Rob Reiner's Stand By Me “Stand By Me” is a film directed by Rob Reiner, which is based on the novella “The Body” by Stephen King. Stand By Me is the story of four twelve year olds living in a small town in the year 1959, whose lives were changed by a chance adventure that they embarked on at the end of an indolent summer. The four boys were Gordie Lachance (Wil Wheaton), Chris Chambers (River Phoenix), Teddy Duchamp (Corey Feldman), and Vern Tessio (Jerry O'Connell). It fits into the film genre coming of age. This genre is outlines as a small group of individuals who have a life changing experience in the natural world. They are usually are the same sex, If not the opposing character would be more masculine/feminine and clearly more suited to hanging round with the group of the opposite sex. The director of the film is keen to show a very strong message, which is apparent though out the film. We are alone in this long journey to adulthood. He expresses this in a variety of ways. One method is cinematography. He frequently uses perspective and panoramic shots, which charts their long, eventful but beautiful journey to the back Harlow Road. The incoming train is another way Reiner shows the boys fear of adulthood. The train is a large, opposing and fast moving object; the threat is objective rather than impersonal. It is one of the imagery factors used he uses to add to his message. Other references to the adult world are seen as enclosed and often hazy, used to portray the boy’s view of maturity. Whereas the world the boys see and particularly the journey uses wide and expansive shots to show the whole world opening up in front of them. Other films shots that are used are close ups which show the particular intense moments of the journey for the boys. The help give a sense of tension and strong emotion. This is particularly shown well at the end of the film when the boys go to split up.
It is often informative as well as interesting to analyze the differences and the similarities between a book and that books movie adaption. This is especially true when the book is based on actual events due to the fact that it allows one to get a real sense of how film makers can manipulate certain elements to make the story more entertaining. It is obvious that the author of Friday Night Lights, H.G. Bissinger, and the director of the movie, Peter Berg, were attempting to portray Boobie and the other characters involved in the most realistic way. However, the film version of Friday Night Lights has distinctly different portrayals of Boobie’s actions as well as a number of similarities in comparison to the book version.
relate to this due to the use of nouns such as "sick bay" and adverbs
The author of Arcadia, Tom Stoppard, uses a lot of irony and incorporates a web of relationships and coincidences into his plays that can get a bit confusing, especially if you are not familiar with the things that he makes reference to. In the play, on page thirteen, Lady Croom, Thomasina's mother, compares Mr. Noakes' landscape style to that of Ann Radcliffe's and Horace Walpole's imagery, both of which were Gothic novelists of the eighteenth century. The author's purpose in including this bit is interesting, especially if you are familiar with the novels he refers to. Here's some help:
Breathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave.
In the movie, “Saving Private Ryan,” by Steven Spielburg, it begins with a veteran of WWII returning to Normandy to visit the burial ground for those Allied servicemen who were killed on D-Day. He is looking for a particular grave, and when he finds it, he takes a knee and starts sobbing. Captain John H. Miller has a flashback to June 6, 1944 in Omaha Beach, Normandy, France.
Inevitably, there comes a point in everybody’s life at which they have an experience that completely alters their view of the world. This moment is when one loses his or her innocence, or comes of age, and he or she realizes that they do not live in a utopian Golden Age. Parents are charged with the monumental duty of protecting their children’s innocence, but everybody inescapably grows up. This experience can be anything from an embarrassing situation at school to coming within seconds of death. In the short story “Ambush” by Tim O’Brien, the author tells the true story of his daughter confronting him and asked him if he had ever killed anyone. In an effort to be a good parent and protect the nine-year-old’s innocence, the author does not share with her the story he goes on to tell to the reader. He explains how many years ago, he was serving in the army and was taking a shift guarding his troop’s campsite when all of a sudden, a young man from the opposing army came walking up the trail. Without a second thought, O’Brien killed the boy with a grenade, and he lost his innocence after realizing he had killed a defenseless man without hesitation. Tim O’Brien develops Ambush as a coming of age story through the use of literary devices.
Rhimes, S. (Writer), & Corn, R (Director). (2009). Stand By Me [Television series episode]. In
Without a doubt, certain people in the world feel like they need to change themselves in order to content the people around them. Consequently, they are forced to make decisions that they do not desire and become overwhelmed by the fact that they have blinded themselves to see who they really are. Because of the ongoing judgment society places upon us, it pressures one to alter their mindset and change the way they act. There are instances of “choking” which symbolize being vanquished by the fact that the people revolving around you are pressuring the choices you make. In the novel, Choke, Chuck Palahniuk highlights the recurring theme of feeling “choked” by society’s expectations and it results in a loss of identity and direction. This is evident when Victor Mancini, a medical dropout who becomes a sex addict, is affected by this and throughout, he constantly tries to adapt to the thoughts of the outside world continually attacking him. It is apparent that Victor feels “choked” by other people’s perception of him through his conversations with his mother, his concepts he creates for choking in restaurants, and the effects of his sex addictions.
