The Role of Act Three Scene Three of Othello and How it Relates to the Whole Play
Character: I am focusing on Othello and Iago.
At the beginning of the play, Othello is very calm and friendly.
Evidence of this is “… the goodness of the night upon you, friend…”
This shows that Othello is calm and happy because he calls Cassio his
friend.
Shakespeare shows Othello to be calm because of his word choices.
These include words such as friend.
At the end of Act 3, Scene 3, Othello becomes more aggressive because
of what Iago as been telling him. Othello believes that his wife,
Desdemona has been cheating on him with Othello’s lieutenant, Cassio.
“O monstrous, monstrous” shows that Othello is angry and frustrated
because Iago has just told Othello that Cassio thinks about Desdemona
in his sleep. In response to this, Othello says, “I’ll tear her all to
pieces” which shows that Othello wishes to kill Desdemona. The
quotation shows this by having a death and bloody theme to it.
Desdemona and Othello are very close at the beginning of the play,
evidence of this is “…I am hitherto your daughter. But here’s my
husband…” This show that Desdemona and Othello both loved each other
at the beginning of the play, but as time passed Othello developed
considerable hatred for her.
Iago and Desdemona are also very close in Act 3, Scene 3. “I am your
own for ever” shows that Iago wishes Othello to be his friend for all
his life. Othello moves from Desdemona to Iago because Iago
brainwashes Othello to believe something that truly does not happen.
Othello sticks with Iago because Othello believes that Iago is the
only friend that he can talk to and also because of the information
that Iago gives Othello.
Othello fatal flaws of insecurity and jealousy are that, firstly
Othello does not see himself as a gentleman. Secondly, Othello feels
insecure because all the other characters are a different colour from
him. “…Is now begrimed and black…” This shows that Othello is insecure
The Significance of Act 3 Scene 3 of William Shakespeare's Othello Othello was written by Shakespeare around 1602 and was set 35 years previously to that time (around 1571) during the Elizabethan era. Shakespeare got the idea for the play from the Italian Novella 'Gli. Hecatommithi and only changed minor details slightly. He kept the same plot but some of the characters and themes in the play were very different.
trusts Iago and that he believes in him and his word, so he makes his
The Role of the Opening Act of William Shakespeare's Othello The play Othello portrays the story of the protagonist Othello (The Moor) and his loved one- Desdemona- and his struggles to overcome a racist society in 17th century Venice. In the meantime Iago, one of Othello’s closest friends’ plots revenge on him, as Othello passed him over for an important position in the army and gave it to Cassio, an outsider from Florence.
In this essay I will explore how significant act 3 scene 7 is to the
of choosing him to be his lieutenant, Othello chose Cassio. In the end of scene,
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Dramatic Tension in Act 4 Scene 3 of William Shakespeare's Othello. Shakespeare employs the use of dramatic devices to signify the approaching the climax of the play throughout “Othello”. With Act 4 Scene 3 is the final scene to involve Desdemona before her murder. The use of such dramatic devices is prevalent in order to create tension.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
Act 3 Scene 3 as the Turning Point of the Play Othello by William Shakespeare
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
In the first act of scene 4, we see Othello and Iago discussing Desdemona’s unfaithfulness. Othello still doesn't want to believe that Desdemona is capable, or would cheat on him. They're discussing the handkerchief, it's a very significant in the play, it's one of the first signs for Othello to believe that Desdemona is cheating on him. We usually see Othello defending Desdemona and Iago accusing her, but the roles have reversed and Iago seems to be defending Desdemona, while producing more "evidence" to condemn her. When Iago simply just says “Lie-” (Page 169, Line 33) without any further elaboration, Othello immediately assumes 'Lie with her”, which gives him more proof to condemn Desdemona and Cassio. Othello almost seems to be persuading himself that Desdemona did cheat on him when he says “Lie with her? Lie on her? We say lie on her when they belie her. Lie with her -Zounds, that's fulsome” (Page 169, lines 35-37). Right after that he falls in a trance, and Iago takes this opportunity, to make his accusation more believable. He calls in Cassio and tells him to come back again...
The play Othello is Shakespeare's own version of a classic Greek tragedy. A classical dramatic tragedy derives its essence from the ancient Greek plays that were often popular in Athens. These plays would typically consist of the downfall of a famous Greek character in history/legend, or the breakdown of a hero. Typically the hero is forced to struggle against overwhelming odds, and fate only that this characters downfall would be so imposing that regardless of these forces of nature and fate that destroy him, that he would rise and regain glory due to his moral victory. These tragedies would invoke terror and pity on the audience, in a sense a tragedy could be considered a form of a catharsis, literally cleansing the soul as it is performed, even though the horror typically disturbed audiences, at the same time it cleansed their soul and purified the spirit.
The Dramatic Significance of Act 3, Scene 1 in William Shakespeare's Romeo and Juliet Romeo and Juliet, one of the most famous love stories ever written. It is a typical love story, girl meets boy, and they like each other, but they had distinctive troubles, as their families were feuding, thus they are unable to see each other. In this play though, there is a difference, it has dramatic significance. Dramatic significance is when the play has depth and meaning, which influences the rest of the story. Romeo kills Juliet's cousin, Tybalt, which results in Romeo being banished from Verona.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
In the play Othello by William Shakespeare, our main protagonist, Othello, is manipulated by a man who he thought was honest and noble, Iago. Othello is pushed all the way to the lengths of murder, and eventually commits suicide. I believe that Othello’s inevitable fall was due to his own tragic flaws. Some of these factors include his jealousy, him being gullible, and the high amount of trust that he puts in Iago.