An Explanation of Haunting Thoughts in Emily Dickinson's Poem 670
Poem 670 is about the inner workings of your mind. The beginning of this poem addresses everyone. She does that by saying, "One need not be a Chamber....One need not be a House." This is saying whether you are small like a chamber or big like a house you will be haunted in your mind. The phenomenon of haunting thoughts, in your brain, exceed anything externally at that moment. Your mind becomes totally focused on the inner dealings that external people or actions are perceived as ghosts. It is literally an internal takeover of your senses. Anything external from there becomes warped and then a part of the haunting in the tunnels or corridors of your mind. We all know this as being scared or getting spooked.
In life we've all been spooked! Regardless of our upbringing and/or size, we have all been caught jumping at that last moment. Why is this? Emily Dickinson addresses this in her poem. She says whether you are a small chamber room or a large house you will be haunted. The haunting comes from within...the corridors of your brain. When we sit in a movie, attend a haunted house, sitting in the dark, or just sleeping, our minds shift into creative mode. Stop and think for a moment about those times you have been spooked...okay times up! It's that moment your blood reaches a fast pumping pace, and you think you are about to jump out of your seat. All of this is created by the mental images you have formed regarding what your visual and aural senses have taken in as unknown or uncertain. Your adrenaline is pumping and you start to wonder what will happen next. Will the killer come from behind the door, under the bed, out of the bathroom? You start to anticipate the outcome and think you have figured out the next move, and then the storyteller brings the killer in from a totally different direction. We all know that there is nothing better than the feeling of adrenaline pumping through every "corridor" of your body. This reaction is not a result based on our surroundings in fact, quite the opposite. Dickinson says that our inner thoughts "surpass material Place." The spook is a direct reflection of how creative we let our brains become. Weaving together sections of complete thought to create other ideas, leaves us wondering what will be next.
Twinam, Ann. “The negotiations of Honor: Elite, Sexuality, and Illegitimacy in Eighteenth-Century Spanish America”. In The Faces of Honor: Sex, Shame, and Violence in Colonial Latin America, edited by Lyman L. Johnson and Sonya Lipsett-Rivera, 68-102. Albuquerque: University of New Mexico Press, 1998.
The Women of Colonial Latin America serves as a highly digestible and useful synthesis of the diverse life experiences of women in colonial Latin America while situating those experiences in a global context. Throughout, Socolow mediates the issue between the incoherence of independent facts and the ambiguity of over-generalization by illustrating both the restrictions to female behavior and the wide array of behavior within those restrictions. Readers of varied backgrounds will come away with a much deeper understanding of the challenges and opportunities that defined the lives of the diverse women of the New World ruled by Portugal and
Reading a poem by Emily Dickinson can often lead the reader to a rather introspective state. Dickinson writes at length about the drastically transformative effect a book may have upon its’ reader. Alternating between iambic tetrameter and iambic trimeter, Dickinson masterfully uses the ballad meter to tell a story about the ecstasy brought by reading. In poem number 1587, she writes about the changes wrought upon the reader by a book and the liberty literature brings.
During World War I and World War II, America called upon thousands of women to become nurses for their country to help in hospitals and overseas units. America’s calling was considered a success and by the end of World War I, 23,000 nurses served in Army and Navy cantonments and hospitals, 10,000 served overseas, and 260 either died in the line of duty or from the influenza pandemic (“Nursing Reflections”, 2000, p. 18). In the early 1930s, nurses experienced the devastation of the depression. Families were very poor and unable to feed themselves let alone pay for a nursing visit. This caused many nurses to seek work elsewhere. Nurses who were lucky to be empl...
The novel To Kill a Mockingbird by Harper Lee is set in Alabama in the 1930s, and concerns itself primarily with the interrelated themes of prejudice and empathy. These themes are explored as the story follows Scout Finch as she learns lessons in empathy, ultimately rejecting prejudice. While all characters in Lee’s novel learn from their experiences, not all are able to grow in the same manner as Scout. The idea of a positive role model, typified by the character of Atticus Finch, and the ramifications of its absence, is a concept that Lee places much emphasis on. The isolated setting is also pivotal in the development of characters. Lee uses the contrast between characters that learn lessons in empathy and compassion, and characters that cling to the ideals of a small town, to explore factors that nurture or diminish prejudice.
