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The Allegorical Young Goodman Brown
The story about Young Goodman Brown centers around the allegory of a man pitted against his past and his desires to reach beyond that which his benighted heaven would put before him. The allegory is Christian due to the references in Young Goodman Brown to the devil and Satan; it only seems logical that the crux of the story is based upon the religious imagery of Hawthorne's New England in the times of Salem and active religious strife. The beginning of the story mentions the goodman's wife, Faith. The names of the characters alone serve as an indication of what Hawthorne puts as an obvious religious allegory with the goodman and faith soon to be pitted against an unspeakable evil. The goodman even swears that after this night he will "cling to her skirts and follow her to heaven." The devil awaits Young Goodman Brown as he states that the clock of the old south was striking but a few minutes past (Hawthorne is stating how quickly the devil can move--intensifying the airs of the preternatural). Young Goodman Brown replies to the devil that faith was keeping him away--Hawthorne's play on words should not be overlooked as this also leads to the realization that a man (a good one) can deal with the devil and possibly win.
At this stage in the story the reader still has hope for the goodman who must now deal with what he feels is his duty honor-bound. A "good man" in Hawthorne's day was a person who came from a proper lineage. This very lineage Hawthorne exploits as he begins the goodman's discourse with the devil. The goodman claims that he is from a family of good men that have never been into the forest on such an errand to meet the devil; Hawthorne depends upon this defense to criticize the patriarchal lineage upon which a person places his worth. This view is quickly derailed as the devil himself states that all of his ancestors were with him as they tortured women in Salem or burned to the ground Indian villages, and afterwards the devil and his ancestors would go for a friendly walk. Hawthorne has derided the institution of Young Goodman Brown's lineage, and his society's view of honor by pointing to some simple facts. The question remains as to whom or what is the devil.
In Hawthorne’s “Young Goodman Brown”, the main character, Young Goodman Brown, jumped to the conclusion that everyone in his village was working with the devil after he had a dream about a meeting in the forest. The first piece of evidence that Young Goodman Brown jumped to conclusion is how he treated his wife when he came back from the forest compared to how he treated his wife in the beginning. In the beginning, Faith was “a blessed angel” (“Young Goodman Brown” 1) and he said when he got back he would follow her to heaven. Then afterward, often at mi...
The first time that Goodman Brown was approached by the Dark figure who is the devil himself in the forest and he told him why he is late, Goodman Brown replies, “Faith kept be me back a while”(Hawthorne). Hawthorne once again uses the wife to symbolize young Goodman Brown own faith, he shows us that Goodman Brown had to compromise it to even start into the forest. Goodman brown sees many of the characters making their way toward the meeting place and is surprised to see that many of them are people of great stature, both in the religious and governmental society. Here, Hawthorne shows that all people are sinners no matter how they may appear outwardly or what position they hold in society. When Goodman Brown sees Goody Cloyse he was also shocked to see her he states “should be so far in the wilderness at nightfall” (Hawthorne) in contrast to the fact Close is his spiritual adviser who had taught him his catechism, and cannot believe she would be out this late. Hawthorne describes her to be a “very pious and exemplary dame” (Hawthorne). The catechism is the teaching of the bible in the Christian religion, but it varies through different denominations for the puritans they had their doctrine. Hawthorne would suggest that Goodman Brown faith is beginning to weaken after seeing Goody Cloyse shows that
A fairytale is a fictional fantasy fable that passes through generations of children as source of interest to them. Though used for the intent of entertainment, fairytales often indirectly advocate a moral or message to readers (whom are usually children), in hopes that they will grow up to apply these ethics and lead a righteous life. This criteria, however, often originates from the occurrence of a magical transformation; it is this paranormality that introduces the characters of the story to a side of life far from what they have grown to know and learn to adapt to the dramatic amend in their life. This is evident in the characters in world-renowned tales such as The Little Mermaid, Aladdin and Beauty and the Beast.
Walt Disney needed to change his version and many of his other fairy tales and in doing so started a change in the way we see fairy tales. Ask someone today to define a fairy tale and they will tell you along the lines of a beautiful woman put threw hardships that in the end of the story gets the man and becomes a queen of her own castle.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
The reasons why fairy tales embed into the social psyche is the simplistic and plot driven nature of the story. Even the smallest child instantly understands the characteristics and motifs of the story. It is set with simple characters with one characteristic for example the wicked stepmother is only every wicked. There are no further details as to how or why she became wicked. The actions of the character further enhance this singular characteristic. The primary drive of the story is the plot with repeated refrains in text and in character’s discourse but with a non-specific setting and period. Few fairy tales include fairies in them but are abound with fantastical creatures and events. The fantastical is still believable as it merely bends the laws of physics.
