" (Elizabeth Barrett Browning) is a poem that uses a variety of language techniques to express the depth of the author's love. The poem compares love to the vastness of the universe, using imagery to create a vivid picture in the reader's mind. Similarly, the poems 'First Love', 'Villegiature', 'My mistress's eyes are nothing like the sun', and 'Sonnet 18' also use imagery to convey the theme of love. 'First Love' creates an image of a young girl with a delicate, flower-like face framed by darkness. It also uses physical imagery, such as 'pale as deadly pale'. 'My mistress's eyes are nothing like the sun' uses imagery to express the ordinariness of the dark lady. 'Villegiature', although set in a dream world, gives us a picture of 'pear-tree bloom, white-curtained shone'. In 'Sonnet 18', passion is conveyed through complementing imagery by creating an angelic image of the man, with 'his gold complexion' and 'every fair from fair'. To create imagery, the poets use a mixture of similes, rhetorical questions, caesuras, metaphors, and alliteration."
Second, we are selfish. As a human we are nature selfish. Some may say no I’m not selfish but deep down every human being have some type selfishness inside. Always want the best for people but once our love once is involved we go all out to make it happen. We value our own people more than other. It can’t change no matter what happen. In the article “The Myth of Universal Love” Stephen T. Asma claims “that the equality of human beings is “unproven.” It’s interesting that he feels no need to show that it is unproven and merely has to assert it, as if asserting it is a sufficiently rigorous argument.” In other words, Asma believe that it is obvious that people favor their family over their friends, their friends over their acquaintances, and acquaintances over strangers.
Love is such an abstract concept for the human mind to figure out. Along with the love of a mother for her child, there are many types of sensual love or brotherly love; friendship is frequently described as a type of love, as well. This abstraction can also be distorted and made to fit into categories that would normally be associated with negativity and abuse not "love." Think of why a woman will continually go back to an abusive spouse with the irrational reason that "he loves me." If he loved you, he wouldn't beat you…Would he? In a poem, the confusion seems only to extend, as writers will describe a beautiful event that is tainted by a bad experience or emotion. In this manner, word choice plays a primary role in determining the actual meaning of the poem. Clare Rossini, in her poem entitled "Final Love Note" and Louise Gluck, in her poem "Mock Orange," both use carefully chosen language to portray different aspects of the concept that we, in individual and often irrational ways, use to explain "love." These particular writers use words of love and hate to explain extremely passionate feelings toward their personal relationships-and nature, an elm tree, and a Mock Orange bush, to be exact.
Perhaps it is Shakespeare’s last unspoken word on the concept of love: childlike and mischievous. For those under love’s spell, perception becomes distorted in the subjectivity of the imagination rather than the objectivity of truth. Helena’s metaphor effectively imparts Shakespeare’s notion that Love has a beguiling and capricious nature. For Shakespeare, lover’s left disillusioned and irrational is conceivably the happiest
found A thing to do, and all her hair In one long yellow string I
In this chapter 2 of Knox and Schacht the authors explain the way to conceptualize love as well as all the aspects that are incorporated into love. The ways in which people view romantic and realistic love and how here in America we look at romantic love in a sort of fairy tale way. The authors explain the different styles of love that people can be categorized under in different relationships. Knox and Schacht take a look at arranged marriages in other countries and how love is intended to come after you are married and not before Knox and Schacht 2016, pg. 37-45). If relationships are focused on sexual attraction it takes away from simply being friends with a person which can also lead us to not actually seeing a person for who they really
The next new perspective on love comes from Shakespeare’s “Sonnet One Hundred and Sixteen”. “Sonnet One Hundred and Sixteen” “sets forth an ideal of true love as something permanent and never changing” (Kastan 17). Integrated throughout the poem are various circumstances in which true
Most people would agree that the song “Same Love” by Macklemore is a song about gay rights and the need for legislature to pass a law allowing same sex marriage. Upon a closer listen to the lyrics, however, you come to realize that the song is about so much more than the need for a law being passed. Instead it represents what being gay actually means and how wrongfully people are being treated because of the stigma attached to being gay. This essay will argue that the song “Same Love” by Macklemore represents the fact that there is so much more that needs to be done than the legalization of same sex marriage.