According to O’Neill (2014), the beginning of nursing began in the 1500s (pg. 1). Back in those days, nurses visited patients at home and they were directed by priest-physicians (O’Neill, pg. 1, 2014). The perception of people getting sick was often believed to be associated by a sin or it was god’s will for the patient to be ill. Therefore, priests were also known as physicians. However, there are other people who believe that nursing profession began in the mid-1800s with the work of Florence Nightingale. Florence Nightingale was an English woman who felt that god sent her to be nurse in this life. Her extensive devotion towards this profession made her an icon in the history of nursing. Her belief towards nursing is our framework to or nursing practice. Her beliefs are the following: nutrition, fresh and clean environments, identifying and meeting the patient’s needs, nurses should be directed to health and illness, and continuing education about nursing (O’Neill, pg.2, 2014). These
A Doll 's house is one of the modern works that Henrik Ibsen wrote. He was called the father of modern drama .He was famous for writing plays that related to real life. A Doll 's House is a three-act play that discusses the marriage in the 19th century. It is a well-made play that used the first act as an exposition. The extract that will be analyzed in the following paragraphs is a dialogue between Nora and the nurse that takes care of her children. This extract shows how she was afraid not only of Krogstad blackmail, but also of Torvald 's point of view about those who committed any mistake. Torvald says that the mothers who tell lies should not bring up children as they are not honest . Nora is also lying to her family and to Torvald. So she is afraid because she thinks she maybe 'poisoning ' her own children. The analysis of this extract will be about of Nora 's character, the theme, and the language in A Doll 's House.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Two of Emily Dickinson’s poems, “I heard a Fly buzz-when I died” and “Because I could not stop for Death” are both written about life’s stopping point, death. Although the poems are written by the same poet, both poems view death in a different manner. Between the two poems, one views death as having an everlasting life while the other anticipates everlasting life, only to realize it does not exist. While both poems are about death, both poems also illustrate that the outcome of death is a mysterious experience that can only be speculated upon with the anticipation of everlasting life.
Henrik Ibsen was born in 1828 to a wealthy family, however, when he was just eight years old his family went bankrupt, and they lost their status in society. Ibsen knew how the issue of money could destroy a person’s reputation in no time at all. Perhaps that is how he makes the characters in his play, A Doll's House , so believable. Nora and Mrs. Linde, the two main female characters in the play, have had the issues of money and forgery ruin their lives. Nora forged her dead father’s signature to get a loan. The play revolves around her struggle with her fear of being found out. Both women’s values change as the story moves along. At first, it appears that Nora values money and the status that it brings. Mrs. Linde values her own happiness, and eventually Nora realizes that the only way she will be able to live with what she has done is to do the same.
Emily Dickinson was a nineteenth – century American writer whose poems changed the way people perceive poetry. She is one of the most mysterious writers of all times. Her personal life and her works are still the cause of debates and are not fully solved. Her poems are dedicated to life and finding the real truth. Her two poems: “Tell all the truth but tell it slant” and “Much madness is divinest sense” represent Dickinson’s quest to reveal the mystery and truth of life. In order to fully understand Dickinson’s poems, one must learn about her personal and historical event such as “The Second Great Awakening” and “The United States women’s suffrage movement “surrounding her life that contributed to the creation of her works.
Hopelessness is an intense emotion every person feels at one point in their life, a feeling closely interlinked with depression and suicide. In the poems “It was not Death, for I stood up,” and “I felt a Funeral, in my Brain,” by Emily Dickinson and “No worst, there is none. Pitched past pitch of grief,” by Gerard Manley Hopkins, the theme of the poems is hopelessness, but the authors approach the theme differently in each poem.
This first concept of Orientalism is blatantly reflected in the words of Evelyn Baring Cromer. Cromer was England's representative in Egypt between 1882 and 1907. He believed in European supremacy and called Egyptians, and all other people he considered Oriental, subject races. He justified European occupation in Egypt with this idea of superio...
Emily Dickinson was an American poet, born in Massachusetts on December 10, 1830. Emily later fell in love with a married preacher. He then, moved away with his family. It has been said that after that happened Emily became a recluse. Emily’s poems are unique because she uses unusual punctuation, for example she used dashes in place of commas. Although, her poems were very good she made her family promise her that they would burn them after she died. Emily died on May 15, 1886, her family then decided they would publish all of her poems. She wrote almost 1800 poems in total. Her poems often had themes of death and some of her poems were about love too.
Ibsen opens the play with the perfect home where Nora is planning Christmas and how she is planning every detail with no concern for her own needs. Torvald asks Nora, “what have you thought of for yourself?” (Doll 1). Nora replies that she doesn’t, “want anything at all.” (Doll 1). Nora displays her own selfless attitude as she prepares to provide all these great gifts for the family and nothing for herself. When Torvald pushes Nora to choose something, she chooses money so she can spend it on things for others and not for herself. The playful nature between husband and wife displays the perfect bond between them. The Hellmer’s are a middle class family and since Torvald got a promotion and is getting a raise, they can afford to spend more lavishly. They don’t have to worry about money anymore. They also have a Christmas dinner planned where they invite the sick Dr. Rank and then Nora’s friend Mrs. Linde. Nora convinces Torvald to try to see if he can get Mrs. Linde a job at the bank because she has fallen into some tough times. The relationship that Nora has is a great one that sets up this perfect family life for her.