Greek Art
Greek art flourished between the centuries VII and II before BC, in Greece and other Mediterranean territories inhabited by Greeks. It is characterized by its aesthetic idealism, proportionality and balance of the elements and their interest to reflect the genuine expressiveness in the human figure; therefore, they developed a great perfection in the drawing. Athletics, as cultivated by these peoples, artists gave their best models. Simplicity, the rhythm, the clarity and unit dominate all its art forms; thus, the Greeks achieved its greatest achievements in ceramics, sculpture, and architecture.
Greek art begins approximately in the V and IV centuries. It is characterized by to give their works a greater sense of proportionality, for expressing harmony and balance of elements and to reflect a genuine expression of humanism. Greece is a small peninsula located in the southeast of Europe. But in this small country were born the first ideas that shaped western culture, in such a way that our knowledge and ways of thinking are a result of the philosophy, science and the art of the Greeks.
Architecture
In Greek architecture was not used or the arc or the vault. The cornerstone of his monumental works were the columns. The construction system used was the lintels. Highlights in hierarchical order, the temples as principal exponents, then, the theaters, the Acropolis, the Propilea, stadiums, gymnasiums and lectures, the Agoras and the funeral monuments. The different types and forms of columns gave rise to the famous Greek architectural orders: Doric, Ionic and Corinthian. The Greeks used preferentially the marble, which breakfasting mechanics carefully; also, used the stone.
Sculpture
The Greek sculpture or not is subject to ...
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... the Greek painters, however, if it is knowledge of the mastery that is manifested in the amazing effects of realism that knew produce by descriptions of some paintings. But their work has lost almost of them. Some ones are copies and fragments that do not give a clear idea of how it was that painting. Highlights: Polygnotus, Apollodorus of Athens, Agatarco of Samos, Zeuxis, Parrasio and Apelles.
Ceramics
Ceramics are the best and most varied expression in decorated and painting of Greek art. This variety gives us a very complete evolution of the culture. With a style and own techniques, is characterized by having varied forms and original. The predominant geometric elements arranged in bands, the shades of the clay, from yellow to gray brown, presents figures in red on a black background or the background red and black figures, predominate animals and human forms.
The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare these to other scenes and styles of the same and other painters. Finally, one can then hypothesize where, why, and how this piece was used.
The ancient Greek civilization has left a rich cultural footprint on modern Western civilization. Especially during the ancient Classical and Hellenistic eras of Greece, ancient Greeks have left behind a plethora of ideas and concepts that have played a crucial role in forming the foundations to Western civilization. Although the Classical era was a time of war and conflict, it was the Golden Age of Greece that was the home to many achievements in art, philosophy, architecture, politics, and literature such as the birth of democracy. The Hellenistic era was a period of social and economic prosperity that was defined by the spread of Greek culture across the entire eastern Mediterranean and Southwest Asia. During this era, countless of advancements
Onians, John. Art and Thought in the Hellenistic Age: The Greek World View 350-50 B.C. London: Thames and Hudson, Ltd., 1979.
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
- Priest of Troy being punished by the Gods for warning against accepting horse from the Greeks. Sea serpents attacked him and his sons. Beautiful anatomy.
The Greek’s images also possessed two important ideas that brought the soul of the artist and subject to the surface while still capturing the passion and action of the movement and story: noble simplicity and quiet grandeur. Greek images contained faces that were full of expression but were also balanced because they were not overcome by pain or passion because they still had nobility of soul which creates a sense of tranquility even in the midst of rage, fervor, or desire.
With the lack of written language at the time, art and speech was the best way to communicate and share ideas in ancient Rome and Greece. Mosaics, fresco, wall and vase paintings, especially in the house of nobles, was a regularity in homes. The constant purchase of art could be accredited to the people love of the gods. This is a perfect example of how language was so important to the growth of ancient civilizations such as Greece. Do to the lasting poverty in this culture; intrinsic pictorial art wasn’t something seen everyday by all. Many of those less fortune relied on language to pass traditions, educating the young. In regards to entertainment, style played an important role in attracting the eyes of
Grecian architecture formed its own conventions in the ancient world, buildings in Greece were built with meticulous mathematic design. Great buildings were believed to be symmetrical, and perfectly proportioned [Document 7]. Another prominent aspect of ancient Greek architecture is the extensive use of columns. There were three basic types used, Doric which were plain capitals, ionic in which the capitals were fashioned after ram’s horns, and Corinthian which were made to mirror acanthus leaves.
varied from designing coins, mosaics, gem engravings, architecture, pottery and sculptures. I’m also going to talk about what tools the sculptors used and the various methods used to make pottery and vases. The second part of my report will be about a day in the life of a Greek artist for example how they were treated were they considered middle class, upper class or were they looked down upon also what were their daily tasks, how did they would start their day and end it. The main reason I picked this topic is because art is a very important key to learning about a cultures history and beliefs. Greek art has influenced many other countries especially Rome most of their art and art from the Italian renaissance were copies of original Greek works of art.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
All in all, the artworks of Mesopotamia, Ancient Egypt, Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation, these cultures are vastly exclusive works ranging from triangular depictions of form, to breezy depictions of nature, to sturdy architectural innovations for their citadels. Because of the existence of these major cultures of art in our world, it has made what art is today. These four unbelievable time periods have learned from each other and improved the way they accomplish their art techniques. These amazing cultures set a foundation that we were able to build on for thousands of years now with much more to come.
Honour, Hugh, and John Fleming. "Hellenistic and Roman Art." A World History of Art. London: Laurence King, 1999. 179-213. Print.
The first definable period of Greek pottery, Geometric (c. 900-700 BCE), accounts for the majority of ancient vase painting still in existence today; and as such, affords us the broadest view into this art form. The period attributes its name to the geometric forms that artists used to detail their vessels. The primary decorative motifs that distinguish the period include parallel lines, concentric
There are many different types of architecture, but they all somehow relate back to the ancient Greek’s architecture. Greeks developed their distinctive building types, and these forms, once established, remained remarkably consistent. (W.B Dinsmoor 1927) Characteristically, they combined the functional elements with close attention to the overall aesthetic effect of a building. Thus the ancient Greeks constructed glorious architectures. The Greek Architecture is divided into three main periods; the Geometric and Orientalizing periods (1100 B.C to 650 B.C), the Archaic period (660 B.C to 475 B.C), and the Classical period (475 B.C to 323 B.C). (A.W Lawrence 1957). Along with the different periods of Greek architecture, the Classical period had two main styles; Doric and Ionic.
Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological