Individualism and Conformity in Stephen Crane's Red Badge of Courage
Stephen Crane's pieces are written with the intent to establish individualism as an unfavorable quality. He establishes that group goals are more important than that of the individual and creates groups to which each character should conform. Crane supplies models for the individual to comply to and elucidates that adherence to the group would bring reward but deviation from said groups would be detrimental. Henry, in Stephen Crane's The Red Badge of Courage, is created as a child in search of self worth and assurance. Crane establishes Henry as an individual by giving him the ability to think for himself but creates situations that stifle his individualism
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"The youth ensured himself that at any moment [the army] might be suddenly and fearfully assaulted"(P.186). His fear was manifested as he awoke to the find himself retreating with the rest of his infantry. Crane had constructed a situation in which Henry's individuality could not be utilized. "[Henry] ran with his comrades, strenuously [trying] to think, but all he knew was that if he fell down those coming behind would tread upon him. All his faculties seemed to be needed to guide him over and past obstructions. He felt carried along by a mob"(P.188). Henry was no longer a person, he became like the other men of his regiment: indistinct.
In the wake of danger, Henry realizes that rejection of the group is impossible. He attempts to follow Crane's naturalistic instructions within the novel, conforming to the actions and ideas of the rest of the regiment around him. He accepts the underlying law that that adherence to the group would bring reward but deviation from said groups would be detrimental. With this acceptance, Henry "suddenly lost concern for himself [and] became not a man but a member... He was welded into a common personality which was dominated by a single
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He finds this in the squirrel. After seeing the squirrel scurry away at the advance of his rock, he justifies his departure from the group by alleging that it was nature's will. The youth felt triumphant at this exhibition. There was the law, he said. Nature had given him a sign.
Henry mingles into a regiment returning from battle but again feels like an outcast. He comes to realize that he is the only one among them that is not injured. Crane thereupon creates a situation that allows Henry to be assimilated into the group. Henry is once again consumed by a retreating infantry. And upon questioning a soldier he is "crushed upon the [his] head" with a rifle. Crane had given Henry a red badge of courage. He could now return to the ranks of his regiment acclimatized.
Crane utilizes the general to make Henry stay within the group. After overhearing that his infantry can be spared, Henry finally acknowledges that his actions alone will not have any deep impact on the war. Henry fights valiantly within the group, driven by a collective feeling of patriotism and
In the Red Badge of Courage, the protagonist Henry, is a young boy who yearns to be a Great War hero, even though he has never experienced war himself. Anxious for battle, Henry wonders if he truly is courageous, and stories of soldiers running make him uncomfortable. He struggles with his fantasies of courage and glory, and the truth that he is about to experience. He ends up running away in his second battle.
This paper examines the drastic differences in literary themes and styles of Richard Wright and Zora Neale Hurston, two African--American writers from the early 1900's. The portrayals of African-American women by each author are contrasted based on specific examples from their two most prominent novels, Native Son by Wright, and Their Eyes Were Watching God by Hurston. With the intent to explain this divergence, the autobiographies of both authors (Black Boy and Dust Tracks on a Road) are also analyzed. Particular examples from the lives of each author are cited to demonstrate the contrasting lifestyles and experiences that created these disparities, drawing parallels between the authors’ lives and creative endeavors. It becomes apparent that Wright's traumatic experiences involving females and Hurston's identity as a strong, independent and successful Black artist contributed significantly to the ways in which they chose to depict African-American women and what goals they adhered to in reaching and touching a specific audience with the messages contained in their writing.
Events of crisis tend to reveal people’s true character, as well as help those people learn from the experience. Decisions people make during crises can display what kind of personality they have. In The Red Badge Of Courage by Stephen Crane, the youthful main protagonist, Henry, decides to join the army. In the beginning of the novel, Henry exhibits multiple cowardly qualities. However, through a series of battles, Henry learns more about himself and begins to become a remarkably brave soldier. Henry’s transformation from cowardice to bravery is portrayed through Henry’s change in thoughts, actions, and dialogue.
Women have always been viewed based on what is on the outside instead of what is on the inside. They were never handed anything but had to fight for what they believed to have. Sadly, though it’s been a struggle for women and for black women especially who want equality and a chance to do as they please. Criticized based on body parts and the color of their skin. Just as a resource stated, “ What did it mean for a black woman to be an artist in our grandmother’s time? It is a question with an answer cruel enough to stop the blood...the agony of the women who might have been poets, novelists, essayists and short story writers, who died with their real gifts stifled within them” ( Walker 2). Why is that? There is need to question society. The unfairness is out of control and the unexpected should be the expected. With the book Their Eyes were Watching God by Zora Neale Hurston it breaks the chain of black women not credited for their extraordinary work. The Black Feminist Art shouldn’t be stopped in order to inspire young black girls to become more than what their hearts desire. Zora Neale Hurston did it, through the character Janie Mae Crawford and of reality intertwined. By writing a book not expected to be written by a black woman with a dialogue and concept so well crafted, it proves that women should be happy in any shape or
Literature is a reflection of the community from which it comes. Understanding the role of women in the African-American community starts by examining the roles of women in African-American literature. The portrayal of women in Zora Neale Hurston's Their Eyes Were Watching God (1937) and James Baldwin's Go Tell it on the Mountain (1952) provides tremendous insight into the role of African-American women.