In the story of young Goodman brown the Author of the story, Nathaniel Hawthorne, uses symbolic characters that represent life. In the story, Young Goodman Brown goes into a journey into the cold, dark, and lonely forest. Faith, his wife is rejected by young Goodman brown when she asks him to stay with her that night and to forget about the journey. Young Goodman Brown tells her that she will be all right without him and that he has to go into that journey. This is an image of what many people do, if not all people. We do not listen to our sin or to people who only wants the best for us, for example, our family. In Young Goodman Brown, Faith does not only resemble Young Goodman Brown’s religion, but it also resembles his support and security
The main characters in Hawthorne's story "Young Goodman Brown" are Goodman Brown, his wife Faith and the stranger who accompanies Goodman Brown in the forest. At the beginning of the story Brown is bidding his wife, Faith farewell at their front door. Taking a lonely route into the forest, he meets an older man who bears a fatherly resemblance to both Brown and the Devil. Later that night Brown discovers to his amazement, that many exemplary villagers are on the same path including, Goody Cloyse, a pious old woman who once taught him his catechism, but who readily shows that she certainly knew the Devil and practiced witchcraft. With Brown still confident that he could turn back, his older companion departs, leaving behind his curiously snakelike staff and fully expecting that Brown would follow.
It is impossible to fairly analyze Nathaniel Hawthorne's short story, "Young Goodman Brown" around a single literary approach. American novelist, essayist, and poet, Herman Melville, once wrote about Hawthorn's short story that it over time, like wine, it only improves in flavor and body (The Life and Works of Herman Melville). Hawthorne's short story continues to get better with age, and carries today's readers into a world filled with a plethora of meanings for them to pick from its symbolism. Modern readers have interpreted the meaning of Goodman Brown's experience in many ways, but to pigeon hole the story into one view would destroy its veracity.
Fairy tales have been part of our lives ever since we were young children. We all either grew up watching Disney renditions of fairy tales, or we had storybooks filled with vivid pictures of a tale. Fairy tales are so important in our culture that it would be difficult to find someone who has not heard of Sleeping Beauty, Little Red Riding Hood, or other fairy tale protagonists. Interestingly enough, fairy tales have been a very integral part of Western culture since the time they were written. Fairy tale writers, such as Charles Perrault and the Grimm Brothers, revolutionized culture in the 17th and 18th centuries with their writings. Not only did these writers write these tales for entertainment, but they also accomplished to influence the
In "Young Goodman Brown," Hawthorne analyzes the Puritans’ consciousness and the hidden wickedness of their nature. He takes a naïve Puritan man and takes him on a journey into the dark forest to meet an old man whom we presume, is the devil. As the naïve Puritan embarks on his journey, his wife "Faith" kisses him good bye. The Puritan has an overwhelming feeling of guilt as he is entering the forest to meet with the Devil. He realized what he is doing was forbidden and none of his forefathers or fellow Puritans would ever commit such a sin. During his meeting with the Devil his naïveté dissolves. He sees Deacon Gookin, his old catechism teacher, and other upstanding members of the community, whom he looked up to and feared, dancing around the Devil’s fire. He is told that the Devil has helped his father and Grandfather in years past. His innocence is completely destroyed when he sees his own wife Faith dancing around the Devils circle . He screams in agony: "My faith is gone. There is no good on earth; and sin is but a ...
Fairytales and folktales have been told around the campfire, in the living room, the class room, and before bedtime for centuries. First told orally, the “… stories had to have remarkable features in order to remain memorable (Nodelman 246).” These stories were passed down from storyteller to audience until they were eventually written down and collected for consumption by the public. Due to the passing of time and fallibility the stories have changed throughout the years and slightly differ from culture to culture, however, “Stories similar to “Cinderella” can be found in historical records from as far back as the seventh century, and from a variety of places around the world (Nodelman 246).” Although the classic tales differ in various ways from their modern counterparts (such as Disney films, etc.), the characters and their journeys are still very much identifiable.
Nathaniel Hawthorne uses different people as symbols throughout "Young Goodman Brown." The largest symbolic roles in the story are goodman Brown and his wife Faith. Both of the characters' names are symbolic and representative of their personalities. "'With Heaven above and Faith below, I will stand firm against the devil!' cried goodman Brown," is just one of many quotes that directly relates goodman Brown's personality with his name (189). Goodman Brown is truly a good man. Faith, goodman Brown's wife, also has a name that is indicative of her nature. The story directly supports this point in the phrase "Faith, as the wife was aptly named . . . " (184). Faith is persistent in trying to keep goo...
These narratives have been passed down by mouth and book from generation to generation, losing parts and adding parts along the way. There are many variations of each story, but the general principle remains the same. Fairy tales are captivating to children, but can be used to teach lessons on safety and obedience. With the ever changing advancements of technology, fairy tales have been put into motion pictures for many years now, making the book versions of these narratives almost obsolete. Even with new technology, the moral of the stories remain the same.
Fairy tales have been an essential part of history since the dawn of time. Many people remember reading them as a child, or hearing them told by a parent. They have been written as books and created as movies and tv shows for humanity to enjoy. What do we know about where fairy tales originate? In this essay, we will dig deep into the history of fairy tales, and see what we can discover. Fairy Tales written many years ago are still famous today. They create a world of imagination for children and gives them a brief break from day to day realities.