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how does priestley present the character of the inspector of the inspector call
7. What is J. B. Priestley’s main message in inspector calls
how does priestley present the character of the inspector of the inspector call
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English Coursework - An Inspector Calls.
After the inspector leaves, The Birling’s discuss the night’s events.
They go into a stage of blaming each-other for Eva Smith’s death,
pushing the guilt onto one-another. Mr. Birling still does not have
his priorities straight as the first thing that initially springs to
his mind is that fact that the families reputation will go down the
drain if any of the information they gave out will be found out by the
public. He claimed that ‘There’ll be a public scandal.’ He was certain
that he was going to get a ‘knighthood in the next honours list’. In
response to his father’s attitude, Eric is unconcerned about what the
public will think, but more concerned about what went on that night.
Mister and Mrs Birling don’t want to admit to themselves that they
played any part in the girl’s death, and keep twisting the subject to
point the blame back to Eric. Eric informed his parents ‘Well, I don’t
blame you. But don’t forget I’m ashamed of you as well- yes both of
you.’ He is openly admitting that he has done wrong, but thinks that
it is unfair to take all the responsibility for the death of the girl.
Here again, his Father was steering the blame away from them by saying
‘There's every excuse for what both your mother and I did- it turned
out unfortunately, that’s all’. This is a gutless attitude for them to
have considering how they were feeling before the inspector left them.
Sheila was quiet up until this.
Sheila is on Eric’s side and openly admitted that she behaved badly,
but she then pointed out that they were pretending that nothing much
has happened. It is here when Eric reminds his father of what he had
told himself and Gerald earlier that evening just before the inspector
had arrived- ‘A man has to make his own way, look after himself and
mind his own business, and that we weren’t to take any notice of these
cranks who tells us that everybody has to look after everybody else,
as if we were all mixed up together’. Thinking about this, the
Birling’s begin to have doubts as to whether the inspector is in fact,
an inspector. It seemed too ironic that an inspector would walk in at
that moment. Sheila described it as being ‘very queer’. She then
quoted ‘it doesn’t much matter now’ how ever mister Birling disagrees
as it matters ‘a devil of a lot to him’. He is relieved that there is
still hope that his reputation is not at stake, and let off the hook
Sheila says this to Eric at the table. As we can see this is quite a
In “An Inspector Calls”, during the extract, Priestley uses tension to create a dramatic scene. Tension is an important part of the play as in many situations, such as when the audience finds out about Eva Smith’s death, it leads to feelings like guilt and shameful confessions, among the characters.
the play is set in 1912. The main themes of the play are lies, love,
property he can run it any way he sees fit. This is a belief which
The play is set in the house of the Birling family. As soon as the
Examine Priestley's use of dramatic techniques to create tension in the play. Priestly was a socialist writer, and 'An Inspector Calls' is one of the plays in which he tried to display his socialist ideals in. The play was written in the 1940's, a little after the end of the Second World War, and it was first performed in 1946, in Russia, then later in England. Priestly had served in World War 1, and the terrible scenes he saw lead to him having socialist views. He was inspired by other writers whose views he shared, especially George Orwell and H.G.
Priestley's Social Message in An Inspector Calls The play an Inspector Call’s was written at the time of 1945 but is set in 1912. Priestley conveys a lot of social and important messages in this play. He conveys the messages through the character of Inspector Goole. One most important message that Priestley conveys is about Socialism.
century. They had saved the world and did not want to return to a life
they have done even know they do not lead her to her suicide. But a
The protection of ones’ child is something that is prioritized and focused on by majority of people. In John Patrick Shanley’s play Doubt: A Parable, a mother, and a principle have different views on how to help each of their children. Sister Aloysius, is a principle who has suspicion to believe a priest by the name of Father Flynn has sexually abused one of her students. She has no proof of her suspicion, but is persistent in investigating for proof until he is removed from her school. Mrs. Muller is the mother of the boy who was suspected to have been abused. She is looking to protect her son by keeping him away from his father, and keeping him focused in school so he can have an education. Doing so would require her to deny the allegations of her son being abused. Some may concur that Sister Aloysius is going out of proportion to prove her suspicion, and that Mrs. Muller is a terrible mother for not protecting her son from a possible predator. Their restlessness and renunciation characterizes how people will go through any obstacle to protect their young.
upon so many levels. On the surface it is a simple tale of how one man
Birlings, as they find out that they have all played a part in a young
Eva and his son Eric is annoyed by this. He seems to be a very hard
Sir Arthur W. Pinero's play The Second Mrs. Tanqueray. Sir Arthur W. Pinero's play The Second Mrs. Tanqueray was written in 1893 and was constructed around the conventions of the well-made play. The well-made play originated in France as the parcel bien faite, and is characterized by a detailed, practical intended organization of plotting. The logical precise construction of the well-made play is characterized by a number of conventions: the audience is quickly introduced to the characters and their relevant histories, there is a complication usually a withheld secret, known to the audience but unknown to the characters, which, when revealed at the climax, is an unreal coincidence and it reverses the fortunes of the play's hero. The hero's fortune fluctuates during this conflict with the antagonist until finally, at the climax, the plot unravels, quickly, the secret is revealed in the final dénouement, or resolution.
for ward: along with name, address, size of the informant, industry sector, name of ceo and