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the character of odysseus
the character of odysseus
plight of odysseus in the odyssey
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Homer is All Mixed Up
Homer’s epic, the Odyssey, is a heroic narrative that follows the adventures of Odysseus, the powerful King of Ithaca. The main story involves Odysseus’s return journey to his homeland after the Trojan War. However, Homer skips around in the action periodically to give the reader a better understanding and interest in what is going on in the epic. Homer takes his audience from the present action involving Telemakhos’ search for news of his father’s return, to the past where Odysseus tells the Phaiakians of his tragic journey home after the war. The events in Homer’s epic are not in order but still prove more effective at guiding the reader through the narrative. Although the events in the Odyssey are not in chronological order, the story line is enriched by Homer’s use of the in media res method because it introduces characters that were not involved in Odysseus’ adventure, because it shows the urgency of Odysseus’ return to his kingdom, and because it allows the reader to become more interested in the opening chapters without having to wait for a climax in the action.
In media res is Latin for “in the middle of the race” which is a style used by Homer in the Odyssey when he begins the story in the middle of the action. In this way Homer is able to introduce major characters that would otherwise not be included in the narrative until the end of the epic. Three major characters introduced by this method are Telemakhos,
Odysseus’ son; Penelope, Odysseus’ wife; and the suitors, prominent young men of Ithaca who attempt to marry Penelope. Telemakhos is the first of these characters to be introduced. In lines 1-14 of book II he is introduced as a prominent young man as he enters the assembly “spear in hand, with two quick hounds at heel; Athena lavished on him a sunlit grace that held the eye of the multitude. Old men made way for him as he took his father’s chair.” Despite Telemakhos’ prominent figure in the opening lines of this book, it soon becomes obvious that he is not an extremely powerful figure. Telemakhos intends to expel the suitors from his home but he is not strong enough to fight them. It is important that the reader meets Telemakhos in the beginning because he is the main character in the Ithaca plot and also he must overcome obstacles at home foreshadowing the obstacles his father faces later in the epic.
Throughout the tale, Telemachus continually grows into the role of a confident, clever and wise young man, striving to live up to his reputation as Odysseus’ son and Prince of Ithaca. His mother, and Odysseus’ wife, Penelope, is a symbol of marital fidelity, having waited for her husband’s return for twenty long years and refusing to succumb to the Suitors demands that she marry one of them, and instead employing trickery and subterfuge to evade their pressing stipulations. In stark contrast, the Suitors are very static characters, neither growing nor changing in character development throughout the tale. Both Telemachus and Penelope are dynamic characters because their characters grow, develop and change. Through the reading of this epic poem of Odysseus’ ten-year journey, we also gain a keen insight into ancient Greek society, and the social expectations one might encounter. The Greeks were very hospitable and very welcoming, even to foreign outsiders. There is also a great presence of both aristocracy and patriarchy in action appearing in this tale, both key aspects of ancient Greek
...lts of the insolent suitors in his own home. The anger of Odysseus is only matched by Telemachus whose restraint is forcefully elevated in order to hamper his new mature instinct of defending his father. Meanwhile, Odysseus is forced to couple this with control over holding his love, Penelope, in his arms. Yet, both characters are able to avoid the impediments and at last battle side by side against their foes.
B. Separated from her husband in their prime years, and hardened from the frauds of men, Penelope, unlike her son, does not welcome Odysseus back with open arms. She refuses to acknowledge him as her Lord until she tests his knowledge of their secret sign. Uncertain whether he is true, she tries him by ordering to her maid to make up a bed for him and move it back to the bedchamber Odysseus had built with his own hands, therefore stating that she had moved their pact and pledge, even though it was mortally impossible. At this, Odysseus, stung and outraged at his wife for moving his handicraft and their secret sign, describes their special bed, an old trunk of an olive tree as a pillar for the building plot, a stump he carved and used as their bedpost, inlaid them all with silver, gold and ivory, and the stretched bed in between, which was a pliant web of oxide thong dyed crimson. Penelope runs to him, throwing her arms around his neck, kisses him, and immediately apologizes for her mistrust and suspicion, and promises that her heart is his. Through this, she rejoices her husband’s return, and that she no longer had to arm herself from suitors who seek to replace her husband, whom she faithfully waited for. She was finally reunited with her husband, and could love again.
