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analysis for the twelfth night
analysis for the twelfth night
analysis for the twelfth night
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Twelfth Night by William Shakespeare was performed at the Whole Food’s rooftop on the night of September 30th by Present Company. Directed by Joseph Garlock, the play was well received by adults and children alike. The success of the play was achieved particularly through the play’s execution of stage techniques, community engagement methods, and unique character portrayals which increased the entertainment aspect of the play and facilitated understanding of the play’s plotline.
Through stage set techniques, characters were able to manipulate space and make the play more engaging for spectators through establishing closer actor and audience interactions. At the play, seating areas were arranged in a semi-circle formation that allowed easy access for actors to maneuver within the audience through alleyways, and the close proximity of all the seating spaces made the set more inclusive as a whole. No matter if the spectator was sitting on the
Every band member of The Rudesbees wasn’t just a band member. All of the musicians also acted in side roles on stage, which showed the artistry in each character. Traditionally in an auditorium, the music would be played by pit members who would have no stage time, but the way the actors and musicians interchanged in Twelfth Night added to the unpredictability and uniqueness of the play, causing it to stand out from other versions. Through the pair-up between the players and The Rudesbees, this emphasized the cast’s cohesion and made the production seem like a more unified effort. The liveliness of Michael Fertsenfeld on stage brought energy to the music he played, and this was also applicable to the other band members as well. With this constant stream of spirit, the play was able to exert a certain type of intensity and vitality in the audience throughout the entire night, making the performance highly
People are not always whom they appear to be. Whether it’s that fierce tattooed muscle man or that sweet elderly lady smiling from a few seats away, what is perceived is not always what is true. Shakespeare’s Twelfth Night portrays many a character whose identities do not align with their inner character. Olivia’s polite ladylike demeanour, Sir Toby’s guise of nobility, and Feste’s job as a fool all demonstrate how social identities don’t always align with inner character.
These strong drama and dramedy plots are structured around two strong dramatic women who emphasise the importance of character to act as a vessel through which a drama can be represented in a variety of settings. In both, 1940s New Orleans set A Streetcar Named Desire and the Illyria-based Twelfth Night, the plot is centred around a woman hiding her identity, in A Streetcar Named Desire Blanche is the catalyst for the plot as is Viola for Twelfth Night, though women in very different times, they are similar in their affect on the audience but differ in how they deal with loss.
"Elizabethan Theatre Audiences." Elizabethan Theatre Audiences. Strayer University, 16 May 2012. Web. 24 Mar. 2014.
In Shakespeare’s Twelfth Night and in Molière’s The Imaginary Invalid, two ladies are presented, that are not necessarily the leading protagonist, but they help unravel the plays’ plots into something amazing. Twelfth Night features Maria, the lady in waiting to Olivia. At first Maria comes off as a dilettante, later on we find out that’s not the case at all. Meanwhile, in The Imaginary Invalid, there is the disputatious Toinette, who is the maidservant and nurse to the imaginary invalid himself, Argan. Maria and Toinette are two strong women characters, their strength and wit is depicted through Maria and Toinette’s deceiving schemes to make their plays more stimulating as well as their objectivity throughout all the chaos in their respective play.
The liminality in performing Twelfth Night lies in sexual ambiguity on the stage. It enables a boy actor to play viola's role and disguised as a boy who is wooing another boy who plays a female role . The audience sees no more than a p...
In Shakespeare 's well known play Twelfth Night, which takes place somewhere in Illyria, Lady Olivia is an independent, powerful, wealthy but single woman; the sudden deaths of her father and brother has left her in sadness alone in a big castle to herself. She has her relative Sir Toby Belch who was still around and visited her. Orsino, a duke, has a huge crush on her and is trying to have her to himself. Meanwhile, the jealous steward Malvolio who also has a crush on Lady Olivia, is a guy who is full of himself and acts like he 's king, he forgets where his place is sometimes. In Olivia 's house there is the weak and foolish Sir Andrew who has a crush on Olivia and is wishing one day he would get a chance with her. are also these twins,Viola and Sebastian. They have been shipwrecked and isolated from each other, so Viola thinks Sebastian is dead, and Sebastian thinks viola is dead. Later Viola decides to disguise herself as a messenger and call herself Cesario so she can work for Orsino. Since Viola was so pretty and the way she used her words were great, she won Orsino’s trust. Orsino tells Cesario
William Shakespeare's Twelfth Night In the last act of the play the plot entanglements and confusions are not only sorted out but, also reach their climax. To do this all the plots that have been occurring throughout the play are brought together in one final conclusion. The various plot entanglements are sorted out in what is generally thought to be a happy ending, for instance:- Viola, who is under the mistaken identity of Caesario, finally reveals her true identity because Sebastian has appeared therefore everyone else thinks they are seeing two Ceasario's. By Viola doing this, she can finally reveal to Orsino that she loves him.
Twelfth Night or What You Will is one of the most popular comedies from Shakespeare. It is believed was written by 1601-1602. In the play, he creates a pair of twins that one is a female named Viola and another is male named Sebastine that separated in a shipwreck that develop the whole story. Today, I will emphasize on Viola as main line. The story developed by a “white lie” that main character Viola dressed up as a man to be a servant named Cesario aside Duke Orsino. Many stories occurred between these two characters in three identities.
The protagonist of Twelfth Night is Viola, the central character in the play, a likeable, resourceful and attractive young woman. At the beginning of the story, Viola is shipwrecked with her brother Sabatian. Fearing that Sebastian is dead, she decides to dress like a man in order to get a job with Duke Orsino. Viola, in love with Orsino, is asked by Orsino to court a woman for him. She finds herself in an unusual love triangle.
To begin this essay, I will provide a brief analysis of the atmosphere of the play. I will also establish the mood created by Shakespeare to give a comedic tone to his story which would otherwise have been a maudlin story revolving around romance. The play, which actually has the full title Twelfth Night, or What You Will, was written specifically to be performed for the twelfth night of Christmas. In Elizabethan England, this was a day where people are handed out slices of a cake cooked with a pea and a bean. The two people that eat the special slices are appointed King and Queen of the evening’s festivities. As Shakespeare purposefully tried to emulate, the themes of the festivals revolve around servants according themselves more privileges than they were usually given by their masters. Like it is demonstrated by Shakespeare in the play, sometimes people dressed up in the opposite gender or even as wealthy nobles. Centering his play’s plot around this is what took his play from being only romance-oriented to being more comedic and thus more appropria...
When you read this play, take special care to remember the difference between the work of a playwright and that of a novelist. Novelists may imagine their audience as an individual with book in band, but a playwright writes with a theater full of people in mind. Playwrights know that the script is just the blueprint from which actors, producers, stagehands, musicians, scenic designers, make-up artists, and costumers begin. You will need to use an extra measure of imagination to evaluate this play before you see the Goodman production.
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Feste, the amusing clown, plays a most important part in the play. He is able to take on several roles, and is indeed "for all waters"; from serious to comic, learned to nonsensical, the wit or the practical joker; just as the occasion seems to suggest. Because he is a part of both the main and sub plot, Feste is the character, who links both parts of the play together, making Twelfth Night a whole.
...h the underlying theme of festivity in the play. Edward Cahill’s article and evidence from the play provides solid evidence to support this argument. However, what Salingar hasn’t addressed in his article is that the sub-plot also serves to illustrate the dangers of unchecked festivity. The sub-plot is absolutely necessary to the play and adds a layer of depth and insight into the themes of Twelfth Night but most of all, the subplot is what allows this play to be classed as a comedy.