Love is such a small word that holds such a strong meaning. Many people in their lives, at some point, contemplate about love, dream about it, and even lose sleep over it. Why is it that so many people imagine what love is? This one word, with many meanings, is so problematic to explain and yet it is impossible to live without. The movies in the romance section of this course, each depict a type of love many of us might go through. The first two films, Water for Elephants and How Do You Know, explore the concept of finding love. Whereas, the film Groundhog Day emphasizes the notion one has to become a loving person before one can love. Lastly, The Painted Veil and Stuck Between Stations explores the idea of creating love and seeing goodness in one another. Therefore, all of these films have a specific structure leading us to the notion that love seems to be the center of all things, both in giving and receiving, and can ultimately have many different meanings.
Heather Love starts her essay, “That there is perhaps no term that carries more value in the humanities than ‘rich’. In literary studies, especially, richness is an undisputed - if largely uninterrogated good…” (371). She uses the word rich and richness multiple times since it is connected with interpreting and deep reading, but the critic loses richness, when he practices surface reading.
Will's beloved is "more lovely and more temperate (18.2)" than a summer's day; "the tenth Muse (38.9);" "'Fair,' 'kind,' and 'true' (105.9);" the sun that shines "with all triumphant splendor (33.10)." We've heard all this before. This idealization of the loved one is perhaps the most common, traditional feature of love poetry. Taken to its logical conclusion, however, idealized love has some surprising implications.
The types of love in a poem can be reflected in many ways. One of
be in love. Mercutio treats love as a game; he thinks that if you are
Exploration of the Different Aspects of Love in Poetry In the Victorian and Elizabethan times there were many poems, which explored the aspect of love. The metaphysical group of poets explored the whole experience of man, which was usually romantic or sensual. The poems I will talk about are "The Flea" by John Donne (1572-1631), "To His Coy Mistress" by Andrew Marvell (1621-78), "The Sick Rose" by William Blake (1757-1827), "A Woman To Her Lover" by Christina Walsh in the Victorian era and "Upon Julia's Clothes" by Robert Herrick (1591-1674). These poems cover lust, an aspect of love, and this was very controversial in the Victorian and Elizabethan times.
Though ballads and Sonnets are poems that can depict a picture of someone’s beloved, they can have many differences. For instance, a Ballad is a story in short stanzas such as a song would have, where as a sonnet typical, has a traditional structure of 14 lines employing several rhyme schemes and adheres to a tight thematic organization. Both Robert Burn’s ballad “The Red, Red, Rose, and William Shakespeare’s “of the Sonnet 130 “they express their significant other differently. However, “The Red, Red, Rose depicts the Falling in new love through that of a young man’s eyes, and Shakespeare’s sonnet 130 depicts a more realistic picture of the mistress he writes about; which leaves the reader to wonder if beauty is really in the eyes of the beholder.
Love is not a god as the fine philosophers of Greece once suggested. Love is something far more powerful and universal, for not all people believe in gods, yet people cannot refuse the existence of love. Instead, love is a condition of the human body that cannot be denied. True love is obstinate; in the way that music pours into the ears of an audience, love pouring into the heart of a man cannot be stopped, denied, or set off course. Love is a natural instinct. You cannot artificially make love where there is none or where it does not belong. Yet, the condition of being in love grows independent of all rationale. It grows places where an observer may not understand its existence. Attempting to fight love in such a situation leaves even powerful and noble families, such as the Capulets and Montagues, suddenly powerless. When love takes control of two souls, it takes the lovers on a journey. The journey is the growth of love throughout its many progressive stages. In this way, the growth of love between two people is analogous to the growth and development of a painted masterpiece. A work of art and a bond of love both have distinct stages and characteristics. A painting initially begins with a vision in the mind of the artist. This vision is a perfect vision that the artist will strive to replicate on her canvas. Similarly, love often begins on a visual level based on the physical attractions between two people. The vision of the painter is soon transformed into quick, loose sketches. The pencil freely marks the page; the artist has no control over where it goes, he merely paints. Similarly, lovers have no control over their new feeling of love that has taken over their bodies and rendered them helpless. After an artist has loos...