Similar to an elaborate dish, a literary genre consists of multiple necessary “ingredients,” called epic conventions, which classify a text into a particular category. Homer follows an impeccable recipe in his magnificent work. Labeled as an epic, The Odyssey by Homer portrays the Greek hero Odysseus years after his victory in the Trojan War and his awaited journey back to Ithaca. As the plot develops it is evident it is no effortless feat for our hero to return home. The godly Odysseus encounters adversities in the forms of Cyclops, sea monsters, alluring flowers and formidable Greek gods with varying conceptions of him. These characteristics distinguish the Odyssey and its episodes as an epic and bestow Odysseus with the title of an epic
Penelope refused to take another man in Odysseus’s place, as she continued to love and respect him in his absence. She was too appalled by any of the suitors to decide between them. Without a final decision, the suitors continued to vie for her hand in marriage and kept using and destroying Odysseus’s possessions and property. Athena, in her disguise, pointed out the flaw in the suitors’ actions to Telemakhos: “‘How arrogant they seem,// these gluttons, making free in your house!// A sensible man would blush to be among them.’” (Book I, pg 8, 272-274) She acknowledged their wrongdoings and pointed out how awful they truly were. The suitors became one of Odysseus’s main challenges in the novel, as he needed to rightfully return to Penelope. Their greed and desire for Penelope’s hand in marriage necessitated Odysseus’s return to Ithaca. To enact his revenge upon the suitors, Odysseus had to kill them all. This changed Odysseus’s fate, as he was forced to sneak home and kill one hundred men by himself; however, before that was able to happen, Odysseus had to sail a ship home with the help of a
The Odyssey is a tale that has changed literature and storytelling. In this tale Odysseus is a Soldier from the battle of Troy trying to get home to his island of Ithaca, where he is king. His wife and son must wait ten years while he is trying to make his way home. In Odysseus’s absence wooer’s, or better known as suitors, learn of his absence and travel to Ithaca to win his wife’s hand in marriage. These men come every day feasting on Odysseus’s food and wine, and give his servant’s orders. His son Telemachus, does his best to keep the suitors from ruining his fathers house but he is only a boy, and doesn’t receive the respect of an adult. Telemachus then has a visit from the god Athena, whom Odysseus is friends with, who advises him to travel to find out about his father. In his travels he hears that Odysseus may still be alive. Meanwhile Odysseus goes through a series of adventures and hardships that prove his wisdom. It is interesting in contrast of the Iliad, even though Achilles was much stronger and a better warrior, Odysseus was portrayed as a greater hero due to his wisdom. He uses this wisdom to escape from the Cyclops.
The Odyssey is a Greek word meaning 'the tale of Odysseus.'; Odysseus, the King of Ithaca; husband of Penelope; father of Telemachus; and son of Laertes was not able to return home after the war he was once in: the Trojan War. Stuck on an island, he is presumed dead. In his absence, suitors for his wife ruin his house with lavish feasts. This epic poem, by Homer, describes how Odysseus, with the help of the gods, gets home and regains his kingship. Justice is always harsh in the Odyssey; there is either no justice or a lot of it; the punishment however, is always severe. Justice in the Odyssey plays out among these characters: Odysseus and his crew, the suitors, Poseidon, Aeolus, Hyperion, Agamemnon, Aegisthus, Melanthius, Melantho, Telemachus, and Polyphemus. Each one of these characters does something wrong and receives a harsh punishment. In the Odyssey, justice, when done, always allots a large punishment, never a small one. Aegisthus courted Agamemnon's wife and then killed him. The justice of the Gods is a swift and powerful one. However, Aegisthus had been warned: 'we ourselves had sent Hermes, the keen-eyed Giant-slayer, to warn him neither to kill the man nor to court his wife'; (pg. 4). Aegisthus ignored the warning, killing Agamemnon and courting his wife. Orestes, Agamemnon's son, killed Aegisthus to avenge his father's death. The gods saw this as swift, fair, and powerful justice: 'And now Aegisthus has paid the final price for all his sins'; (pg.
Homer’s poem The Odyssey depicts the tendency of people to ignore the consequences of their actions. Odysseus punished Penelope’s suitors without thinking of consequences that he would have to endure. He did not acknowledge the consequences because that would prevent him from doing what he wants to do. Odysseus wanted to kill the suitors; they ate away at his fortune. Finding consequences for murdering the suitors would force Odysseus to realize what he is about to do is not a good idea. Odysseus chose to ignore the consequences and killed the suitors anyway. Odysseus had absolutely no reason to kill the suitors; they had the right to stay in his home because Penelope made them feel welcome, Penelope and Telemachus both told them that Odysseus was dead, and although Telemachus told them to leave, he did not have the right to do so.
