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the color purple and the Joy luck club
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The Joy Luck Club and Fried Green Tomatoes
Two novels that I could read over and over again, "The Joy Luck Club" by Amy Tan and "Fried Green Tomatoes at the Whistle Stop Café" by Fannie Flag. The two novels share similar qualities while conveying their different story lines.
"The Joy Luck Club" is a sage about several Chinese mothers and their American-born daughters. It is also about the mothers' experiences with immigrating, and/or their upbringing. It depicts the relationship between the mothers' and their daughters and how this relationship affects the daughters lives. Emphasis is placed on historical references and the struggle of women. All of the mothers were born between the mid 1920's and the late 1940's. The political and social histories of China were important factors in the character building youth of these women. Between 1931 and 1945 China was occupied by the Japanese, which led to their immigration to the United States. Chinese cultural traditions such as arranged marriages, different religions, and superstitious notions, all which repress women, also influenced their character. A great deal of importance is placed on the variety of traditions that were placed on them. The theme of tradition being passed down from mother to daughter is also stressed. This particular tradition is not explicitly expressed. In order for it to be preserved and handed down it is to be observed, absorbed, and understood. Yet one of the main (ideas) points of the novel is to show that these traditions were not imposed on the American-born daughters as they were on their mothers. In turn, this leads to the vast differences and conflicts between the mothers and their daughters. Some of the differences and conflicts are good while others are not.
Fried Green Tomatoes at the Whistle Stop Café is a novel about two women in the 1980's. An elderly Mrs. Threadgood tells a tale of two young women, which takes place over half a century ago, to Evelyn, a sad depressed middle-aged woman. The story is about the relationship between Idgie, a dare devilish tomboy and her good-hearted friend Ruth. Together, in the 1930's, they ran a southern café, offering good barbecue, good coffee, and all kinds of love and laughter in Whistle Stop, Alabama. As Mrs. Threadgood tells the story of the past, the present for Evelyn will never be the same.
i wish i could join in the universal praise for amy tan and her best-selling novel "the joy luck club." i wish i could find the latest chinese-american literary dish as appetizing as the rest of the american public does. but i can't. before amy tan entered the scene, public images of asian america had not developed since the middle of the century. the asian american male did not exist except as a barbaric japanese or vietcong soldier. the asian american female remained the adolescent suzy wong pipe dream, toyed with for a while and then deserted.
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Fried Green Tomatoes, a story about something or whatever, regarding friendship, and what not, somewhere in a southern American small town, whilst focusing on the lives of four women of the past and present is a tale nonetheless that just so happens to exemplify many elements of southern gothic literature. Stemming as an example of such within the story, elements such as freakishness, imprisonment, violence, and outsider are very apparent as they are peppered all throughout making it quite evident in regards to this claim. This story without a doubt is truly a modern paradigm of southern gothic literature as it is clear that it follows the pattern of transforming archetypes to portray them in a more modern and realistic manner. From beginning
Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite her mother’s advice. An-Mei has strengths and weaknesses that shape her own courageous actions, and ultimately have an influence on her daughter.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
So about my book, Fried Green Tomatoes at the Whistle Stop Café, well the theme is mainly feminism and a little bit of my gay pride, (you’ll see when you meet Idgie.). The setting starts out in the nursing home where, Mrs. Cleo Threadgoode, the long-time resident of Whistle Stop, tells Mrs. Evelyn Couch all about her life starting in the year 1929, and the little town of Whistle Stop. Now I will tell you all about the rest of my book in the eyes of my most important character, Mrs. Cleo Threadgoode.
The journey from Chongqing to America was one with many obstacles and Suyuan sacrificed so much for her daughter hoping that one day June will be successful. The support and care that Suyuan provided for June ended when she suddenly passes away which forces June discerns how little she actually knows about her own mother. This seemingly ordinary life of June disappears as she discovers her mother’s past which included siblings that have been abandoned and thus attempts to find her long lost sisters. This idea was brought up by the Aunties of the Joy Luck Club that her mother founded which can be seen as the call to an adventure. The purpose of this journey was not only to find her sisters but to also discover her mother for who Suyuan truly was. In June’s eyes, Suyuan was always impossible to please and she was never on the same page as her mother who believes a person could be anything they wanted in America-the land of opportunities. But as the Joy Luck Club reminds June of how smart, dutiful, and kind her
One of the central themes in writing of the second generation Asian Americans is the search of identity and individual acceptance in American society. In the last few decades, many Asian Americans have entered a time of increased awareness of their racial and cultural identity built on their need to establish their unique American identity. In the book The Joy Luck Club, which revolves around four mother-daughter Asian American families whose mothers migrated from China to America and raised their daughters as Americans, we see the cultural struggle and differences by looking at their marriages, suffering and sacrifice, and their use of language in the novel.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
The women in the novel, The Joy Luck Club, deal with all of the good and the bad that their history and culture have to offer. At times they experience difficulties because the mothers and daughters, although they are as one, share different cultures, while their history is the same. Ying-Ying St.Claire is the mother of Lena, who is a Chinese-American women. Lena and her mother don’t see eye to eye at all times because of the fact that they were raised in different cultures. Ying-Ying grew up in China in a very well-to-do family. At first she had very few worries, other than being obedient. Her Amah once told her, “You don’t need to understand. Just behave, follow your mothers example (Tan,66)”. As she grew older, she had to prepare for her future; a life of following future husbands orders and taking care of her husbands family. Chinese women would do this because it was expected of them. They would care for their husbands parents so that when they were old they would be taken care of as well.
Throughout “The Joy Luck Club”, Chinese fables are used as significant teachings for life. ‘Feathers from a Thousand Li Away: Introduction’ is used for the first section because the chapters are about the mother’s journey from China to America. The story elaborates on the sacrifice the mother is making for a better life for their children. The story introduces the contention between American culture and Chinese culture conflict because the mother sees the Americanized daughter as the privilege. Amy wrote, “And over there [America] she will always be too full to swallow any sorrow!” (Feathers from a Thousand Li Away: Introduction, Page 17) This quote means that the daughters born in America will not understand the struggles the mother's faced
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
In life we sometimes experience cultural differences. In The Joy Luck Club Amy Tan shows how mother daughter relationships are affected by these cultural differences. Therefore each of the mothers and daughters has a different view on their Chinese culture.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.