As muscle-bound figures such as the Terminator and Rambo stormed big screen, it was also during this period that we witnessed the ostensive arrival of “racially sensitive” buddy cop films. Lethal Weapon 4 (1998) directed by Richard Donner is a buddy cop film, which portrays a more subtle ‘modern’ type of racism. In saying so, the film examines inter-racial relationships attempting to diminish racial issues and present characters with equity in order to give comfort and reassurance to a wider ethnic audience. With calls for more minority representation on screen, black-white interracial buddying seemed to make political and financial sense to Hollywood studios (Chan 110). However, minority representation on screen presented a much more complex underlying notion to be represented on screen. In relevance to Lethal Weapon 4, this essay attempts to examine relevant points from Shoham and______ article .
Many literary works deal with the issue of homosexuality and society’s response to it, and each of the works of literature have a different take on the issue. Therefore, the authors create and design their main characters with the traits and characteristics that are most fit to convey their perception of the issue. One of the most well known literary works that deal with homosexuality is “Brokeback Mountain” by Annie Proulx, in which the main characters are two male cowboys that are in love. In fact, the story was controversial enough that director Ang Lee decided to produce an adaptation of the story. However as expected, there was subtle changes in the characters and their traits in the transition from a book to the big screen.
The book uses fictional documents, such as book excerpts, news reports, and hearing transcripts, to frame the story of Carietta "Carrie" White, a 17-year-old girl from Chamberlain, Maine. Carrie's mother, Margaret, a fanatical Christian fundamentalist, has a vindictive and unstable personality, and over the years has ruled Carrie with an iron rod and repeated threats of damnation, as well as occasional physical abuse. Carrie does not fare much better at her school where her frumpy looks, lack of friends and lack of popularity with boys make her the butt of ridicule, embarrassment, and public humiliation by her fellow teenage peers.
In Daniel Wallace’s novel, Big Fish: A Novel of Mythic Proportions and Tim Burton’s film, Big Fish, the relationship between the dying protagonist, Edward Bloom and his estranged son, William Bloom, is centrally to the story in both the novel and film. Like many fathers in today's society, Edward Bloom wishes to leave his son with something to remember him by after he is dead. It is for this reason the many adventures of Edward Bloom are deeply interwoven into the core of all the various stories Edward tells to mystify his son with as a child. Despite the many issues father and son have in their tense relationship as adults, Daniel Wallace and Tim Burton’s adaptation of Wallace’s novel focalizes on the strained relationship between Edward Bloom and William Bloom. In both Wallace’s novel and Burton’s film, they effectively portray how the relationship between Edward Bloom and William Bloom is filled with bitter resentment and indifference towards each other. Only with William’s attempt to finally reconcile with his dying father and navigating through his father fantastical fables does those established feelings of apathy and dislike begin to wane. With Burton’s craftily brilliant reconstruction of Wallace’s story does the stories of Edward Bloom and his son blossom onto screen.
Stand By Me is a movie based on a novel by Stephen King. It tells the story of four preteens, who during a boring summer day, embark on a journey to find the body of a dead twelve year old, who has been missing by news accounts, but known to them, to be lying in the woods near a river bank. The story is told as an historical narrative about the lives and relationships of the four main characters in this movie, Gordy, Chris, Teddy, and Vern. In this essay, I will discuss how communication, and self-concept, affects the characters, and their interactions.
Stand By Me. Dir. Rob Reiner. Perf. Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell. DVD. Columbia Pictures, 1986.
John Green’s wonderful yet tragic best-selling novel The Fault in Our Stars tells a heart-wrenching story of two teenage cancer patients who fall in love. Augustus Waters and Hazel Lancaster live in the ordinary city of Indianapolis, where they both attend a support group for cancer patients. Falling in love at first sight, the two are inseparable until Augustus’s cancer comes out of remission, turning Hazel’s world upside. This is one of the best young-adult fiction novels of the year because it keeps readers on the edge of their seat, uses themes to teach real life lessons, and uses a realistic point of view instead of the cliché happy ending of most books.