Kurt Vonneguts War Experiences and its Effects on the Barnhouse Effect Kurt Vonnegut's War Experiences how it contributes to my understanding of the "Barnhouse Effect" Kurt Vonnegut’s war experiences had a great impact on his life, which greatly contributes to the readers understanding of the "Barnhouse Effect." His war experiences are reflected quite vividly through his writing of the "Barnhouse Effect." This short story reflects "the human horrors during war, and the de-humanization of modern men and women, and the loss of humane values in a society dedicated to technological progress." (Modern Stories, p. 408) The Barnhouse Effect is a name that is created by the press. The press came up with this name from Professor Arthur Barnhouse’s character in the "Barnhouse Effect." They call the professor’s phenomenon the barnhouse effect. Professor Barnhouse, had come up with a different name for his phenomenon. He called it the "Dynamopsychian." "Dynamopsychian means force, and the power of the mind. In the story, the narrator explains, in more detail, how Professor Barnhouse relates his phenomenon to war. "As a weapon, then, Dynamopsychism has an impressive advantage over bacteria and atomic bombs, beyond the fact that it cost nothing to use: it enables the professor to single out critical individuals and objects instead of slaughtering whole populations in the process of maintaining international equilibrium." (p. 410). According to this quotation, Dynamopsychism is a very powerful weapon that only professor Barnhouse had. The professor had thoughts that would flash through his mind before they actually happened. His mind is a powerful weapon, which no one else possessed. In the story, Barnhouse says, "the same thought train had flashed through his mind just before he threw the dice." (p. 411). It was that thought train which aligned the professor’s brain cells into what had become the most powerful weapon on Earth. It began with a simple mental exercise during an army crap game, which soon escalates into a worldwide threat. At least, that’s what the FBI thinks when they raid the Professor’s office and put him under investigation. Professor Barnhouse is asked to use his new power as the ultimate national defense weapon. War hungry generals, Russian spies and the FBI get into the act as Professor Barnhouse shows what the real power of his mind actually is.
Kurt Vonnegut, a modern American writer, composed stories about fictional situations that occurred in futuristic versions of today’s world. His stories included violence, both upon oneself and one another, and characters who sought out revenge. In “2BR02B” and “Harrison Bergeron”, Vonnegut conveys physical violence most likely experienced while a prisoner of World War 2, as a way to show how war brings pain and destruction.
The focal point of Kurt Vonnegut's Slaughterhouse-Five is the devastating fire-bombing of Dresden in World War II, an event which was experienced by the real-life Vonnegut as well as the fictional Billy Pilgrim. Through the novel, Vonnegut renders his account of an occurrence which is, in itself, indescribable. In order to tell this story to the world, Vonnegut uses Billy Pilgrim's Tralfamadorian experience as a window that allows the reader some relief from the horrors of war. According to the author, the war was a traumatic experience which is virtually impossible to describe. As Vonnegut says in the introduction, " . . .I thought, too, that it [the novel] would be a masterpiece or at least make me a lot of money, since the subject was so big . . .but not many words about Dresden came from my mind then"(Vonnegut 2).
Vonnegut addresses the writing of his work about the bombing of Dresden in the first chapter, detailing the stress he felt when faced with such a laborious task. The carnage of Dresden does not haunt those who were not there. The combined efforts of the A...
This independent reading assignment is dedicated to Slaughterhouse-Five, written by Kurt Vonnegut. Vonnegut experienced many hardships during and as a result of his time in the military, including World War II, which he portrays through the protagonist of Slaughterhouse-Five, Billy Pilgrim. Slaughterhouse-Five, however, not only introduces these military experiences and the internal conflicts that follow, but also alters the chronological sequence in which they occur. Billy is an optometry student that gets drafted into the military and sent to Luxembourg to fight in the Battle of Bulge against Germany. Though he remains unscathed, he is now mentally unstable and becomes “unstuck in time” (Vonnegut 30). This means that he is able to perceive
Kurt Vonnegut places his experiences and his views in the text. He begins the book by stating, “All this happened, more or less. The war parts, anyway, are pretty much true...I’ve changed all of the names.” Viewing war as a sen...
Kurt Vonnegut’s novel, Slaughterhouse Five, presents the idea that the Billy views war differently from the rest of the public. While the rest of the world sees war as an event occurring on the other side of the war. Billy sees how devastating and senseless they are.
Kurt Vonnegut has built a universe for Billy Pilgrim in Slaughterhouse-Five where Billy’s cruel, unforgiving reality is contrasted by a philosophical utopia where he has learned to operate without the pains of being human. Within this self-described ‘telegraphic’ and ‘schizophrenic’ novel, Vonnegut manages to swing the reader halfway across the galaxy to a planet inhabited by a plunger-like race called the Tralfamadorians, take them into the harrowing depths of a POW camp, and show you a man who is increasingly coming undone at the seams after having lived with the psychological terrors of the Dresden bombing. He accomplishes all of this while only leaving the reader with a slight case of jet lag and hopefully a new perspective on the American
Wood, Karen and Charles. “The Vonnegut Effect: Science Fiction and Beyond.” The Vonnegut Statement. Vol. 5. 1937. 133-57. The GaleGroup. Web. 10 March. 2014.
...his novel believe war to be the most disgusting and most distructful thing in the universe, the Tralfamadorians enlighten one human on their thoughts of war. They don’t feel Billy should put as much time as he does into dwelling on something like war that is inevitable. They ignore it and rate it relatively low on a scale of importance. From World War II, Billy is left with many vivid memories that he would rather not have. He has first handedly seen what he thinks is the most evil thing in the universe. He is frequently haunted by images of his experiences. But maybe if he would just tell himself that there is nothing he can do about war, maybe if he just looked the other way and ignored it, maybe then he would be happy and in a state of peace like the Tralfamadorians.
Vonnegut's Slaughterhouse Five as an Antiwar Novel. War can affect and inspire people to many degrees. Kurt Vonnegut was inspired by war to write Slaughterhouse Five. which is a unique book referred to sometimes as a science fiction or semi-autobiographical novel.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
Earnest Hemmingway once said "Never think that war, no matter how necessary, nor how justified, is not a crime." (Ernest Hemingway: A Literary Reference) War is a gruesome and tragic thing and affects people differently. Both Vonnegut and Hemmingway discus this idea in their novels A Farewell to Arms and Slaughterhouse Five. Both of the novels deal not only with war stories but other genres, be it a science fiction story in Vonnegut’s case or a love story in Hemingway’s. Despite all the similarities there are also very big differences in the depiction of war and the way the two characters cope with their shocking and different experiences. It is the way someone deals with these tragedies that is the true story. This essay will evaluate how the main characters in both novels deal with their experiences in different ways.
Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view of humanity which can only be mocked by humor. At the beginning of the novel the narrator is researching for a book he is writing. The book was to be about the day the atomic bomb was dropped on Hiroshima and the lives of the people who created the bomb. The narrator travels through the plot of the story, with characters flying in and out, in almost a daze. He is involved in events which are helplessly beyond his control, but which are inevitably leading to a destination at the end.
“How nice- to feel nothing, and still get full credit for being alive” (Vonnegut 181).
In conclusion, Slaughterhouse-Five is an anti-war novel because Vonnegut, the character, says it is in the first chapter, the terrible damage it left on Billy, and how it exposes war's horrifying practices. Knowing these elements, one might wonder why people still have wars. Although these anti-war novels cannot completely stop wars, they are important. The role that such novels play is one of raising awareness of war's actions and wrongdoings. Since the role of the novels is important, authors should continue to write them to keep people informed and educated about a problem of such a huge magnitude.