Macbeth: An Analysis of Lady Macbeth

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Lady Macbeth, one of the main characters in the play Macbeth, is an example of a character that throughout the course of the play has had a change of heart of some sorts. Lady Macbeth's conscience, which seems to have never appeared or mattered to her before, suddenly becomes an uncontrollable part of her psychological state of being. Murder, which she deemed as such a small inconsequential act, later causes her to lose sleep and finally to take her own life. In the beginning of the play, when Lady Macbeth is first introduced she is already plotting Duncan's murder. She even wishes that she were not a woman so that she could do it herself saying in Act I, Scene 5, "Come, you spirits that tend on mortal thoughts, unsex me here." Lady Macbeth manipulates her husband with astonishing success, overruling all his objections. When he does not wish to murder, she frequently questions his manhood until he feels that he must kill King Duncan in order to prove himself. They are both blinded by ambition; nothing will stop them from gaining the throne. Macbeth feels remorse immediately following the murder, but Lady Macbeth assures him that everything will be fine. When he worries over his blood stained hands she tells him in Act II, Scene 2 that "A little water clears us of this deed. How easy is it then!" Lady Macbeth also logically explains to her husband that as long as he is the new king, he can never be punished for the murder of Duncan, for no one possesses more power than he. She seems completely unaffected by the murder they two have conspired to commit. This apathy does not last for long however. A little later in the play, Lady Macbeth also sees the blood, and thus their moral wrong doings. She is completely consumed by guilt and slowly slips away into madness. In the planning stages of the murder Lady Macbeth felt much more strongly than Macbeth about the necessity to kill Duncan, and now in the aftermath she feels the guilt much more strongly than Macbeth. At one point in the play she is completely lost in her guilt; she sleepwalks around the castle saying "Out, damned spot. Out!" She is speaking of the bloodstains she now also sees for her part in this murder. In the beginning of the play she seems much more blood thirsty in her quest for power, but later it seems that the throne was not worthy enough to constitute the means used to gain it.

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