Morrison, Toni. "Rootedness: The Ancestor as Foundation." Black Women Writers (1950-1980): A Critical Evaluation. Ed. Mari Evans. New York: Anchor Books, 1984. 339-345.
The Red Badge of Courage is not a war novel. It is a novel about life. This novel illustrates the trials and tribulations of everyday life. Stephen Crane uses the war as a comparison to everyday life. He is semi-saying that life is like a war. It is a struggle of warriors—the every day people—against the odds. In these battles of everyday life, people can change. In The Red Badge of Courage, the main character, Henry Fleming, undergoes a character change that shows how people must overcome their fears and the invisible barriers that hold them back from being the best people—warriors, in the sense that life is war—they can be. Henry has a character change that represents how all humans have general sense of fear of the unknown that must be overcome.
In her life and in her writings, Zora Neale Hurston, with the South and its traditions as her backdrop, celebrated the culture of black Americans, Negro love and pride with a feminine perspective that was uncommon and untapped in her time. While Hurston can be considered one of the greats of African-American literature, it’s only recently that interest in her has been revived after decades of neglect (Peacock 335). Sadly, Hurston’s life and Hurston’s writing didn’t receive notoriety until after her death in 1960.
Women in general faced many hardships in the past and especially during the black arts movement. Women were disvalued and were the lowest in the society. They had some of the toughest jobs and worked very hard to provide for their kids. Throughout this essay there are three sources to support and display what women went through during the black arts movement. These sources are, “The Negro Woman in American Literature,” “Woman Poem,” and “Wine in the Wilderness.” All of these sources add critical information to help support the thoughts on how women were treated during the black arts movement and what they faced on a daily basis. Overall during the black arts movement women were involved in lots of art to display their sexual characteristics. Women faced many issues like being disrespected and not being given an equal opportunity. Lastly, the black arts movement really brought out the way that women were treated and displayed the terrible things that artists did to them in society, which caused more problems in their
Stephen Crane's purpose in writing The Red Badge of Courage was to dictate the pressures faced by the prototypical American soldier in the Civil War. His intent was accomplished by making known the horrors and atrocities seen by Unionist Henry Fleming during the Battle of Chancellorsville, and the conflicts within himself.
Gates, Henry Louis, and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 1996. Print.
Throughout history and in present day, there has been a large neglect of Black Women in both studies of gender and studies of race. Combating both sexism and racism simultaneously is what separates Black Women and our history and battles from both white women and black males-combined with what is discussed as a triple jeopardy- race, sex and socioeconomic status provides black women with a completely different and unique life experience when compared to, really, the rest of the world. Beverly Guy-Sheftall discusses the lack of black feminist in our history texts stating,“like most students who attended public schools and colleges during the 1950s and 1960s, I learned very little about the involvement of African American women in struggles for emancipation of blacks and women.” (Words of Fire, 23) I, too, can agree that throughout my education and without a Black Women’s Studies course at the University of Maryland I would have never been exposed to the many founding foremothers of black feminism. In this essay, I will discuss the activism, accomplishments and contributions of three of those founding foremothers-Maria Stewart, Anna Cooper, and Ida B. Wells.
The world of Stephen Crane's fiction is a cruel, lonely place. Man's environment shows no sympathy or concern for man; in the midst of a battle in The Red Badge of Courage "Nature had gone tranquilly on with her golden process in the midst of so much devilment" (89). Crane frequently anthropomorphizes the natural world and turns it into an agent actively working against the survival of man. From the beginning of "The Open Boat" the waves are seen as "wrongfully and barbarously abrupt and tall" (225) as if the waves themselves had murderous intent. During battle in The Red Badge of Courage the trees of the forest stretched out before Henry and "forbade him to pass. After its previous hostility this new resistance of the forest filled him with a fine bitterness" (104). More omnipresent than the mortal sense of opposition to nature, however, is the mortal sense of opposition to other men. Crane portrays the Darwinian struggle of men as forcing one man against another, not only for the preservation of one's life, but also the preservation of one's sense of self-worth. Henry finds hope for escape from this condition in the traditional notion that "man becomes another thing in a battle"‹more selfless and connected to his comrades (73). But the few moments in Crane's stories where individuals rise above self-preservation are not the typically heroicized moments of battle. Crane revises the sense of the heroic by allowing selfishness to persist through battle. Only when his characters are faced with the absolute helplessness of another human do they rise above themselves. In these grim situations the characters are reminded of their more fundamental opp...
Throughout history, the black woman has always had a multitude of responsibilities thrust upon her shoulders. This was never truer than for southern black women in the period between 1865 and 1885. In this span of twenty years, these women were responsible for their children, their husbands, supporting their families, their fight for freedom as black citizens and as women, their sexual freedom, and various other issues that impacted their lives. All of these aspects of the black woman’s life defined who she was. Each of her experiences and battles shaped the life that she lived, and the way she was perceived by the outside world.
Alice Walker and Zora Neale Hurston are similar to having the same concept about black women to have a voice. Both are political, controversial, and talented experiencing negative and positive reviews in their own communities. These two influential African-American female authors describe the southern hospitality roots. Hurston was an influential writer in the Harlem Renaissance, who died from mysterious death in the sixties. Walker who is an activist and author in the early seventies confronts sexually progression in the south through the Great Depression period (Howard 200). Their theories point out feminism of encountering survival through fiction stories. As a result, Walker embraced the values of Hurston’s work that allowed a larger