Odysseus is hailed as one of Greece's greatest heroes for his strength. However, is it merely his brawn that he is hailed for, or is there something else? Although many often dismiss things such as intellect, courage, loyalty and determination, all of which are traits that Odysseus possesses, as being strength. Being strong in these aspects can be equally, if not more, beneficial than simply physical strength, as Odysseus has proven by overcoming sea monsters, traveling through the underworld, and so much more on his journey back to his homeland of Ithaca. Homer’s Odyssey demonstrates that strength can be much more than purely physical strength by creating characters that display mental, emotional, and other forms of strength throughout the entirety of the poem.
Two of the most influential books of ancient Roman and Grecian culture are the Odyssey and the Aeneid. The Odyssey is centered on the Greek hero Odysseus. It portrays Odysseus’ journey back home and the endeavors he has to go through. The Aeneid depicts the Roman hero Aeneas as he is sent on a journey to start the great Roman Empire. The books both have many similarities between them especially due to the fact that Virgil, the author of the Aeneid, was heavily influenced by Homer’s Odyssey. But like with any good story they are both unique in their own way. One of the major differences is in the setting. Some of the differences are in the choices that they make while some of the differences are even in the characters themselves. But the parts of the stories that have influenced much of modern day literature are the instances where the protagonists have to make a visit to the underworld. Virgil and Homer wanted to emphasize the underworld so much that they each dedicated an entire chapter in their epics to the underworld. But each underworld is blatantly different thus giving each hero a distinctly different journey to the underworld. Three of the main differences in their underworld journeys are their purpose for being there, visuals in the underworld, and the underworld itself.
Hu•bris /ˈ(h)yo͞obris/ noun: excessive pride or self-confidence. Hubris is believed to be the most serious of all seven deadly sins. Some say it was the original sin that led to all others. A word with such loathsome synonyms like arrogance, conceit, haughtiness, pomposity, and egotism was seen as one of the worst possible sins in Greek culture. They believed that no matter your social status those who exhibited it were destined to fall down into damnation. Yet some Grecian heroes seemed to ooze hubris in the form of confidence or cockiness. There was a fine line between the two that they should never cross. One hero in particular showed this sin on more than one account. Throughout The Odyssey, Odysseus, shows the sinful trait of hubris, in the form of cockiness when he talks to Polythemus, his crewmen, his wife, and his son.
In book eight of Homer’s The Odyssey, Odysseus is on the island of the Phaeacians and is waiting to return home to Ithaca. Meanwhile, Alcinous, the Phaeacian king, has arranged for a feast and celebration of games in honor of Odysseus, who has not yet revealed his true identity. During the feast, a blind bard named Demodocus sings about the quarrel between Odysseus and Achilles at Troy. The song causes Odysseus to start weeping, so Alcinous ends the feast and orders the games to begin. During dinner after the games, Odysseus asks Demodocus to sing about the Trojan horse and the sack of Troy. This song too causes Odysseus to break down and cry. Homer uses a dramatic simile to describe the pain and sorrow that Odysseus feels as he recalls the story of Troy.
The Iliad and the Odyssey are two classic stories told by Homer. Within these two stories the roles of the gods are very important to the story line and how they affect the characters throughout. In the Iliad, more gods are involved with the characters whereas in the Odyssey there are only two major gods that affect two major characters. The roles of the gods in the Iliad are through two different stances of immortal versus immortal and mortal versus immortal. The roles of the gods in the Odyssey are through two major gods and they affect the plot as Poseidon versus Odysseus and Athena versus Telemachus.
The 'Iliad'; by Homer is a book that deals with many emotional issues. I am going to talk about a few emotional parts of the Iliad and compare them to the emotional life of today. I have chosen a section of the book and will talk about the emotions that come up there. The section that I have chosen to talk about is in book 18 when Achilles is very angry and very sad about Patroclus death. After that he wants revenge by killing hector.
Epic adventures have many obstacles that interfere with the protagonist's journey home. In the epic Ancient Greek adventure The Odyssey by Homer, the protagonist Odysseus, finds a way to overcome his many obstacles. Similar to Mark Watney and Commander Lewis in The Martian adapted by Andy Weir’s book, Watney must find new ways to survive without the help of his crew. In both epic adventures they show opposite leadership, outlooks on situations; however, each exemplify divine aid to return home unharmed.