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Flamenco dance in spanish culture
Flamenco dance in spanish culture
Flamenco in spanish culture
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The two videos that I chose are called promo PISADAS. Compañía Olga Pericet en el Festival de Jerez and Agbadza dancing in Ghana. Right away I noticed that these two forms of music and dancing are from two very different countries, which are Spain and Ghana. The first video is portraying flamenco. We first see a woman dancing and we see other people shouting words, clapping, and singing. The woman is dancing side to side with the beat, and as the clapping and music are going much quicker, the woman is moving faster. The woman’s attire looks very elegant and she has bells around her waist. This shows us that while the woman dances, there is also going to be some variation of sounds from the bells that form. I also saw both women and men, of …show more content…
Instruments like the guitar were being played, and it had a smooth melody that complemented the dancing. Throughout the video there’s a man who looks like he is dressed as a deer or some sort of animal, which was something that I have never seen before. Usually when I think of flamenco, I think of elegant dresses or elegant clothing in general. It showed me that flamenco can be a form of expression. Based on prior knowledge from World of Music, the elements of flamenco were extremely apparent. These elements include cante, toque, baile, palma, zapateado, pitos, jaleo, etc. This video helped me understand flamenco, in the sense that flamenco is not only dancing but includes music, especially the incorporation of sounds from the surrounding. This video also helped me to see that flamenco is very beautiful because you can hear and feel the emotions of both the dancers and the …show more content…
I find it quite fascinating how different people of different cultures and opposite regions of the globe can have such similarities in their forms of expression within the field of music and dance. In both videos, it is undeniable that the performers moved in a manner that coordinated with the rhythm of the music. This is apparent in the speed pickup of the music in flamenco that correlated with the woman performer’s movement speed. It is also apparent in the number of people who came into the circle as the shouting appeared to be increasing in sound. I noticed that in both performances, there are instruments incorporated. In flamenco, there is a guitar being used, and in the other, there are drums. Another similarity evident across both these performances is the participation of both male and female genders. Although they compare in various degrees, there are a number of differences between them. In the case of flamenco, I found a sense of more professionalism and the importance of visuals concentrated in a focus point, whereas in the other, it seems like there was no particular focus point, it was more of anyone who feels to participate in the performance is welcome to. Another difference is the number of performers that had participated in this expression. For instance, the dance in Ghana has multiple people, men and women, gathering and joining in on the movemements as
As I expected, mariachi music was indeed fast paced and an upbeat tone. What I did not realize was that some mariachi music does not have to start off quick it can be slow or sad. All in all, I found this experience to be both fun and
Considering descendants’ effort to bring this culture back in society, this entire dancing performance, masks, and the idea of interacting with the outside world must not have been merely correlated to their religious and spiritual ritual. It might have been their identity; a symbolic of their society which their ancestors had built and passed down to them.
Ramsay, B. (2000). Dance theory, sociology, and aesthetics. Dance Research Journal, 32(1), 125-131. Retrieved from http://www.jstor.org/stable/1478286
For example, they performed the Samba from Brazil, La Marinera from Peru, Salsa Caleña from Columbia, Bachata and Merengue from the Dominican Republic, and etc. Along with the dancers, there was also live musicians
All around the world, there are thousands of cultures. Although they are different, every culture partakes in dance. Dancing is something known worldwide. Every culture has traditional cultural dancing they partake in. Mexico has many cultural dances. La danza del venado is one traditional dance from Northern Mexico. La danza del venado, is known as the deer dance.
Music comes in many shapes and forms, and has been a magical element of inspiration and encouragement throughout time. The art of music derives from many different things, such as culture and traditions. One such type of music is mariachi music, deriving from Mexican culture and traditions. Mariachi music is often an upbeat rhythm, consisting of a band of up to six to eight violins, two trumpets and a guitar. Unlike modern music and other music bands alike, mariachi bands lack in numbers when it comes to band size. Though they are small, their music brings great significance and life to the places they perform and the people that they touch with their joyous music. In this paper, I will be comparing the culture and style of mariachi music to twentieth century modern music.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Wisner, Heather. “With a Hop, A Kick, And A Turn, Cumbia Enters the Global Stage.” Dance Magazine 80.9 (2006): 64-68. Humanities Abstracts (H.W. Wilson). Web. 7 Dec. 2011
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
“Who knows only his own generation remains always a child.” This quote from George Norlin echoes the edification that cultural exposure can offer. How does African dance relate to do modern dance? The two are so heterogeneous in their make-up that one would not think of them as having similarities. The truth, however, is that all dance forms are linked in some way or another; they all strengthen and sharpen each other. Modern dance has its roots in African dance with the emphasis placed on the connection of weight and gravity. Brenda Dixon Gottschild names five aesthetics that are present in African dance. A particular piece that draws attention to the relation of the five aesthetics to modern dance is “Split Sides”, choreographed by Merce Cunningham.
