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Although true love is a dominant theme in both plays Romeo and Juliet and Much Ado About Nothing, there are differences in the way that true love is developed in both of them and the changes it makes in the personality of the lovers. In Romeo and Juliet love between the two lovers, Romeo and Juliet, is more passionate and romantic, springing up at first sight between them. Love controls and changes both of them completely, turning them to more simple and pure; it affects their language that turns to be really the language of their heart. Romeo becomes a lover poet, expressing his love to Juliet by comparing her to the sun, "Juliet is the sun" (2.2.3) and to stars, describing here as an angel and a messenger of heaven, "o, speak again, bright angel, for though art/ As is winged messenger of heaven" (2.2.26-28). The language that the both lovers use is an important instrument to show and to express their love. The change in Juliet's behavior is noticeable. Whereas she used to obey the authority of her nurse, she now defies authority. This is a sure sign of her emerging independence, and is a crucial factor in understanding her decision to marry Romeo and defy her parents.
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Another kind of love focused in the two plays is false love. Romeo, before he meets Juliet, thinks that he loves Rosaline, believing that she is the girl of his dreams, praising her beauty, and moaning about her not returning his love. Romeo forgets his love to Rosaline at the first moment he sees Juliet. False love is also presented in Claudio and Hero's relationship. Their love is not deep felt love and respect. Claudio seeks the opinion of his friends to reinforce his judgment on Hero, showing that he is not convinced of his feelings. Their love is a deceived love as their eyes have been captured by the others appearance and wealth, rather than their true feelings and testing each other. Claudio does not love Hero for what she really is, rather than for her beauty but for her name and status. This is proved when Claudio reacts angrily over the discovery from Don John, the villain of the play, of Hero's apparent infidelity. Claudio asks "is this face hero's", telling us that Claudio had discovered that Hero's appearance does not correspond to the innocent Hero enough, he lacks the trust and respect for her hat should feature in any loving relationship. Claudio accuses Hero publicly in front of her friends and family regarding Hero's virginity, "There, Leonato, take her back again: / Give not this rotten orange to your friend; / She's but the sign and semblance of her honor" (4.1.31-33). Moreover, Claudio and Hero rarely talk directly to one another and are never alone together.
Another kind of love presented in Romeo and Juliet is conventional love. Conventional love is developed in the social situation of arranged marriage. Paris, a young noble man, offers his wealth as an exchange to Juliet's beauty. He asks for her hand before he has ever met her personally; there is no emotion here, it is just convenience and proper social matching.
Love is a central theme in both of the plays, Much Ado About Nothing and Romeo and Juliet. True and false are shown in the two plays, where true love affects the lovers and develops differently in each play. Conventional love is anther kind of love that is presented only in Romeo and Juliet.