I went to see the Parsons Dance Company on Tuesday April 9th. It was a very interesting show. There were actually many different techniques that I observed in this performance. This company uses many different forms of dance all into one technique, which makes them a unique company.
One characteristic of technique that I noticed in most of the pieces performed was fast paced movement. Every piece was very upbeat and synchronized with the music. All their movements were done to the accents in the music. In “Too Many Cooks” all the movements were in sync with the sounds in the music. In “Mood Indigo,” there were three duets and they all showed different colors of indigo by how they dancers expressed their movements. The first duet was the color purple and they showed a couple in love and the movement was very quick. The second duet was the color light purple and the movement was very slow, this was the only piece where the movement was pretty slow. Since it was a lighter color they made the movement slower which fit the whole idea. In many of the other pieces they movement was fast as well.
In the piece, “Caught,” the technique here dealt with strobe lights. David Parson’s choreographed this piece and it was very well done. They had the dancer jumping in the air while they strobed her to give it a suspended in time look to the movement. This is not really a dance technique, but more for perspective. It’s not very often you see someone in the air for a split second suspended in the air. This is a very unique technique and many other companies should try it. David Parson’s is a genius for designing this piece.
Unlike most of his contemporaries, Grossman’s dance movements vary from one production to another. In the 1975 production ‘Higher’ the dance movements were mainly using the whole body. The piece went for 15 minutes and was explicit in its design so that the audience could clearly see and understand the intended message/s. This piece received many awards and is what got Grossman noticed and brought into the dancing world.
After watching the videos most made me feel same as in our book Bill T. Jones says, “Make something beautiful…Make something that comes honestly from you. Dare to fail.” That is exactly ho I felt after watching most of the videos. They were full of emotions and contact. The movements were very touchy feely and emotional with a story to tell; especially, the one called “What is contact improvisation?” I did reminded me of some of the previous choreographies we watched. I most of the videos there was a lots of ballet movements except the “Rennie Harris Puremovement │ Jacob 's Pillow Dance Festival 2009," which I actually enjoyed the most. I also did see some jazz, and musical, but not tap. If I look at previous video from Bob Fosse and his “Sweet Charity”, I don’t really see any connection between the videos we have see in this chapter.
There were Dunham Technique seminars where for example she taught her dance students how to move their body like a snake. While the dancers would warm up, Dunham would teach them the cultural history behind her technique such as the isolation technique as well as the difference behind techniques and dance movements. (Dunham
On November 12, I had the incredible experience of seeing Ballet West’s Production of Madame Butterfly. I am so grateful for this experience because I was the first time I had ever seen a ballet performed. I enjoyed the evening immensely, and hope to be able to attend more ballets in the future.
Ramsay, B. (2000). Dance theory, sociology, and aesthetics. Dance Research Journal, 32(1), 125-131. Retrieved from http://www.jstor.org/stable/1478286
At some points the dancers would move fast and quick with swift motions but in the
On April 23, I saw the Alvin Ailey Dance Company perform at Jones Hall. They performed many pieces including Open Door, Vespers, The Hunt, and Revelations. These pieces all included more than one dance routine to different songs or pieces of music. While all of the pieces were amazing, I have to say that my favorite piece is Revelations. Revelations explores the sadness and joy of the human spirit through African-American, gospel inspired music to the styles of modern and jazz, deeply rooted and influenced by African-American culture. When Alvin Ailey choreographed this, I definitely believe that his main inspiration in his choreography derived from his faith and relationship with God. All of the pieces
I had the pleasure of being in Western Kentucky University Dance Department’s concert, An Evening of Dance. The performance took place on April 29th through May 2nd in Russel Miller Theatre. It consisted of many works from faculty and guest artists. I felt like the concert was a success and that the choreography was all unique in its own way. I enjoyed the pieces that I performed, and the ones that my fellow company members were in. Through the analysis of “Petrichor”, I found that each production and chorographic element plays a large part in the successful outcome of a dance and emotional responses can be evoked by the simplest ideas.
... social dance. Many people in today’s society enjoy social; dancing. Chapter eleven dance concert, properly planning and establishing a dance concert is of the utmost importance. The partnership with the lighting designer usually takes priority over all other factors. One of the most important issues concerning customers has to do with mobility. The dancer must be able to move comfortably in the costume. The task of producing a dance concert is an overwhelming and tiring one. Chapter twelve dance in education and career in dance, many dance educators present the argument that teaching and learning dance as an art form is obviously absent from the American student education. There has always been and always will be people who have a love, desire, and passion to instruct and learn the art of dance, will ensure an important place for dance in higher education.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
During my visit, I was able to observe different dances that were very interesting. Two dances that caught my attention were the “Toro Mambo” representing the state of Sinaloa and “Payasos of Tlaxcala” representing Tlaxcala. The “Toro Mambo” from the region of Sinaloa is one of the most popular dances in Mexico. The dance is really interesting for the reason that it represents a story in where a bull would dance on a place known as the “mambo.” In this folk dance the dancer do movements at the same paste while trying to imitate how the bull would dance. In this dance the women wear long colorful dresses to represent joy and in order to move the skirts higher. In contrast, the men wear light color shirts and jeans that matches with their partner. In the other side the dance of the “Payasos de Tlaxcala” represents a story of a festival in the region of Tlaxcala. To perform this dance men and women dress like clowns in colorful outfits to amuse the people in the festival. During the dance, the dancers try to satisfy the public by putting humor in the dance and doing crazy movements. This dances are both very great and enjoyable to watch. It is amazing how you could learn so much in a little bit of time and in a beautiful art
They do this in a group, making the movements more intimidating and sinister with a mystical twist, they’re movements are in a ballone style. Once again like a traditional romantic ballet. The ballone style is lighter and highlights the supernatural quality. However, although the majority of their choreography is in the style, they also have a heavy dynamic to their movements, they dance with heavy shoulders and heads, that appear to be kind of just placed on the body and not particularly choreographed, just allowed to be flung freely in whatever direction the body takes
After I began to learn to dance ballet, I found out that these elegant movements actually require a lot of strength, flexibility of the bodies and brain’s participation to make it looked elegant. The dancers’ movements in the performance were so fluent and elegant and it is not hard to imagine how hard they had practiced, stretched and use the strengths to do all the ballet poses with their bodies look longer and longer. Their expressions also impressed me a lot. By looking at their expressions, the audience can easily understand the scenes and blend into the story. The performers actually not only are required to have good dancing skills but also are required to have some talents to be actors. Moreover, they also have to be good at expressing their feelings on the
Dance is a part of every culture. Whether it is the fire dances of the native Hawaiians, or the Tango from Spain, dance is a part of every culture. This event is not an event I would usually attend. I am not into art of any kind except music. At first, there were two reasons I went to this performance.
I remembered that one scene from one of the school play of my high school involved the lights as well. However, it was used less successfully back then. My peers were simply displaying background images on the screen, instead of of incorporating the lights into the entire performance to improve the quality of it. This comparison just showed me again that how good were these choreographers and directors to use something outside the regular dance range in a performance. The stage effects were certainly enriched, so did the audience’s experiences. It was clear that that show was unique on that night. The use of lights in such dance performances is not new these days, but I still and impressed with this dance because of its overall effects. The dancers were wearing some kind of work suits from a lab, which made the lights reflected on their bodies when the lights were on as they danced. That was truly