munro, irony is used to demonstrate the unfortunate outcomes that can come about as a result of underage alcohol abuse. The story has irony because the narrator’s parents rarely drink alcohol and are strongly against the thought of alcohol. Alistair MacLeod uses irony in his short story “The Boat” to unfortunate events can happen even though the characters do not make it clear that they are soon to happen. In this short story the narrator’s father suffers a tragic death that is not expected by the reader. In the short story “The Doctor” by Andre Dubus, irony is used to create false hope and sadness in the presence of an unfortunate event. In this story it is ironic that an obstetrician who usually brings life into the world cannot save a young boy’s life. In the three central texts mentioned previously it is evident to the reader that irony is used to surprise the reader and provide an unexpected outcome in the presence of an unfortunate event. It is often expected that authors will use irony to demonstrate different visions in their writing.
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Who are the main characters in the play? How are the characters related through the plot of the play?
While we all may be shown different faces and persona’s each day, it never becomes clear which a true personality is and which is just a mask. Joyce Carol Oates demonstrates the need for her characters to disguise themselves from the rest of society in order to either be accepted by others or to be seen in a more pleasant manner. However, these characters who conceals themselves are ultimately hurt because of their inability to shed their false fronts and accept who they truly are.
Sophocles' Oedipus Tyrannus is considered by many scholars to be the most significant masterpiece of Greek drama. Through Oedipus Tyrannus, Sophocles is able to develop and establish dramatic irony, a theatrical device that allows the audience to understand the hidden meanings of the words and actions of the characters, though the characters themselves remain oblivious. Therefore, the behavior of the characters become ironic because they are unable to grasp the reality of the truth that is being unraveled before their eyes. "Dramatic irony may be described as putting into a speaker's (character's) mouth words that have for the audience a meaning not intended by the speaker" ("Dramatic"). Sophocles weaves this device into Oedipus Tyrannus, giving the play a distinct characteristic. He devises a "step-by-step discovery" of the truth (Gould), yielding value for the profound way it is constructed. With the use of dramatic irony, Sophocles incorporates the audience into the play by endowing them with "the divine position of knowing the truth" (Clay 13). A highly established illustration of dramatic irony may be found in Sophocles' Oedipus Tyrannus, where the character of Oedipus investigates the murder of the previous king of Thebes, only to learn that it is himself who is guilty of committing the crime, a truth known to the audience all along. Thus, Sophocles' Oedipus Tyrannus has dramatic irony woven into the play from the beginning to the end.
Cat's Cradle by Kurt Vonnegut is a satire on the state of world affairs in the 1960's. Vonnegut made a commentary in this book on the tendency of humans to be warlike, belligerent, and shortsighted. The main character of the book, the narrator, is certainly not a protagonist, although the modern reader craves a hero in every story and the narrator in this one is the most likely candidate. Through the narrator's eyes, Vonnegut created a story of black humor ending in the destruction of the earth.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
The action the audience is forced to recognize in Six Characters is subtly broached in Chekhov's play. It is discussion, and it is real discussion. People are different, and people are unpredictable. Reality is tragically inane, and that is what the theatre shows best.
In general, the discrepancy between appearances and reality is ironic. Irony is encountered throughout our daily activities and comes in many forms; verbal, situational. and the cosmic. Verbal irony is the most familiar kind, this occurs when we understand that.
To conclude, I believe that the characters do reveal themselves through disguise but not entirely. The personality of Rosalind was revealed through the way she enjoyed to trick people, the personality of the courtiers was revealed by their playful attitude in the forest and the personality of Orlando was shown by the fact that he did not disguise. To him everything is in the open and he has no secrets. Love is the only disguise. However, by looking at the different aspects of the characters’ personalities in their different roles, their behaviour is fully revealed.