During my visit, I was able to observe different dances that were very interesting. Two dances that caught my attention were the “Toro Mambo” representing the state of Sinaloa and “Payasos of Tlaxcala” representing Tlaxcala. The “Toro Mambo” from the region of Sinaloa is one of the most popular dances in Mexico. The dance is really interesting for the reason that it represents a story in where a bull would dance on a place known as the “mambo.” In this folk dance the dancer do movements at the same paste while trying to imitate how the bull would dance. In this dance the women wear long colorful dresses to represent joy and in order to move the skirts higher. In contrast, the men wear light color shirts and jeans that matches with their partner. In the other side the dance of the “Payasos de Tlaxcala” represents a story of a festival in the region of Tlaxcala. To perform this dance men and women dress like clowns in colorful outfits to amuse the people in the festival. During the dance, the dancers try to satisfy the public by putting humor in the dance and doing crazy movements. This dances are both very great and enjoyable to watch. It is amazing how you could learn so much in a little bit of time and in a beautiful art
...ating with each other and these are the same values that are being passed on to this generation. The dancers in South-central Los Angeles, uses this form of art to express their feelings and it a form of communicating just like their ancestors did back in there days. At the same time, it allows them to have a much deeper connection with their roots.
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
In New York, the dance is characterized with a heavy Puerto Rican rhythm and sound. The type of Salsa is metaphorically polished and smooth. Its structure is that of Jazz music with lengthy breaks of instruments. Some of well-known musicians who play this type of Salsa are Celia Cruz and The Spanish Harlem Orchestra. The dancing borrows Puerto Rican fast foot work. This type of Salsa is known as Salsa 2. Los Angeles doesn’t have its signature type of Salsa. Bands here adopt the classical Puerto Rican music. The dancing moves are both exciting and sexy. In Cuba, they dance to a type of Salsa Timba. The movement is fast as in Afro Cuban music. Cuban Musicians have blended in the popular Reggae and Pop music in between the breaks. The dancing style is called “Casino” simply because when it was started it was played in gambling joints or casinos. One notable difference is that Cuban Salsa is circular rather than linear. The man keeps moving around the woman. The Colombians have maintained their Salsa Dura up-to-date. The dancing style is spectacular with swift movement of feet and tight spins. The dancers stay close; bodies almost touching. The West Africans also have their Salsa. (Carwile, 2017)Traditional music instruments are relied upon to give the rhythm. The dancing style is what they call Salsa Mbalax more African than
According to his review of A Guide to Latin American Music by Gilbert Chase, Charles Seeger describes Chase’s description of the music culture, “The quantitative distribution of more than 2700 entries, which include some multiple listing, is interesting” (Seeger, 1946, 304). Chase explains a plethora of countries in Latin America and their specific musical features. Furthermore, thanks to his detailed work, the reader can see how many common features can be seen. Firstly, a common feature among all genres is the use of aerophones. The aerophones used could include, panpipes of various varieties, flutes, trumpets (as seen at the Boogat performance in Ottawa) and many more. Another common feature among all the genres is a strong rhythmic presence. In essentially all Latin American music, a steady, metrical rhythmic quality can be heard keeping the music energetic and easy to follow. To keep the rhythm, another common feature to Latin American culture is the drum. Most commonly found in the Afro-Latin genre, as a result of influence from African culture, can be seen throughout Latin America. A popularized western form of this type of music, is that of mariachi. Finally, Latin American culture is known for its vibrancy in their music. The music is generally quite expressive of feelings, strong moral messages found in protest songs, and their colorful, elaborate